Books like James Taylor's Shocked and Amazed — picked by fans

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

Everyone knows what it’s like to be the “odd man out”—the despair of being shunned or isolated or ridiculed by the “crowd.” For some, it can last their whole life. I’ve always been curious as to why this occurs, both from the side of those “pointing” and from that of the recipient. Strangeness attracts us by its very uniqueness, and to me, that’s something to be celebrated and marveled over. To some, it is also feared.

I read broadly across many genres and know what it's like to get stuck in a rut and need to find something different to keep my interest. The books I've suggested all have a broad appeal and any one of them could break the dreaded slump. Even those that fall into a genre you don't normally read are likely to draw you into their own special magic.

Everyone knows what it’s like to be the “odd man out”—the despair of being shunned or isolated or ridiculed by the “crowd.” For some, it can last their whole life. I’ve always been curious as to why this occurs, both from the side of those “pointing” and from that of the recipient. Strangeness attracts us by its very uniqueness, and to me, that’s something to be celebrated and marveled over. To some, it is also feared.

I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.

I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.

I remember reading Enid Blyton’s Mr. Galliano’s Circus as a child and was fascinated more by the idea of circus life than the actual performance aspect. I still adore watching high-quality circus feats performed by acrobats and love that frisson of excitement as everyone shuffles into their seats just before showtime. When I began writing children’s books, my aim was to give the child characters room to develop resilience and courage while encountering danger and adventure without the presence of adults. In order to do this, I had to somehow remove parental figures. Running away is the perfect literary device to achieve this which is how Glass Dreams came about.