Here are 100 books that Josephine Baker's Last Dance fans have personally recommended if you like
Josephine Baker's Last Dance.
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Growing up in Los Angeles, I was fascinated from an early age by Mexican cinema, but my interest in Dolores del Río really blossomed when I wrote the novel Frida. Del Río was part of Frida Kahlo’s entourage, but unlike her friend, del Río was elegant and refined. Highly intelligent, she was dissatisfied with the vapidity of Hollywood and longed to make a real contribution to society. At Georgetown University, I taught courses on Latin American culture, and the Mexican Revolution, which influenced painting, literature, and cinema, was central to the classwork. Thus, I was very familiar with Del Río and her historical context long before I began writing.
A novel about Marlene Dietrich held a natural attraction for me, as Dietrich was one of Dolores del Río’s close friends in Hollywood. Gortner paints a vivid picture of decadence in pre-War Berlin, where Dietrich finds work in music halls. There, she meets Joseph von Sternberg, who casts her as the lead of The Blue Angel, the film that launches her career. As antisemitism grows in Germany, von Sternberg, who is Jewish, leaves for Hollywood, and Dietrich follows him. Paramount Pictures finds in her the answer to MGM’s sexy Swedish star, Greta Garbo, and casts her in one hit after the other. When Hitler approaches her to make propaganda films for the Nazis, Dietrich courageously rebuffs him, opting instead to become an American citizen and entertain Allied troops.
A lush, dramatic biographical novel of one of the most glamorous and alluring legends of Hollywood's golden age, Marlene Dietrich-from the gender-bending cabarets of Weimar Berlin to the lush film studios of Hollywood, a sweeping story of passion, glamour, ambition, art, and war from the author of Mademoiselle Chanel. Raised in genteel poverty after the First World War, Maria Magdalena Dietrich dreams of a life on the stage. When a budding career as a violinist is cut short, the willful teenager vows to become a singer, trading her family's proper, middle-class society for the free-spirited, louche world of Weimar Berlin's…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I love a well-written historical fiction novel that immerses me in the time period and introduces a female character I can relate to. We may live in different times, but women in all eras feel love, attempt and fail, find strength, perform heroic deeds, suffer mishaps, and experience life. Escaping into their stories makes me question what I would have done in their shoes as well as think about how my own story is still being written. As a historical fiction author, I seek to create those relationships between my characters and readers.
I finished this novel quickly as the story and writing are engaging.
I knew something of Hedy Lamarr’s wartime efforts and intelligence going in, but this story shed much more light on the woman and highlighted the difficulties she faced.
I recommend it for readers who enjoy historical fiction, WW2 stories, and novels about strong women.
Bestselling author Marie Benedict reveals the story of a brilliant woman scientist only remembered for her beauty.
Her beauty almost certainly saved her from the rising Nazi party and led to marriage with an Austrian arms dealer. Underestimated in everything else, she overheard the Third Reich's plans while at her husband's side and understood more than anyone would guess. She devised a plan to flee in disguise from their castle, and the whirlwind escape landed her in Hollywood. She became Hedy Lamarr, screen star.
The central themes in my own writing have always encompassed those of identity, the nature of reality, and variations on immortality. The lives of ‘celebrities’ touch upon all those themes, albeit through a distorted kaleidoscope where their own lives and the public’s perceptions of their lives intersect and are amplified and a third ‘character’ – that of the composite person, is then brought into existence. I find it fascinating how we can all be myriad people dependent upon who we interact with, and this is heightened when layered over the notion of ‘celebrity’ and fame by association. The books I've chosen act as mirrors to celebrity, but also work as great storytelling.
Blonde is a fictional biography of Marilyn Monroe. I tend not to read thick books – and this is over 600 pages – and I only had a passing interest in Monroe before beginning it, but the book was highly recommended so I gave it a go. I’m glad that I did.
This is a colossus of a book – in size, in scope, in adaptation, in emotion. The mood is tragedy – tragedy on so many levels it hurts to think about them. Oates pitches the 'Monroe' character perfectly. And for me, the book's strength comes from the fact that I'm content with this as a piece of fiction. I don't need to know the 'truth' (however, so much truth can ever be known).
