100 Books Like Jaguar Paloma and the Caketown Bar

When I was six, my father, a tall, bearded naval officer, read me Coleridge’s “Rime of the Ancient Mariner.” I thought it might be autobiography. Ever since, I've been fascinated by stories where fantasy and reality meet and blend. I studied English literature, taught Dead English Poets to undergraduates, became an editor/writer for hire. Along the way, I canoed, hiked the Rockies, and learned to sail a traditional Nova Scotian schooner. I have two sons, to whom I read stories night after night when they were much younger than they are now. Since retiring, I write fantasy adventure novels set aboard real sailing ships and stories about dragons who talk to exceptional people.

As a child, my imagination and love of art drew me to comic books, and later, to immersive, worldbuilding fantasy. My 26-year hiatus from devoted creative pursuits while serving in the Air Force rewarded me with amazing experiences around the globe. As an Airman, naturalist, and scuba diver, I have been immersed in worldly ‘extremes’: the best and worst of humankind; nature’s most remote places and incredible creatures; and troubled regions afflicted by climate change and conflict. I now distill my experiences and creativity into the genre of “eco-fantasy.” The books of my diverse selection also leverage and explore worldly and otherworldly ‘extremes’ to elevate their stories. Enjoy!

When I was six, my father, a tall, bearded naval officer, read me Coleridge’s “Rime of the Ancient Mariner.” I thought it might be autobiography. Ever since, I've been fascinated by stories where fantasy and reality meet and blend. I studied English literature, taught Dead English Poets to undergraduates, became an editor/writer for hire. Along the way, I canoed, hiked the Rockies, and learned to sail a traditional Nova Scotian schooner. I have two sons, to whom I read stories night after night when they were much younger than they are now. Since retiring, I write fantasy adventure novels set aboard real sailing ships and stories about dragons who talk to exceptional people.

When I was six, my father, a tall, bearded naval officer, read me Coleridge’s “Rime of the Ancient Mariner.” I thought it might be autobiography. Ever since, I've been fascinated by stories where fantasy and reality meet and blend. I studied English literature, taught Dead English Poets to undergraduates, became an editor/writer for hire. Along the way, I canoed, hiked the Rockies, and learned to sail a traditional Nova Scotian schooner. I have two sons, to whom I read stories night after night when they were much younger than they are now. Since retiring, I write fantasy adventure novels set aboard real sailing ships and stories about dragons who talk to exceptional people.

Hi! I’m M. Malone, a NYT, USA Today Bestseller, and RITA award winner. My ultimate goal in life is to make readers laugh in the most inappropriate places possible. When I moved away from home after college, it was difficult to make friends in a brand new city. Romantic comedies provided the joy I needed to go out into the real world and thrive. Now I get to make up stories that make other people laugh and in some cases pee their pants just a little (hey, I’m not judging).

It’s hard to pinpoint where my interest in cold cases began, but I remember reading about the Isdal Woman and being intrigued. She was found in Norway in 1970, badly burned, with the labels cut off her clothes. Police discovered fake identities and disguises in suitcases left at the railway station, but, to this day, have no idea who she was. I’m a member of several Facebook groups where people investigate cold cases, and I’m always amazed at how these clues can be put together so many years later. Or, in some cases, how some people go unnamed, or crimes unsolved despite all the resources at our fingertips.

I began reading science fiction when I was 8 years old and "borrowed" my father’s library books until, in defense, he got me my own library card. Not only have I spent decades reading SF, I’ve written it as well. As a veteran reader and writer with plenty of kill marks on my fuselage, I'm literally married to the SF mob (Grandmaster Robert Silverberg, is my spouse). I can both walk the walk and talk the talk. And after writing 9 SF novels including a Star Trek Book and reading uncounted SF and F tales, I still think science fiction and fantasy can be a literature of ideas illuminating the human condition.

As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to. 

When I first visited Scotland, I drove north from Edinburgh, driving through much of the country to catch a ferry to Orkney. This northern archipelago is certainly one of the most magical places I’ve ever been to; the steep sea cliffs and standing stones, windblown grasses, and violent waves put me in a gothic state of mind. I moved to Scotland a few years later to live by the sea. Since that first visit to Orkney, I’ve written my own Scottish gothic novels, as well as presented research on the gothic at various academic conferences. It’s a topic that I’m certain will compel me for a long time to come. 

My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution (which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.