99 Books Like Bed of Nails

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

I, Dan Meyer, have been swallowing swords for 25 years and researching the art even longer. I’m the president of the Sword Swallowers Association International and winner of the 2007 Ig Nobel Prize in Medicine for medical research on sword swallowing. As a performer, I’m known for holding 40 world records and performing on over 100 TV shows, including 15 Got Talents, and live in 60 countries around the world. And I, Marc Hartzman, am the author of American Sideshow: An Encyclopedia of History’s Strangest and Most Wondrous Performers (Tarcher/Penguin). I’ve also written nearly a hundred sideshow-related articles for AOL Weird News, HuffPost, Mental Floss, and Bizarre magazine.

Everyone knows what it’s like to be the “odd man out”—the despair of being shunned or isolated or ridiculed by the “crowd.” For some, it can last their whole life. I’ve always been curious as to why this occurs, both from the side of those “pointing” and from that of the recipient. Strangeness attracts us by its very uniqueness, and to me, that’s something to be celebrated and marveled over. To some, it is also feared.

Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.

I am an historian of urban crime and policing. I specialise in metropolitan forces, for example the Dublin Metropolitan Police, London Police, and their colonial counterparts. I am particularly interested in the transnational exchange of concepts and personnel. The latter decades of the nineteenth century saw a lively and consistent movement of police across countries and continents, cross-pollinating ideas and experiences, shaping the future of organised policing. I have traced Australian policing roots to the streets of Dublin and London, which are explored in To Preserve and Protect: Policing Colonial Brisbane (2020) through personal life stories of policemen and criminals alike.

I am an historian of urban crime and policing. I specialise in metropolitan forces, for example the Dublin Metropolitan Police, London Police, and their colonial counterparts. I am particularly interested in the transnational exchange of concepts and personnel. The latter decades of the nineteenth century saw a lively and consistent movement of police across countries and continents, cross-pollinating ideas and experiences, shaping the future of organised policing. I have traced Australian policing roots to the streets of Dublin and London, which are explored in To Preserve and Protect: Policing Colonial Brisbane (2020) through personal life stories of policemen and criminals alike.

I was able to read before I went to school and have never been without a book since; frequenly having several novels on the go at one time. I started with adventures and classics, moved on to fantasy and later discovered crime fiction. Having been educated at an all-girls school where we assumed we could do everything, it was a shock to enter the world of science and engineering in the 1970s and find that women were not considered as strong and powerful as men, and certainly not as good. Even though times have changed somewhat, I still love finding books (especially series) where crime solving and sisterhood go hand-in-hand.

I am an author and a reader, and there is little I love more than falling deep into an atmospheric mystery. One that has the texture of dark velvet—something so rich, vivid, and experiential I can almost wrap it around me—and has just the right amount of suspense to keep me turning pages. As an author of historical fiction and mysteries, capturing that immersive, atmospheric sense of place is so important to me. When I see this done well, I want to savor it, study it—and try to get you to read it, too.