100 Books Like Johann Sebastian Bach

Listen to the Birds is part of the series An Introduction to Classical Music. Author Ana Gerhard chooses a different theme for each book and then puts together a collection of songs by various composers which is related to that theme. What a great idea! The included CD only gives you excerpts from the pieces, but that is probably because it is meant as an “intro” to classical music for a younger audience with a shorter attention span. I would recommend despite this downside, since further listening can always be done separately from the book if the readers are interested to hear more.

This is a great little book for introducing younger readers to their first pieces of classical music. Although it is meant for a younger audience, there are many anecdotes that slightly older readers will also enjoy. The accompanying music is available in both a CD and an online version. The recordings are from Naxos which has an excellent music library of top-notch performances. A great value!

In the Once Upon a Masterpiece series, author Anna Harwell Celenza tells the stories behind various classical music masterpieces. She does so in an engaging way for children ages 6-9. I love how she is a musicologist and uses documented evidence to tell the story behind the piece. The illustrations incorporate folk art and symbols from the composer’s country. The author includes multiple links so that readers can listen to each masterpiece.

This is a nice resource for teachers to have at their disposal. The book encompasses various grade levels. It was nice of the author to give permission to teachers to make copies for their classrooms. I love that besides the lessons, games, worksheets, and puzzles, it also includes a listening CD and PowerPoint presentation.

One of the great things historical novels can do is bring previously sidelined figures into the centre, and Galloway’s book is perhaps my favourite example of this. The title character is the nineteenth-century German pianist and composer, Clara Schumann, nee Wieck. We first meet her as a child prodigy, controlled by her overbearing father, and then come to know her as Clara Schumann, hardworking musician, mother, and wife to the increasingly erratic Robert Schumann. Galloway makes you feel as if you know what it’s like to live as a nineteenth-century woman, and a famous and gifted one at that.

This is a wonderful historical novel. A woman trying to recover from a personal tragedy is bequeathed a mysterious manuscript. It turns out to be the score of a previously unknown cantata by Bach—but there is a problem. The lyrics contain hateful anti-Semitic texts. What is she to do? Publish the score and allow this music to be heard—along with the awful words—or suppress it? The author traces the history of the manuscript and how it came into the possession of the heroine. We meet many strong women as we travel 200 years into the past and learn much about the history of Jews in Germany, about Bach and his times, Mendelssohn and his times as well as World War Two. This is a fascinating book featuring several inspiring female characters and is rich in historic background and steeped in music.

Intense and intricate with complex human interactions subjected to the forces of history and destiny, Canone Inverso is both literary fiction and mystery. This gripping tale of evolving relationships centers around the field of classical music and a particular violin. With the setting in Germany, Austria, and Hungary during the turbulent 1930s and ’40s, a brilliant, working-class young violinist is secluded in a prison-like music conservatory with an aristocratic boy who befriends him. Gradually, their bond is severely tested. What is genius? What is friendship? What is the price paid for beauty and greatness? These are some of the issues we’re confronted with in this riveting novel.

This amazing narrative history of the invention of synthetic fertilizer is arguably a bit off topic, except that the subtitle could have ended: …That Fed the World, But Now Generates 10 Percent of Agricultural Emissions.

Nitrogen fertilizer was probably the most important invention of the 20th century, even more so than TV or the bomb; half the 8 billion people on Earth wouldn’t be here without it.

But the Haber-Bosch chemical process that literally converts fossil fuels into nutrition has created all kinds of environmental problems, including not only greenhouse gases but nitrate pollution that has created a dead zone the size of Connecticut in the Gulf of Mexico.

Now a new scientific race is on, because farmers will need to produce 50 percent more calories by 2050 to feed the growing world population, but they’ll have to do it with a lot less fertilizer pollution and other agricultural messes.

One of Rory Clements’ many writing skills is the ability to create tension and explore an angle of an historical event.

It’s London 1936, and the king is about to abdicate. A woman is murdered in Berlin, and a fascist-leaning couple in Britain are killed. I liked how Clements joins these seemingly separate tragedies into a memorable story. I liked his hero, an academic drawn into the world of spying, Professor Tom Wilde.

I think a great novel's elements are believable characters, forensic attention to detail, and terrific tension, and they are all here.

Scobie presents a concise exposition of the Nazis’ inferiority complex vis-à-vis imperial Rome.

Hitler, ever a fan of grotesque gigantomania, found a soulmate in Albert Speer. Their designs for rebuilding major cities on Roman principles became reality only to a small degree.

The apex was to have been Berlin, renamed Germania, as world capital. Its most stupendous building, modeled on but dwarfing the Pantheon in Rome, was the Great Hall (also People’s Hall, Hall of Glory). It was to accommodate 180,000 standing people. Above it a copper-plated dome sixteen times the size of St. Peter’s in Rome was to have risen.

Inside, the balcony from which Hitler was to deliver his addresses would have made him appear tiny. The contrast exemplifies the essence of Kitsch: unrestrained grandiosity turns ridiculous.