100 Books Like Clara

I was surprised by how much I loved this book about England in the 1500s. The story of Thomas Cromwell and Henry VIII has been told and retold, but even when I thought I knew what was coming (it is history, after all), I didn’t!

I laughed, cried, and found myself rooting for Cromwell. Yes, Cromwell! Such is the power of Hilary Mantle; there is no better historical fiction writer.

Reading this book made me feel as if I was watching a great magician perform several impossible tricks.

It is both clever and funny, it teems with wonderful characters but never seems overstuffed, and it does what very few historical novels manage to do. We absolutely believe that the people are living their lives in the past (this really is Germany in the 1790s), but we also recognize them as our contemporaries.

I find it a magical book, lighter than air, a poignant, gorgeous love story that also satisfies the historian in me.

The character at the centre of this book, the clownish and exuberant physician Merivel, is fictional, but his world revolves around the very real figure of Charles II. After Merivel cures one of the King’s favourite spaniels, Charles enlists him to marry his newest mistress – a ruse to draw his very jealous main mistress, Barbara Villiers, off the scent. Merivel receives a country estate in return and is sent to live there with his new wife, under strict instructions not to touch her. When he falls for her, he is kicked out of their home and seeks refuge with a student friend at the New Bedlam Hospital. He needs to get back into the King’s good books. Like its anti-hero, this novel is ebullient, funny, and strangely loveable.

This is a book about being a celebrity’s biggest fan. In 16th Century France, eighteen-year-old Marie de Gournay reads the essays of the philosopher Montaigne, and is so overwhelmed that she faints. When she finally meets her idol, she stabs herself with a hairpin to prove her devotion. For two blissful months, she lives as his adopted daughter. When he dies four years later, de Gournay devotes herself to editing the writings he left behind, persisting even though she is despised both by the intellectuals of the time and by her own family. I know how it feels to be that intense, socially awkward, bookish girl and I found Marie’s story extremely moving.

This book is from a series of books entitled Getting to Know the World’s Greatest Composers, which features many different composers. The books are easy to read and will be enjoyed by both younger readers and older readers alike. The cartoon-style artwork may look silly, but the material is informative. Music education would not be complete without some information on the composers who wrote the music. A great series!

The publishers describe this as “a bedtime story for adults.” Like the best bedtime stories, this novel straddles the lines between comforting, unsettling, and thought-provoking. Inspired by the poem of the same name, by William Butler Yeats, it tells the story of a child, stolen at the age of seven by a group of wild, childlike creatures. He is turned into one of them, and In his place, they leave one of their own. The two changelings grow up in parallel and the setting alternates between small town America in the mid-20th century and a strange community of creatures who may soon be nothing more than a story. 

This crucial book was originally published by Putnam’s, New York, in 1941. 

Riess admitted in his autobiography (which exists only in German) that the book was largely a compilation of material from various sources, much of it handed to him personally by Robert Vansittart, the head of British Intelligence at the time. Large portions of the book were in fact written by Heinrich Pfeifer, and supplied to British Intelligence, part of it on Pfeifer’s two trips to London, and part passed across via Vansittart’s agent Walker in Lucerne.

Riess was a Jewish refugee from Germany who was trusted by Vansittart to aid him in helping to persuade the American public to enter the War against Germany. The book is one of the most astonishing books of its kind ever written, full of breathtaking revelations. It deserves to be widely known and to be a classic text for historical studies.

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I don’t usually read graphic novels, but this book struck a chord with me. Because of its unique style, I expect it will help create an awareness of the impact WWII had on generations of Germans who were born too late to have had any part in it.

The author's graphic memoir describes her journey back to Germany in search of her family’s politics during the war. Even though she finds that her maternal grandfather, like my father, was exonerated of war crimes, she does not feel she can accept forgiveness for the unforgivable suffering of millions. 

A fantastic work of a surefooted wordsmith takes an equally talented translator to carry it across the linguistic barrier in a way that makes it a literary treat in its own right.

I’m envious of Breon Mitchell’s limpid linguistic manoeuvering that has rendered the German modern classic very enjoyable in English. The narration set in Nazi times as told by a dwarf – who is rather unlikeable by all counts – is an ingenious technique of stripping bad politics to its bare bones and laying out the nonsense that remains.

It is political without being political. There are signs galore in the book for metaphor hunters, but I simply revelled in the language of this remarkable debut work.           

The Reich Security Main Office, founded in September 1939, under the leadership of Reinhard Heydrich (until his death in 1942), and which included the Security Service and the Gestapo, was the organizational center of the Nazis’ murderous racial policy.

The historian Wildt's book shows how extermination plans were prepared and worked out in this office—in part by young, career-minded academics. Some of them were not just "desk perpetrators" but were directly involved in the mass murder as leaders of the notorious Einsatzgruppen operating in the occupied Soviet territories. One famous case is Otto Ohlendorf, head of Einsatzgruppe D, who openly confessed to killing 90,000 Jews in his trial.

Wildt discusses the post-war trials of these men by the American authorities, as well as the German publics’ growing ambivalence towards the trials.