It's also a book that makes me angry. A book that pitches hope against fate, all men against one woman, fame against success. We want…
The National Book Award finalist and national bestseller exploring the life and legend of Marilyn Monroe
Now a Netflix Film starring Ana de Armas, Adrien Brody, Bobby Cannavale and Julianne Nicholson
In one of her most ambitious works, Joyce Carol Oates boldly reimagines the inner, poetic, and spiritual life of Norma Jeane Baker—the child, the woman, the fated celebrity, and idolized blonde the world came to know as Marilyn Monroe. In a voice startlingly intimate and rich, Norma Jeane tells her own story of an emblematic American artist—intensely conflicted and driven—who had lost her way. A powerful portrait of Hollywood’s…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Growing up in Los Angeles, I was fascinated from an early age by Mexican cinema, but my interest in Dolores del Río really blossomed when I wrote the novel Frida. Del Río was part of Frida Kahlo’s entourage, but unlike her friend, del Río was elegant and refined. Highly intelligent, she was dissatisfied with the vapidity of Hollywood and longed to make a real contribution to society. At Georgetown University, I taught courses on Latin American culture, and the Mexican Revolution, which influenced painting, literature, and cinema, was central to the classwork. Thus, I was very familiar with Del Río and her historical context long before I began writing.
I thoroughly enjoyed Elizabeth Letts’s behind-the-scenes look at the making of The Wizard of Oz, one of my favorite films. The story revolves around the efforts of Maud, the widow of Frank Baum, author of the original novel, to ensure that MGM remains true to Frank’s vision. At first, the choice of Judy Garland to play the lead seems totally wrong, as the girl is too old for the part. However, when Maud hears Judy rehearsing “Over the Rainbow,” she recognizes an authentic longing. Furthermore, Judy is receptive to Maud’s suggestions and wants to play the role right. Although Judy seems confident on set, Maud recognizes in her an unhappy, insecure girl who is struggling to cope with the death of her father and is dominated by her overbearing mother.
Behind the most famous movie ever made is a tale of love, magic and one incredible woman
Hollywood, 1938: As soon as she learns that M-G-M is adapting her late husband's masterpiece, The Wonderful Wizard of Oz, for the screen, Maud Gage Baum sets about trying to visit the set. Nineteen years after Frank's passing, Maud is the only person who can help the producers stay true to the spirit of the book - because she's the only one left who knows its secrets...
But the moment she hears Judy Garland rehearsing the first notes of 'Over the Rainbow', Maud…
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Baldwin writes both fiction and non-fiction beautifully and intimately and if you don’t know his non-fiction work then this is a very good place to start. Across a number of essays, he elegantly sets out the deep struggle faced by Black Americans and articulates how a different humanity, in America and beyond, and a different future can be realized.
#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America
In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.
Written during the 1940s and early 1950s, when Baldwin was…
Stories of the past are always about making claims to the present and future. These claims include which stories—whose stories—are persistently silenced, ignored, or made very hard to hear, see, and know in the dominant culture. I am a cultural historian of U.S. political history, broadly imagined. My work is almost always driven by the same question: Why didn’t I already know this? Quickly followed by: What has it meant that I didn’t know this? Invariably, the answers are found in the histories of women, gender, race, sexuality, class, and immigration.
Childress’s novel is a compilation of short pieces originally published serially in two different Black-owned newspapers. In each story, Mildred, a Black domestic worker in New York City, recounts to her friend, Marge, the humorous, infuriating, and all too familiar experiences of working for various white families across the city. She also describes her refusal to remain silent in the face of white employers’ micro-aggressions, outright venom, and fantasies that she’s their loving mammy. Childress’s stories were a powerful salve to the Black household workers and others who first read them in a newspaper. Most of them daily confronted similar situations and worse, but lacked the safety or resources to resist in the same direct ways.
The hilarious, uncompromising novel about African American domestic workers—from a trailblazer in Black women’s literature and now featuring a foreword by Roxane Gay
First published in Paul Robeson’s newspaper, Freedom, and composed of a series of conversations between Mildred, a black domestic, and her friend Marge, Like One of the Family is a wry, incisive portrait of working women in Harlem in the 1950s. Rippling with satire and humor, Mildred’s outspoken accounts vividly capture her white employers’ complacency and condescension—and their startled reactions to a maid who speaks her mind and refuses to exchange dignity for…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am passionate about talent development and college access. I started my journey as a researcher when I learned that high school valedictorians’ adult success depends in large part on their race, social class, and gender. This work led me to life-long questions. How do we recognize talent and give young people opportunities without requiring their total assimilation into the dominant culture? How do we change our schools and colleges to welcome everyone and to benefit from the viewpoints and voices of all of our students? Answering these questions is imperative for our collective well-being in our changing society and world.
