Here are 100 books that Jezebel fans have personally recommended if you like
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Born to a Tibetan mother and an American father, I was raised in the U.S. As a girl, I wondered why things were always changing: the seasons, people, and places I loved. Growing older, I became fascinated with how to find happiness in a world where nothing lasts forever. After college, I lived in India with my Tibetan grandmother, learning about Buddhist “bardo” perspectives on life’s ephemerality. I realized that though we resist change, accepting impermanence allows us to live happier lives. I publish widely on impermanence and host a Tricycle interview series about bardo, with guests including David Sedaris, Elizabeth Gilbert, Malcolm Gladwell, Ann Patchett, and Dani Shapiro.
We often feel alone when we experience change and transitions, but Saunders’s book reminds me that we’re all on the journey of life together.
President Lincoln can’t let go of his young son, Willie, when the boy dies of typhoid fever. Willie, too, is holding on: lingering in the after-death world, he’s convinced his parents are going to come get him. He’s surrounded by people who are also in bardo (the state between death and rebirth), trapped in denial and attachment. When they accept the reality of their situation, the characters are liberated from their suffering.
This book has deepened my understanding of how—both individually and collectively—we struggle against loss, but it’s possible to let go and move forward.
WINNER OF THE MAN BOOKER PRIZE 2017
A STORY OF LOVE AFTER DEATH
'A masterpiece' Zadie Smith
'Extraordinary' Daily Mail
'Breathtaking' Observer
'A tour de force' The Sunday Times
The extraordinary first novel by the bestselling, Folio Prize-winning, National Book Award-shortlisted George Saunders, about Abraham Lincoln and the death of his eleven year old son, Willie, at the dawn of the Civil War
The American Civil War rages while President Lincoln's beloved eleven-year-old son lies gravely ill. In a matter of days, Willie dies and is laid to rest in a Georgetown cemetery. Newspapers report that a grief-stricken Lincoln returns…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My imagination opened a portal into the past. And then I found myself spending years researching, reading, and traveling to historical sites across the western United States. Upon visiting historical places, I sometimes become overwhelmed by a visceral sense that is difficult to describe but has compelled me to write about people and places whose stories and spirits are lost and forgotten. An anecdote about a madam in a local museum stirred around in my consciousness for many years before I started writing Ophelia’s War as my MFA thesis.
The HBO series was great, but the book was even better.
Prior viewing of the series in no way detracted from my enjoyment of this book. Dexter’s writing is quirky and unique. Existential insights are slipped seamlessly into scenes of violence and vulgarity. The sacred and profane coexist in ways that shatter notions of duality.
As someone who has lived in the West most of my adult life and studied Western history in depth, I appreciated his nuanced exposure of humanity in the midst of darkness on the frontier. Also, this Western novel features unique female characters who defy stereotypes, which are rare in the Western genre.
DEADWOOD, DAKOTA TERRITORIES, 1876: Legendary gunman Wild Bill Hickcock and his friend Charlie Utter have come to the Black Hills town of Deadwood fresh from Cheyenne, fleeing an ungrateful populace. Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and…
I’ve felt like a fish out of water for most of my life. My mom’s English and my dad’s from Pennsylvania, so growing up it was always difficult to figure out who I was, where was “home.” So I always felt uneasy and self-conscious about not fitting in, wherever I happened to be. I always felt vaguely homesick for somewhere else. Reading was one way I could escape, travel was another, more literal way. Which is how I ended up in South Africa, where I eventually got my master's in journalism/international politics. (And my adventures there, of course, led to my book.)
I think the genre will always resonate with me; a young adult facing the prospect of monotonous regular life and deciding to go off into the wild. But I love more that the book subverts this. This sort of rite-of-passage trope is easily romanticized, but in practice, it can prove to be much more chastening and sobering than expected.
You’ve got to be careful what you wish for. True adventure might not be for everyone. Experiencing the dark underbelly of life at the borderlands of the civilized/developed world, where it’s every man for himself; where human nature’s worst impulses are left unchecked.
It also explores the futility of our core American values of expansion and domination of the world; how bleak and wasteful and brutal that process is in practice.
In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.
