Here are 35 books that Finding Dorothy fans have personally recommended if you like
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Growing up in Los Angeles, I was fascinated from an early age by Mexican cinema, but my interest in Dolores del Río really blossomed when I wrote the novel Frida. Del Río was part of Frida Kahlo’s entourage, but unlike her friend, del Río was elegant and refined. Highly intelligent, she was dissatisfied with the vapidity of Hollywood and longed to make a real contribution to society. At Georgetown University, I taught courses on Latin American culture, and the Mexican Revolution, which influenced painting, literature, and cinema, was central to the classwork. Thus, I was very familiar with Del Río and her historical context long before I began writing.
A novel about Marlene Dietrich held a natural attraction for me, as Dietrich was one of Dolores del Río’s close friends in Hollywood. Gortner paints a vivid picture of decadence in pre-War Berlin, where Dietrich finds work in music halls. There, she meets Joseph von Sternberg, who casts her as the lead of The Blue Angel, the film that launches her career. As antisemitism grows in Germany, von Sternberg, who is Jewish, leaves for Hollywood, and Dietrich follows him. Paramount Pictures finds in her the answer to MGM’s sexy Swedish star, Greta Garbo, and casts her in one hit after the other. When Hitler approaches her to make propaganda films for the Nazis, Dietrich courageously rebuffs him, opting instead to become an American citizen and entertain Allied troops.
A lush, dramatic biographical novel of one of the most glamorous and alluring legends of Hollywood's golden age, Marlene Dietrich-from the gender-bending cabarets of Weimar Berlin to the lush film studios of Hollywood, a sweeping story of passion, glamour, ambition, art, and war from the author of Mademoiselle Chanel. Raised in genteel poverty after the First World War, Maria Magdalena Dietrich dreams of a life on the stage. When a budding career as a violinist is cut short, the willful teenager vows to become a singer, trading her family's proper, middle-class society for the free-spirited, louche world of Weimar Berlin's…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I love a well-written historical fiction novel that immerses me in the time period and introduces a female character I can relate to. We may live in different times, but women in all eras feel love, attempt and fail, find strength, perform heroic deeds, suffer mishaps, and experience life. Escaping into their stories makes me question what I would have done in their shoes as well as think about how my own story is still being written. As a historical fiction author, I seek to create those relationships between my characters and readers.
I finished this novel quickly as the story and writing are engaging.
I knew something of Hedy Lamarr’s wartime efforts and intelligence going in, but this story shed much more light on the woman and highlighted the difficulties she faced.
I recommend it for readers who enjoy historical fiction, WW2 stories, and novels about strong women.
Bestselling author Marie Benedict reveals the story of a brilliant woman scientist only remembered for her beauty.
Her beauty almost certainly saved her from the rising Nazi party and led to marriage with an Austrian arms dealer. Underestimated in everything else, she overheard the Third Reich's plans while at her husband's side and understood more than anyone would guess. She devised a plan to flee in disguise from their castle, and the whirlwind escape landed her in Hollywood. She became Hedy Lamarr, screen star.
The central themes in my own writing have always encompassed those of identity, the nature of reality, and variations on immortality. The lives of ‘celebrities’ touch upon all those themes, albeit through a distorted kaleidoscope where their own lives and the public’s perceptions of their lives intersect and are amplified and a third ‘character’ – that of the composite person, is then brought into existence. I find it fascinating how we can all be myriad people dependent upon who we interact with, and this is heightened when layered over the notion of ‘celebrity’ and fame by association. The books I've chosen act as mirrors to celebrity, but also work as great storytelling.
Blonde is a fictional biography of Marilyn Monroe. I tend not to read thick books – and this is over 600 pages – and I only had a passing interest in Monroe before beginning it, but the book was highly recommended so I gave it a go. I’m glad that I did.
This is a colossus of a book – in size, in scope, in adaptation, in emotion. The mood is tragedy – tragedy on so many levels it hurts to think about them. Oates pitches the 'Monroe' character perfectly. And for me, the book's strength comes from the fact that I'm content with this as a piece of fiction. I don't need to know the 'truth' (however, so much truth can ever be known).