Lorene Cary tells her own story of attending an elite boarding school through a talent-search program for low-income students of color. Lorene’s experience shows vividly the costs of being a token in a setting of privilege.
This vivid memoir was dismaying to me as someone who wants students to have opportunities to realize their potential by having access to top-quality schools.
In 1972 Lorene Cary, a bright, ambitious black teenager from Philadelphia, was transplanted into the formerly all-white, all-male environs of the elite St. Paul's School in New Hampshire, where she became a scholarship student in a "boot camp" for future American leaders. Like any good student, she was determined to succeed. But Cary was also determined to succeed without selling out. This wonderfully frank and perceptive memoir describes the perils and ambiguities of that double role, in which failing calculus and winning a student election could both be interpreted as betrayals of one's skin. Black Ice is also a universally…
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
I found this book while researching my own history book. I purchased a used copy complete with the underlined text and notes of other people that I always find interesting. It’s an old book, first published more than fifty years ago. I see it as the perfect companion piece to King’s book.
Here, late author/editor Dorothy Sterling (quite an agitator herself) includes African American leaders' letters, speeches, songs, and news articles. Sterling covers heavyweights such as Frederick Douglass, Sojourner Truth, and Henry Highland Garnet, along with overlooked figures Ira Aldridge (Shakespearean actor), poet Phillis Wheatley, merchant Paul Cuffe, and opera singer Elizabeth Greenfield, the Black Swan. Reading Speak Out expanded my knowledge of the breadth and scope of the early Civil Rights Movement.
This impressive collection, drawn from a wealth of original research into previously untapped sources,including letters, diaries, memoirs, speeches, poems, songs, newspaper articles, advertisements, a ship's log, and official documents,allows African Americans to speak afresh across more than two centuries. Besides the expected voices of Frederick Douglass and Sojourner Truth, this book makes vivid the experiences and views of a diverse range of lesser-known but equally fascinating personalities: Ira Aldridge, one of the great Shakespearean actors of his day William Allen, the first black college professor in the country the astronomer and mathematician Benjamin Banneker Paul Cuffe, owner of a fleet…
Anna Malaika Tubbs is the author of the critically acclaimed book The Three Mothers: How the Mothers of MLK Jr., Malcolm X, and James Baldwin Shaped a Nation. She is also a Cambridge Ph.D. candidate in Sociology and a Bill and Melinda Gates Cambridge Scholar. After graduating Phi Beta Kappa from Stanford University with a BA in Anthropology, Anna received a Master’s from the University of Cambridge in Multidisciplinary Gender Studies. Outside of the academy, she is an educator and DEI consultant. She lives with her husband, Michael Tubbs, and their son Michael Malakai.
This anthology of some of Walker’s most powerful works with a focus on discovering ourselves through studying those who came before us is both incredibly informative and emotional. It explores motherhood not only through the biological role but also in a sense of community mothering and foremothers. There is much to learn about our present by examining lessons laid out for us by generations past.
Pulitzer Prize–winning author of The Color Purple, Alice Walker's collection of essays ranging in topics from personal to political. "Thoughtful, intelligent, resonant musings." — Kirkus Reviews
In this, her first collection of nonfiction, Alice Walker speaks out as a black woman, writer, mother, and feminist. Among the thirty-six pieces are essays about other writers, accounts of the civil rights movement of the 1960s and the anti-nuclear movement of the 1980s, and a vivid memoir of a scarring childhood injury and her daughter’s healing words.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We tend to think about the Black Arts Movement of the 1960s as dominated by militant male voices. This book explores the rich contributions of black women artists to the movement—by amplifying the voices of women artists in their own words. The book is a collection of oral histories, drawing on dozens of interviews with influential Black women artists. Some of them are recognizable, like playwrights/poets Sonia Sanchez and Ntozake Shange. Others are less familiar names whose influence should be appreciated more fully. This is a rich celebration of the impact of women artists during a key period of African American cultural change.
The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women's, and theater history. This groundbreaking study documents how black women theater artists and activists-many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors-disseminated the black aesthetic and emboldened their communities.
Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare,…