It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them,…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
My imagination opened a portal into the past. And then I found myself spending years researching, reading, and traveling to historical sites across the western United States. Upon visiting historical places, I sometimes become overwhelmed by a visceral sense that is difficult to describe but has compelled me to write about people and places whose stories and spirits are lost and forgotten. An anecdote about a madam in a local museum stirred around in my consciousness for many years before I started writing Ophelia’s War as my MFA thesis.
The guilty conscience, PTSD, and war crimes of a British Captain drive him to seek tranquility in the Scottish Hebrides. Before reading this novel, I knew little about this time period and had never heard of the Scottish Hebrides.
The author transported me to the Hebrides so accurately that when I looked up pictures after finishing the novel they were the exact replicas of those in my imagination.
This novel has an existential heart yet is plot-driven and action-packed with romance and even moments of humor. The flow of prose and the incorporation of dreams into the story carried me to the last page and made me sad when it ended.
The rapturously acclaimed new novel by the Costa Award-winning author of PURE, hailed as 'excellent', 'gripping', 'as suspenseful as any thriller', 'engrossing', 'moving' and 'magnificent'.
One rainswept winter's night in 1809, an unconscious man is carried into a house in Somerset. He is Captain John Lacroix, home from Britain's disastrous campaign against Napoleon's forces in Spain.
Gradually Lacroix recovers his health, but not his peace of mind. He will not - cannot - talk about the war or face the memory of what took…
I’ve loved epic fantasy ever since discovering The Hobbit and David Eddings as a teenager. I’ve also always loved a good old-fashioned slow burn and/or antagonistic romance. As I’ve grown (much) older, I’ve come to understand that the sweet spot for me is a perfect blend of world-building and a complex romance that makes sense in the context of that world.
It’s well written (by a fellow Australian author!), has a strong female protagonist, a genuine slow-burn attraction, and is set in a world with a religious system and accompanying bigotry that feels all too real. I love that Mila’s strength is in her resilience and that she’s very much a product of the world in which she exists.
As for the romance, the slow-build attraction between her and Culis is genuinely believable in the context of both characters’ story arcs. And let me just say that E.C. Glynn knows how to tease!
Mila's time is up. After years spent hiding, she's been caught by the Church, accused of being a demon, and offered as sacrifice to the all-powerful God-King Midas.
However, her fate takes an unexpected turn when the cruel and beautiful Princess Jezebel stays Mila's execution on the condition that Mila entertains her at court with her unusual power.
The arrival of a handsome, enigmatic, and ruthless merchant prince throws Mila's efforts to escape into turmoil. Will his arrival be her undoing...or her path to freedom?
For as long as I can remember, I’ve been an artist at heart. As a child, I loved to draw and to make all kinds of crafts with my mother. Now, I make a living creating and teaching art. From presenting at conferences and workshops around the country to doing segments on lifestyle shows like Hallmark Home & Family, Good Day PA, Great Day Live Tampa, and more, my favorite things to do are those that allow me to share crafty projects. I have also written five hand lettering books and a guided journal, all with the hope of helping others to discover, explore, and express their own creativity.
Faith and creativity come together in this gorgeous, colorful journal by Krystal Whitten. Filled with gorgeous illustrations, tutorials, and spaces for you to create, this journal will inspire you from start to finish. Whether you work in it daily or pick it up when you need some quiet time, you’ll find yourself feeling renewed creatively and spiritually.
Something special happens when you learn to write or draw God's Word. In Faith and Lettering, Krystal Whitten's advice and encouragement will help you draw near to God and pursue a deeper faith by expressing your creativity. You will learn three basic types of letters and variations on them, what tools to use and how to use them, and step-by-step instructions for decorative flourishes and embellishments. Krystal will also show you how to find inspiration and accept grace when mistakes happen. Her inspiring tips, techniques, and ideas will help make your Bibles, journals, and home decor uniquely your own.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I love to read. Reading since I was 3 years old, devouring book after book. As I grew, my taste expanded. Yet it was the sci-fi book, The Black Hole, by Disney that I discovered in second grade that captured my passion for writing and storytelling. I cannot count how many books I've read, but I can tell you the ones that have left a lasting impression on me. Because of that, I began to write my own stories. I've seven books written and published, the newest one releasing soon. While my tastes in books vary, only one thing remains consistent: finding the best books that capture me and hold me hostage!