It's also a book that makes me angry. A book that pitches hope against fate, all men against one woman, fame against success. We want…
The National Book Award finalist and national bestseller exploring the life and legend of Marilyn Monroe
Now a Netflix Film starring Ana de Armas, Adrien Brody, Bobby Cannavale and Julianne Nicholson
In one of her most ambitious works, Joyce Carol Oates boldly reimagines the inner, poetic, and spiritual life of Norma Jeane Baker—the child, the woman, the fated celebrity, and idolized blonde the world came to know as Marilyn Monroe. In a voice startlingly intimate and rich, Norma Jeane tells her own story of an emblematic American artist—intensely conflicted and driven—who had lost her way. A powerful portrait of Hollywood’s…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
Growing up in Los Angeles, I was fascinated from an early age by Mexican cinema, but my interest in Dolores del Río really blossomed when I wrote the novel Frida. Del Río was part of Frida Kahlo’s entourage, but unlike her friend, del Río was elegant and refined. Highly intelligent, she was dissatisfied with the vapidity of Hollywood and longed to make a real contribution to society. At Georgetown University, I taught courses on Latin American culture, and the Mexican Revolution, which influenced painting, literature, and cinema, was central to the classwork. Thus, I was very familiar with Del Río and her historical context long before I began writing.
As Hollywood’s first Latina star, Dolores del Río broke down barriers for Hispanic women, just as Josephine Baker opened doors for Black women. Baker arrived in Paris just when French artists were cultivating Primitivism, and French intellectuals were fascinated with Africa. Performing her Danse Sauvagein the Revue Nègre and then at the Follies Bergères, Baker became an instant sensation and fabulously wealthy. She owned homes, clubs, cars, and even an airplane. When World War II erupted, she became a spy for the Resistance. Later, when she returned to the U.S., she became a civil rights activist. Sherry Jones brings to life this extraordinary woman, who triumphed over poverty, prejudice, domestic violence, and even Nazi racial targeting.
From the author of The Jewel of Medina, a moving and insightful novel based on the life of legendary performer and activist Josephine Baker, perfect for fans of The Paris Wife and Hidden Figures.
Discover the fascinating and singular life story of Josephine Baker-actress, singer, dancer, Civil Rights activist, member of the French Resistance during WWII, and a woman dedicated to erasing prejudice and creating a more equitable world-in Josephine Baker's Last Dance.
In this illuminating biographical novel, Sherry Jones brings to life Josephine's early years in servitude and poverty in America, her rise to fame as a showgirl in…
I spent my childhood reading for pleasure, for escapism, for humor, for reassurance, for different views of the world, and even out of sheer boredom sometimes when there was nothing else to do. I have no doubt it’s what made me into a writer. In retrospect, it makes total sense that my first book was about the history and power of a children’s series. When I found myself immersed in not just my old Nancy Drews but the fascinating stories of the people and times that produced her, it was like being back in my childhood bedroom again, only this time with the experience to understand how what I read fit into the larger story of America, feminism, and literature. I hope the books I’ve recommended will inspire you to revisit your old favorites with a new eye.
Though I love The Wizard of Oz, I’ve always thought the best book in the series is Ozma of Oz (close second: TikTok of Oz). Still, this book shows where the book most people think of as Baum’s masterpiece came from and how his imagination was fueled by the trends, triumphs, and politics of 19th century America. His personal life was far from the fantasy depicted in Oz, which is perhaps why so many of his characters find themselves in great peril.
A groundbreaking new look at an American icon, THE WIZARD OF OZ.
Finding Oz tells the remarkable tale behind one of the world's most enduring and best loved stories. Offering profound new insights into the true origins and meaning of L. Frank Baum's 1900 masterwork, it delves into the personal turmoil and spiritual transformation that fueled Baum's fantastical parable of the American Dream. Prior to becoming an impresario of children's adventure tales--the J. K. Rowling of his age--Baum failed at a series of careers and nearly lost his soul before setting out on a journey of discovery that would lead…
I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.
Released for the 75th anniversary of another 1939 classic, this book about the beloved favorite The Wizard of Oz is probably the best of the handful written over the years. All the familiar stories are here, a few myths are debunked, and some new information is brought to light. The story of the making of this classic is as engaging as fiction. In addition to interviews with surviving production crew personnel, the book also has some rarely seen photos.
Released in conjunction with the 75th-anniversary DVD release of The Wizard of Oz, this book is the definitive story of how one of America’s most beloved movies was made and a marvelous, unprecedented examination of how Hollywood used to make movies. This updated edition includes numerous photos and shares hundreds of interviews with cameramen, screenwriters, costume designers, directors, producers, light technicians, actors, and more to reveal how the factory-like Hollywood system of moviemaking miraculously produced one of the most enduring films ever made. From the scandalous headlines of Munchkin orgies at the Culver City Hotel and the Witch’s (accidental) burning…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
Oh, Was, how I love your relentlessly bleak, depressing sadness.
