100 Books Like Love Happens, Eventually

I love an amnesia trope, and this one delivered!

I couldn’t read fast enough to find out who Zoe really was before her accident and how everything would be revealed. And Jo Watson delivered a rollicking ride filled with feelings–so much feels!–and it just kept getting better, coming together like a tapestry right until the end. It was a journey the heroine went on, and as a reader, I also went along with her, which was magical & so enthralling!

Set in Johannesburg mainly and the South African countryside, it showed normal people living normal lives amid extraordinary circumstances, all with a feel-good, rom-com vibe throughout.

I’m of Indian heritage, and when I see Indian-origin protagonists, I’m on it like white on rice! Add to it another trope: I love the marriage of convenience, and I was hooked.

Now, you can expect Indian protagonists to mean Indian families, usually big, often messy, and definitely loud. I just needed a Bollywood-style soundtrack in the background, and this one would’ve been a perfect blockbuster from Bollywood.

Vash Karuppa also knows how to write feelings, delve deep, and make you feel everything that’s roiling inside her main characters’ hearts. Definitely, a thrilling, colourful, boisterous ride where love is swept along whether it wants to or not!

I’m a sucker for all things Royal! Give me a prince and/or princess looking for love in today’s world, and I’m sold. This one has a princess and a prince!

Imagine you’re a princess bidden to enter a marriage of convenience with a neighbouring land’s prince. Then, on your wedding day, you get into an accident, your new husband dies, and when you wake from a coma, you find you’ve now been legally married off to the new Crown Prince, aka your late husband’s younger brother. And he’s hot as sin itself!

This one is more on the steamy side, but don’t let it deter you. Amidst all the heat is a treasure trove of feels and warring emotions and a seismic journey of falling for the "wrong" person who now happens to be exactly the right one!

Another one with the amnesia trope (I told you it’s a fave of mine!) Except in this one, the hero wakes up with amnesia, not recalling that his gorgeous wife is his on paper only…Kiru Taye can write angst! Feelings in general, but angst, turmoil, and passion that don’t just mean an opened bedroom door? She delivers.

I loved witnessing the romance brewing here and just waiting for the other shoe to drop. When it did, everything escalated, yet at no point did it feel like "too much." I also loved how it showed me a slice of Nigeria, in lifestyle, culture, and day-to-day living, that I’d never experienced before, opening my eyes to what life on the African continent is truly like when one looks beyond the trauma and misery overflowing in African literature.

Eben Venter, though born in the heart of the South African ‘platteland’ (the South African equivalent of ‘fly-over country’), has spent much of his adult life in Australia, and the novel poignantly straddles the two locales: the constricting conservatism of the protagonist’s farm background, and the bewildering freedoms and opportunities of a more cosmopolitan setting. Here that conflict is heartbreakingly acted out and in a grim sense resolved in the main character’s losing battle against AIDS, and his death-bed reconciliation with his hitherto unbending father. Venter gives us a harrowing account of what it is like to die of a disease that wastes your body, blinds you, and makes you mad before killing you. It is all the more remarkable that the experience is registered from the inside, as it were, in a subjective stream of consciousness. The poignancy of the novel is intensified for me by knowing that the… show more.

Kabu Kabu takes its name from Nigerian slang for a dodgy taxi that gets you where you need to go, one way or the other. It’s a fitting name for this short story collection, which took me on a journey of twenty-one stories that include excellent science fiction, fantasy, horror, and excerpts from her wildly popular and award-winning novels. Drawing from her own Naijamerican heritage and using a skillful balance of characters, plot, setting, and themes, Okorafor offers an array of stories based on dual identities, folklore, philosophy, and contemporary issues filtered through a speculative lens.  

This book fills a gap that I didn’t know was missing until I read it.

Not much has been written documenting the history of Black Africans in 20th/21st Century London, but Jimi Famurewa covers the migration, the cultural contributions, the food, the music, the community…ah, it really covers a lot.

Non-fiction is never really my go-to but is immensely readable and the research is thorough and sharp. It filled in some the gaps in the word-of-mouth anecdotes you hear from the older generation, as well as introduced me to corners of our history that I wasn’t as familiar with.

This short book is without doubt the best introduction to African travel (and in my opinion one of the greatest travel books ever written).

Ranging across the whole continent, Kapuscinski’s evocative writing, although not always sticking religiously to factual details, captures the essence—and the magic—of the place like nobody else can. The book, along with his other great works on Africa Another Day of Life and The Emperor, was a major influence on both why I wanted to get to know Africa and how I write about it. 

This book provides a detailed and trenchant analysis of how African novels have sought ways of reflecting and resisting the destruction wrought by colonial occupations and neo-colonial extractive capitalism. This analysis thoughtfully includes ‘nonhuman life’ and the need to ‘redefine our notion of personhood to include other beings that we do not normally ascribe to this (yet with whom our ecological history remains deeply entangled).’ Iheka also points out how Africa has ostensibly been demarcated as a ‘sacrifice zone’ by other major global powers (many of who benefited from the colonial enterprise) and how African fiction attempts to decentre narrative perceptions from the Global (and anthropomorphic) North. I enjoyed the subtle and inclusive approach of the author, who emphasised the porous nature of borders and the ethical need to reengage with what it means to be human as a way of finding our way out of a ‘slow apocalypse.’ 

I feel sadness for readers who haven’t experienced the excitement of this book with its aura of the ancient sacred. Set in the darkest Africa, this Lost Civilization novel, despite its colonialist overtones, stoked a fire of passion in me for thrilling reading and writing. (Rather like the unearthly pillar of fire that She bathed inside to preserve her unworldly beauty!)

For me, the story of an immortal woman and love and death across the eons is unforgettable, as is the terrible and beautiful She herself.