This is an old and rare book. The short stories within are fantastical tales told in allegories to the Bible. Every page brought to me this wondrous world of words, capturing my attention, and keeping me spellbound throughout the pages. Using descriptions and settings that reminded me of Arthurian legend and Germanic folklore and Viking tales, this is one of the first vintage fantasy books I've ever read.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
I grew up in a conservative religious environment where the Bible was treated like a rule book: God’s policy manual. But college-level Bible courses taught me to see that academic and even mystical ways of reading the Bible can enhance our appreciation of its ancient wisdom. I’ve been a lay/amateur student of the Bible ever since, and that has paired well with my longstanding interest in Christian Mysticism and spirituality—I’ve learned over the years to appreciate the Bible as a work of art, not some legal code. I love sharing my appreciation of the Bible with others who want an honest and contemporary understanding of scripture.
I grew up in a conservative church in the American South, the home of evangelical fundamentalism—but Marcus Borg offered me a great pathway out of the narrow-mindedness of literalistic, authoritarian religion.
The subtitle of this book says it all: there is a path to taking the Bible more seriously (as a spiritual book) when we stop insisting on reading it literally. Borg combines quality scholarship with an almost mystical appreciation of the wisdom encoded in the ancient scripture.
For me, reading his book was an invitation not only to read the Bible anew, but to fall in love with it all over again.
Many Christians mistakenly believe that their only choice is either to reconcile themselves to a fundamentalist reading of scripture (a "literal-factual" approach) or to simply reject the Bible as something that could bring meaning and value into their lives. In Reading the Bible Again for the First Time, Marcus Borg shows how instead we can freshly appreciate all the essential elements of the Old and New Testaments—from Genesis to Revelation—in a way that can open up a new world of intelligent faith.
In Reading the Bible Again for the First Time, Borg reveals how it is possible to reconcile a…
I first read Swann’s Way when I was seventeen. Throughout the following five decades, In Search of Lost Time has always remained within reach, a parallel universe more enriching than words can express. As a painter, I’m drawn to Proust’s subtle use of paintings to reveal and mystify the relationship between what we see and what we know. I’ve spoken on Proust at Berkeley, the Museum of Fine Arts in Boston and Houston, and was invited to give the annual Proust lecture at the Center for Fiction in New York as well as the Amon Carter Lecture on the Arts at the Harry Ransom Center in Austin.
"Like the Bible, In Search of Lost Time embodies its own sources, myths, and criticism. Like an archaeological site, the novel has come to stand for a state of civilization.” Roger Shattuck is masterful in reach and insight; his “field guide” is aptly named. The reader journeys alongside him to traverse the vast and incomparable terrain of a seven-volume novel. Full of wit and provocation, he leads us through thick and thin, and best of all, he allows our own reading of the great work to revive within us, illuminating the very experience of reading that Proust so brilliantly mined.
For any reader who has been humbled by the language, the density, or the sheer weight of Marcel Proust's In Search of Lost Time, Roger Shattuck is a godsend. Winner of the National Book Award for Marcel Proust, a sweeping examination of Proust's life and works, Shattuck now offers a useful and eminently readable guidebook to Proust's epic masterpiece, and a contemplation of memory and consciousness throughout great literature. Here, Shattuck laments Proust's defenselessness against zealous editors, praises some translations, and presents Proust as a novelist whose philosophical gifts were matched only by his irrepressible comic sense. Proust's Way, the…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
The true identity of Diana Tutton remains uncertain. She published three idiosyncratic novels in England in the 1950s, all of which have now fallen into obscurity. Of those, Guard Your Daughters is the best: it describes a loving family dedicated to protecting the children’s mother, whose poor health has led to an insular, overly sheltered lifestyle for her many daughters. Each of the girls is distinct and vividly drawn by Tutton, who has a keen eye for the traditions, tensions, and excitement of siblings in their teenage years. Over the course of the novel, the sisters gradually forge more connections with the outside world and discover not only their own larger desires but also the hidden truth of their family life.
Guard Your Daughters by Diana Tutton is a 1953 novel about a family of five daughters living in the country – or rather four daughters since one has recently escaped by marrying and it is Morgan, Cressida, Teresa and Thisbe who are still at home with their parents. Their mother stops her daughters going to school or making friends. But because she tends to make scenes or retire to bed, her family do all they can to avoid defying or upsetting her; yet they do so in a continually light-hearted, cheerful fashion.