This is a strangely inventive novel that twines reality and fantasy into a brutal, desolate, yet gorgeous story of pain and survival. Told from the points of view of numerous characters, each story is tethered in some way to The Wizard of Oz, that venerable fable about good versus evil in the search for home.
Ryman introduces us to a main trio of characters whose lives are all equally harrowing–Dorothy Gael (the imagined inspiration for The Wizard of Oz heroine and the victim of familial sexual abuse), Frances Gumm (who becomes the tragic Judy Garland), and Jonathan (an actor experiencing AIDS-related dementia)–whose stories he intricately weaves together like a master craftsman. And while the novel is not a “happy” read by any stretch of the imagination, what has stayed with me throughout the past thirty years is its…
Dorothy, orphaned in the 1870s, goes to live with her Aunty Em and Uncle Henry. Baby Frances sings with her family on stage in the 1920s. From the settling of the West and the heyday of the studios, to the metropolis of modern Los Angeles, this book follows the development of the USA.
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
This one needs no plot description. If you don’t know what The Wizard of Oz is about, then I don’t know what to tell you. Watch the movie, or better yet, read the book. It’s considered a children’s classic, but like the best kid-lit, there is so much sinisterism and cynicism hiding behind the curtain (no pun intended).
HarperCollins is proud to present its range of best-loved, essential classics.
'"Come along, Toto," she said. "We will go to the Emerald City and ask the Great Oz how to get back to Kansas again."'
Swept away from her home in Kansas by a tornado, Dorothy and her dog Toto find themselves stranded in the fantastical Land of Oz. As instructed by the Good Witch of the North and the Munchkins, Dorothy sets off on the yellow brick road to try and find her way to the Emerald City and the Wizard of Oz, who can help her get home.…
I have been writing books about film, theatre, and popular music since 1991 but my love of old movies goes back much further. Before VCRs, DVDs, and streaming, one could only catch these old films on television (often cut to allow for commercial time) or revival houses. Today even the more obscure movies from 1939 are attainable. Writing 1939: Hollywood's Greatest Year gave me the opportunity to revisit dozens of old favorites and to see the many also-rans of that remarkable year.
It might seem presumptuous to call 50 films from 1939 "classics" but I agree with Vieira that these 50 movies deserve that distinction. This book is filled with all the pertinent information, fun facts, and great visuals. Movie stills, behind-the-scenes candid photos, portraits, and poster art make this a memorable volume to treasure. I particularly like the attention Vieira gives to the many outstanding movie directors working in 1939.
1939 was a watershed year. The Great Depression was barely over economics, politics, and culture braced for war. There was a lull before the storm and Hollywood, as if expecting to be judged by posterity, produced a portfolio of masterpieces. No year before or since has yielded so many beloved works of cinematic art: The Hunchback of Notre Dame, Gunga Din, Only Angels Have Wings, Destry Rides Again, Beau Geste, Wuthering Heights, The Wizard of Oz, Stagecoach, Ninotchka, Goodbye, Mr. Chips, Dark Victory, Mr. Smith Goes to Washington, The Women , and of course, Gone With the Wind . Majestic…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I worked for 27 years at The Washington Post, where I won a Pulitzer Prize for International Reporting. But when I returned home in 2006, I wanted to write about my own country, and what could be more American than the movies? They’re a wonderful looking glass into the past, and my books explore the making of an iconic movie and the historical era in which it was created. My recent ones have recounted the making of The Searchers, starring John Wayne, and High Noon, the Gary Cooper classic and its connection to the Hollywood blacklist, a time of vicious conflict eerily similar to our own troubled era.
The dutiful daughter of one studio mogul and devoted wife of another, Irene Selznick was Hollywood royalty throughout the 1920s to 40s, the Golden Age of American cinema. Her father, the tyrannical Louis B. Mayer, steered MGM, Hollywood’s most successful studio, discovered Greta Garbo and victimized Judy Garland. Her husband, David O. Selznick made the first A Star Is Born andGone with the Wind before self-destructing from drugs and megalomania. Irene escaped the shadow of overpowering men to become the respected Broadway producer of A Streetcar Named Desire, a woman to be reckoned with and—in this powerful memoir—a first-class storyteller.
Irene Mayer came to Hollywood when she was ten. Her childhood was populated with legendary names as her father, Louis B., practically created the movie industry. But life at the Mayers' was not lived in the typical Hollywood style. They believed in family, in strict hours, tiny allowances, no boys, no going away to college, and no socializing with actors. She didn't marry an actor. She married David O. Selznick, a wildly energized, and ambitious man who would go on to make some of the greatest movies Hollywood would ever see. Irene eventually left him, and Hollywood, for New York…
