Here are 100 books that Jezebel fans have personally recommended if you like
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Born to a Tibetan mother and an American father, I was raised in the U.S. As a girl, I wondered why things were always changing: the seasons, people, and places I loved. Growing older, I became fascinated with how to find happiness in a world where nothing lasts forever. After college, I lived in India with my Tibetan grandmother, learning about Buddhist “bardo” perspectives on life’s ephemerality. I realized that though we resist change, accepting impermanence allows us to live happier lives. I publish widely on impermanence and host a Tricycle interview series about bardo, with guests including David Sedaris, Elizabeth Gilbert, Malcolm Gladwell, Ann Patchett, and Dani Shapiro.
We often feel alone when we experience change and transitions, but Saunders’s book reminds me that we’re all on the journey of life together.
President Lincoln can’t let go of his young son, Willie, when the boy dies of typhoid fever. Willie, too, is holding on: lingering in the after-death world, he’s convinced his parents are going to come get him. He’s surrounded by people who are also in bardo (the state between death and rebirth), trapped in denial and attachment. When they accept the reality of their situation, the characters are liberated from their suffering.
This book has deepened my understanding of how—both individually and collectively—we struggle against loss, but it’s possible to let go and move forward.
WINNER OF THE MAN BOOKER PRIZE 2017 A STORY OF LOVE AFTER DEATH 'A masterpiece' Zadie Smith 'Extraordinary' Daily Mail 'Breathtaking' Observer 'A tour de force' The Sunday Times The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My imagination opened a portal into the past. And then I found myself spending years researching, reading, and traveling to historical sites across the western United States. Upon visiting historical places, I sometimes become overwhelmed by a visceral sense that is difficult to describe but has compelled me to write about people and places whose stories and spirits are lost and forgotten. An anecdote about a madam in a local museum stirred around in my consciousness for many years before I started writing Ophelia’s War as my MFA thesis.
The HBO series was great, but the book was even better.
Prior viewing of the series in no way detracted from my enjoyment of this book. Dexter’s writing is quirky and unique. Existential insights are slipped seamlessly into scenes of violence and vulgarity. The sacred and profane coexist in ways that shatter notions of duality.
As someone who has lived in the West most of my adult life and studied Western history in depth, I appreciated his nuanced exposure of humanity in the midst of darkness on the frontier. Also, this Western novel features unique female characters who defy stereotypes, which are rare in the Western genre.
DEADWOOD, DAKOTA TERRITORIES, 1876: Legendary gunman Wild Bill Hickcock and his friend Charlie Utter have come to the Black Hills town of Deadwood fresh from Cheyenne, fleeing an ungrateful populace. Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and…
I’ve felt like a fish out of water for most of my life. My mom’s English and my dad’s from Pennsylvania, so growing up it was always difficult to figure out who I was, where was “home.” So I always felt uneasy and self-conscious about not fitting in, wherever I happened to be. I always felt vaguely homesick for somewhere else. Reading was one way I could escape, travel was another, more literal way. Which is how I ended up in South Africa, where I eventually got my master's in journalism/international politics. (And my adventures there, of course, led to my book.)
I think the genre will always resonate with me; a young adult facing the prospect of monotonous regular life and deciding to go off into the wild. But I love more that the book subverts this. This sort of rite-of-passage trope is easily romanticized, but in practice, it can prove to be much more chastening and sobering than expected.
You’ve got to be careful what you wish for. True adventure might not be for everyone. Experiencing the dark underbelly of life at the borderlands of the civilized/developed world, where it’s every man for himself; where human nature’s worst impulses are left unchecked.
It also explores the futility of our core American values of expansion and domination of the world; how bleak and wasteful and brutal that process is in practice.
In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.
It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them,…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
My imagination opened a portal into the past. And then I found myself spending years researching, reading, and traveling to historical sites across the western United States. Upon visiting historical places, I sometimes become overwhelmed by a visceral sense that is difficult to describe but has compelled me to write about people and places whose stories and spirits are lost and forgotten. An anecdote about a madam in a local museum stirred around in my consciousness for many years before I started writing Ophelia’s War as my MFA thesis.
