Books like Just Sayin' — picked by fans

I've always heard there are two sides to every story. Generally, this means a good side and a bad, or at least one with some sort of a redeeming perspective. But what does a person do when both sides are equally hellish? For Maiya, it means she truly is Daydream's Daughter and Nightmare's Friend. It seems as though the insufferable miseries will never end. This book is deeply emotional and compelling. The author describes the events in vivid detail creating a sense for the reader of being there in the midst of it all. The book immediately captures your attention, and page after page keeps you wondering what will happen next. An excellent story by an excellent author.

Emma Tennant was one of Ted Hughes’s lovers in the 1970s, at the height of Sylvia Plath’s early fame. I arrived at her memoir as research for Loving Sylvia Plath: A Reclamation, but I stayed because Tennant’s writing is so witty and clever, full of riotous anecdotes of her time publishing chic literary magazines in 1970s London (she tries to steal, and sell, a family snapshot of Princess Margaret, nude on a French beach, for seed money, which ends in hilarious disaster).

Tennant never descends into self-pity or high drama in describing the dark and mysterious Hughes, who believes a random fox on the road is his dead wife returning to him and tries to convince Tennant that frozen salmon at a third-rate London restaurant is fresh and delivering life force to him. Instead, she sneaks in the violence done to her by Hughes in moments drenched in myth… show more.

I bought this book on a whim, intrigued by the cover. It’s a hard-hitting, fast-paced thriller that is like nothing I’ve ever read before. The approach to the genre and the narrative was original, and this book single-handedly inspired me to start writing myself. I remember reading it and thinking, I could do something like this… but I would do it a little differently. I then found out the author was the first self-published author on Amazon to sell a million copies. That’s when I decided to start to write and publish my own work.

Before reading On Writing and Writers by Margaret Atwood, I naively believed that writing about writing was necessarily boring. Like a textbook, full of cold, mechanical steps to improve. Atwood’s book proved me incredibly wrong. 

I was mesmerised by Atwood’s self-deprecating charm and disarming wit, and saw myself in her initial query about whether she has the right to write – namely, the right to make grand claims about her practice.

Perhaps what I loved most was her reluctance to offer anything concrete. She dances near a decision, a position, an answer, and then just as quickly, she turns away again. Self-indulgently, I enjoy the idea that writing is a mystery that doesn’t have one answer and that can’t be pinned down. For me, Atwood’s book confirmed this fanciful notion. 

This is an excellent series of essays on the small things in life which please the author. Some are more obvious than others, but all are described stylishly and with typical French humour and elegance. I confess that after reading it, I did my own—inevitably inferior—version. But it was an enjoyment just going through the process.

Capturing the spirit of Maya Angelou’s work, Renee Watson expertly chronicles Maya’s life with evocative poems. This book is a rhythmic tribute to the first Black person and the first woman to recite a poem at a presidential inauguration. Bryan Collier’s collage art perfectly complements each poem.

I especially love the poem called “Brother Jimmy, Brother Martin,” which highlights Maya’s deep love for James Baldwin and Martin Luther King Jr.

My favorite lines: “Jimmy was light in the darkest of rooms. Martin was water in a parched desert.”   

T.W. Neal grows up with parents who opt to live on a sparsely populated Hawaiian island, not wearing clothes, surfing, smoking Marijuana, and eating magic mushrooms. The family lives in a van or in housing with few modern amenities and the author attends school on the island only sporadically. Due to her mother’s mental illness and her father’s alcohol abuse, she at times, has to run the household. With difficulty she connects with relatives and a few teachers and begins to reach for a lifeline to break free from the life her parents chose. She wants to go to college and eventually is able to leave the island and pursue a mainstream life. It is astounding that a person growing up in such circumstances would have the desire and determination to forge a different life.

Elizabeth Berg wanted to read a novel about George Sand but couldn’t find one…and so she wrote it herself. In The Dream Lover, Berg unfolds the story of Aurore Dupin, who boldly left a loveless aristocratic marriage to make her own way in 19th-century Paris. She adopts the pen name George Sand and becomes France’s bestselling female novelist, living a bohemian lifestyle and scandalizing society by having high-profile love affairs and, even more outrageously, by dressing in men’s clothing. I love stories about trailblazing women, and Berg compellingly conveys how risky and courageous Sand’s actions were at a time when women had few rights.

The Cry of the Lake was published in 2020, the same year as my book, and around that time, I had gotten to know many authors, including Charlie.

From the first line, I was drawn into the story which is told with impeccable detail, its characters clearly defined to create the dark and mysterious tale.  

This book is a bible for women in midlife. One of Levy’s ‘living memoirs’, it captures the author’s experience of leaving her marriage at fifty and remaking her life as a writer.

The pose is beautiful: spare and elegant. Importantly, the book explores how it is possible to create a life focused on artistic pursuit, children, and friendship, as opposed to romantic partnership, material wealth, and conservative notions of stability.

I reread it every year to remind myself of what is possible.