17 Books Like Freaks

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

Everyone knows what it’s like to be the “odd man out”—the despair of being shunned or isolated or ridiculed by the “crowd.” For some, it can last their whole life. I’ve always been curious as to why this occurs, both from the side of those “pointing” and from that of the recipient. Strangeness attracts us by its very uniqueness, and to me, that’s something to be celebrated and marveled over. To some, it is also feared.

As an academic my work is in the area of political theory and my interest in ‘luxury’ came from the awareness that it involved questions of history (why was it seen as a threat to the Roman republic) and socio-political issues around inequality and consumerism. I was awarded a grant to start the investigation and my university (Glasgow) published it along with other awards and it got picked up by the media with the consequence I had my ‘ten minutes of fame’ as I was interviewed by newspapers and on the radio.  My book is the eventual fruit of that study which has, in the words of more than one author, been judged ‘seminal’. 

I have a reputation as an expert on the portrayal of psychopathology in contemporary cinema, and I have lectured on this topic hundreds of times in dozens of different countries. This reputation builds on five editions of Movies and Mental Illness and two editions of Positive Psychology at the Movies. I am also currently coauthoring a third book: Movies, Mini-series, and Multiculturalism: Using Films to Understand Culture, and I edit a series of film reviews for Hogrefe titled A Clinical Psychologist Goes to the Movies. Much of my career has been devoted to exploring the fascinating interface of psychopathology and media.

I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.

I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.

Years ago, I visited a school for the deaf to see how the children learn to read. It opened my eyes: It is exceedingly difficult to learn to read a language you cannot hear. I am a linguist and a writer for children. So this experience lit a fire under me – I wanted to learn about the deaf experience, sign languages, and what sorts of ways I might be able to support the effort to learn to read. I now analyze sign languages, work with a team to advocate for deaf children’s language rights, and am co-director of the RISE project, producing videobooks for deaf children and their families.