The guilty conscience, PTSD, and war crimes of a British Captain drive him to seek tranquility in the Scottish Hebrides. Before reading this novel, I knew little about this time period and had never heard of the Scottish Hebrides.
The author transported me to the Hebrides so accurately that when I looked up pictures after finishing the novel they were the exact replicas of those in my imagination.
This novel has an existential heart yet is plot-driven and action-packed with romance and even moments of humor. The flow of prose and the incorporation of dreams into the story carried me to the last page and made me sad when it ended.
The rapturously acclaimed new novel by the Costa Award-winning author of PURE, hailed as 'excellent', 'gripping', 'as suspenseful as any thriller', 'engrossing', 'moving' and 'magnificent'.
One rainswept winter's night in 1809, an unconscious man is carried into a house in Somerset. He is Captain John Lacroix, home from Britain's disastrous campaign against Napoleon's forces in Spain.
Gradually Lacroix recovers his health, but not his peace of mind. He will not - cannot - talk about the war or face the memory of what took…
I’ve loved epic fantasy ever since discovering The Hobbit and David Eddings as a teenager. I’ve also always loved a good old-fashioned slow burn and/or antagonistic romance. As I’ve grown (much) older, I’ve come to understand that the sweet spot for me is a perfect blend of world-building and a complex romance that makes sense in the context of that world.
It’s well written (by a fellow Australian author!), has a strong female protagonist, a genuine slow-burn attraction, and is set in a world with a religious system and accompanying bigotry that feels all too real. I love that Mila’s strength is in her resilience and that she’s very much a product of the world in which she exists.
As for the romance, the slow-build attraction between her and Culis is genuinely believable in the context of both characters’ story arcs. And let me just say that E.C. Glynn knows how to tease!
Mila's time is up. After years spent hiding, she's been caught by the Church, accused of being a demon, and offered as sacrifice to the all-powerful God-King Midas.
However, her fate takes an unexpected turn when the cruel and beautiful Princess Jezebel stays Mila's execution on the condition that Mila entertains her at court with her unusual power.
The arrival of a handsome, enigmatic, and ruthless merchant prince throws Mila's efforts to escape into turmoil. Will his arrival be her undoing...or her path to freedom?
I grew up in a conservative religious environment where the Bible was treated like a rule book: God’s policy manual. But college-level Bible courses taught me to see that academic and even mystical ways of reading the Bible can enhance our appreciation of its ancient wisdom. I’ve been a lay/amateur student of the Bible ever since, and that has paired well with my longstanding interest in Christian Mysticism and spirituality—I’ve learned over the years to appreciate the Bible as a work of art, not some legal code. I love sharing my appreciation of the Bible with others who want an honest and contemporary understanding of scripture.
I grew up in a conservative church in the American South, the home of evangelical fundamentalism—but Marcus Borg offered me a great pathway out of the narrow-mindedness of literalistic, authoritarian religion.
The subtitle of this book says it all: there is a path to taking the Bible more seriously (as a spiritual book) when we stop insisting on reading it literally. Borg combines quality scholarship with an almost mystical appreciation of the wisdom encoded in the ancient scripture.
For me, reading his book was an invitation not only to read the Bible anew, but to fall in love with it all over again.
Many Christians mistakenly believe that their only choice is either to reconcile themselves to a fundamentalist reading of scripture (a "literal-factual" approach) or to simply reject the Bible as something that could bring meaning and value into their lives. In Reading the Bible Again for the First Time, Marcus Borg shows how instead we can freshly appreciate all the essential elements of the Old and New Testaments—from Genesis to Revelation—in a way that can open up a new world of intelligent faith.
In Reading the Bible Again for the First Time, Borg reveals how it is possible to reconcile a…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I first read Swann’s Way when I was seventeen. Throughout the following five decades, In Search of Lost Time has always remained within reach, a parallel universe more enriching than words can express. As a painter, I’m drawn to Proust’s subtle use of paintings to reveal and mystify the relationship between what we see and what we know. I’ve spoken on Proust at Berkeley, the Museum of Fine Arts in Boston and Houston, and was invited to give the annual Proust lecture at the Center for Fiction in New York as well as the Amon Carter Lecture on the Arts at the Harry Ransom Center in Austin.
"Like the Bible, In Search of Lost Time embodies its own sources, myths, and criticism. Like an archaeological site, the novel has come to stand for a state of civilization.” Roger Shattuck is masterful in reach and insight; his “field guide” is aptly named. The reader journeys alongside him to traverse the vast and incomparable terrain of a seven-volume novel. Full of wit and provocation, he leads us through thick and thin, and best of all, he allows our own reading of the great work to revive within us, illuminating the very experience of reading that Proust so brilliantly mined.
For any reader who has been humbled by the language, the density, or the sheer weight of Marcel Proust's In Search of Lost Time, Roger Shattuck is a godsend. Winner of the National Book Award for Marcel Proust, a sweeping examination of Proust's life and works, Shattuck now offers a useful and eminently readable guidebook to Proust's epic masterpiece, and a contemplation of memory and consciousness throughout great literature. Here, Shattuck laments Proust's defenselessness against zealous editors, praises some translations, and presents Proust as a novelist whose philosophical gifts were matched only by his irrepressible comic sense. Proust's Way, the…
I have written and published six Christian historical novels, three rescued from food addiction devotionals, two ultimate planners, and Rescued from Worry, which is my personal story. I started Purebooks Publishing and publish other people’s books. I teach writer’s workshop classes and tell authors that readers want their books to reach their hearts. To do this, your story has to reach your heart first. If you put your heart into your writing, your readers will automatically connect. What makes a great story? One that moves you and has a lasting effect on your life without the explicit. That’s the kind of books I like to read and write.
This book is alive. It is quick and powerful. It was the only book that brought me peace when I was extremely worried and fearful. This book taught me how to get free from that and stay free.
I couldn’t live without this book. It’s truth. It’s health. It’s prosperity. It’s my everything.
I am the teaching pastor of Woodland Christian Church. I have been in ministry since 2007, preaching God’s Word an average of 1 to 3 times weekly. Because my ministry focuses on teaching and preaching, I study God’s Word for 20 to 30 hours per week. I have used numerous commentaries over the years and settled on these as the best one-volume commentaries.
This commentary was developed by the faculty at the Moody Bible Institute. It is also easy to understand and provides comprehensive exposition of all passages and most verses. It should be noted that frequently there is commentary on a passage, or collection of verses, versus commentary on individual verses. This is helpful to understand the flow and context of a passage, but it can leave you recognizing you need to look elsewhere when you don’t feel like there is enough explanation of individual verses. There are also helpful maps and charts and bibliographies for further reading and study.
Now you can study the Bible with the faculty of the Moody Bible Institute!
Imagine having a team of 30 Moody Bible Institute professors helping you study the Bible. Now you can with this in-depth, user-friendly, one-volume commentary.
General editors Michael Rydelnik and Michael Vanlaningham have led a team of contributors whose academic training, practical church experience, and teaching competency make this commentary excellent for anyone who needs help understanding the Scriptures.
This comprehensive and reliable reference work should be the first place Sunday school teachers, Bible study leaders, missionaries, and pastors turn to for biblical…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a historian with expertise in the early church, Middle Ages, and Reformation, I am obsessed with finding the writings and stories of women of the past. Whenever we discover works written by an unknown or forgotten woman in an archive or historical record, my co-author Marion Taylor and I excitedly email one another: “We rescued another woman!” I study the history of biblical interpretation and the history of women in religion. In most of my books, these two interests intersect—as I write about men throughout history who viewed stories of biblical women through patriarchal lenses and how women themselves have been biblical interpreters, often challenging men’s prevailing views.
Barred from university education and ministerial roles, most women in the 1700s did not have opportunities to write commentaries or sermons. Instead, some female authors turned to poetry and devotional writing as a vehicle for biblical interpretation. According to literary scholar Natasha Duquette, female poets such as Phillis Wheatley, an enslaved African American servant, “veiled” their dissenting viewpoints in religious verse. By “clothing” their calls for social justice in genres considered acceptable for female authors, these poets and devotional writers ensured a wider readership for their provocative perspectives on the Bible and society.
How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably…
