Here are 100 books that Interwoven Globe fans have personally recommended if you like
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Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
Among my favorite textiles from anywhere, anytime are the Central Asian woven ikats used to make men’s robes and the superb Suzani embroideries made for young girls' dowries. Both of these exotic forms have inspired and been emulated by countless Western designers from Oscar de la Renta to ABC Carpet and Home. Many fine examples are generously illustrated in this extraordinary, beautiful and meticulous book.
Silk and Cotton combines powerful visuals of pattern and form with the history, use, and cultural significance of a wide sampling of Central Asian textiles. The archival photographs of the region by Max Penson add great depth and connect the objects to the peoples for whom they were, and in many cases still are, part of their daily lives.
The traditional textiles of Central Asia are unknown treasures. Straddling the legendary Silk Road, this vast region stretches from Russia in the west to China in the east. Whether nomadic or sedentary, its peoples created textiles for every aspect of their way of life, from ceremonial objects marking rites of passage, to everyday garments, to practical items for the home. There were suzanis for the marriage bed; prayer mats; patchwork quilts; bridal ensembles; bags for tea, scissors, and mirrors; lovingly embroidered hats and bibs; and robes of every color and pattern.Author Susan Meller has spent years assembling the 590 textiles…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a mixed media artist, I use color every day. Color is my language and my Secret Decoder Ring. It allows me to create moods, tell stories, illuminate a message (or a mystery), and express/expound/explore. What’s my favorite color?–All of them! My approach is “more is more,” and I use color in abundance. Nothing is as lavish as a canvas or journal page slathered in bold colors, and nothing makes me happier than a color-soaked room full of vibrant textiles and collections. And books! Color rules.
Sometimes, restraint can be a good thing. As much as I normally advocate using the whole paint palette, I was enthralled by the story of a lone color: indigo.
Deceptively modest, this color is celebrated worldwide and has influenced designers, crafts people, artists, and more. From secret dye recipes to historic batik prints to skirts of one hundred pleats to distressed Japanese “boro,”–Indigo endures. Visuals abound in this encyclopedic and fascinating volume.
Gloriously pieced together, much like the fine garments it portrays, this colourful volume takes the reader on an international tour of indigo-coloured textiles, presenting a huge swathe of remarkable clothing, people and fabric. Catherine Legrand, who has spent over twenty years travelling and researching the subject, has a deep knowledge of the ancient techniques, patterns and clothing traditions that characterize ethnic textile design, knowledge that she deploys to great effect in seven chapters exploring the production of Indigo textiles throughout America, China, India, Africa, Central Asia, Japan and Laos/Vietnam, and the men and women behind them. This profusely illustrated photographic…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
A serious departure from my list from a guy who is dedicated to surface design and pattern, but it is a beautifully designed book with wonderful photographs of architectural sculptural structures. Not much color but there are patterns of course, in the surface textures, created by repetition in the design details, and by the light finding its way through these often grand forms.
This book is a celebration of concrete: collating fascinating and beautiful images of concrete structures from the breathtaking New York Guggenheim to coldly functional aircraft hangars, Concrete will engage anyone interested in architecture and encourage them to think about the sculptural qualities of buildings. Familiar icons by Le Corbusier and Tadao Ando are featured alongside vernacular structures such as petrol stations, vast power plants and London Zoo's famous penguin pool.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
I am immediately drawn to this magnificent book for the many textile designs it contains and then, a new discovery for me, the vitality of the label imagery.The labels are sensual and sensational, devotional and secular.Most were created by British artists inspired by earlier Indian paintings and engravings just as so many textile designs are descendants of earlier patterns.
I learned how the stories told by these labels provide a rich view into an important period of British textile history and trade as well as Indian culture – from the heavenly realm of the Hindu Gods to the earthly palaces of Maharajas – from the mill workers of Lancashire to the khadi-clad followers of Mahatma Gandhi.
This book will be released in February/March 2023, but advance orders are being taken.Just take a peek and brace yourself for a wild, wonderful trip.Over 1000 period labels illustrate the…
At one time Great Britain clothed the world. In the 1880s, when the British textile industry was at its height, 85 percent of the world's population wore clothing made from fabric produced in the mills of Lancashire. From 1910 to 1913 alone, seven billion yards of cloth were folded, stamped, labeled, and baled. Most of this output was for export, and 30 percent of it went to India.
British textile manufacturers selling into the competitive Indian market were dealing with a largely illiterate population. In order to differentiate their goods, they stamped their cloth with distinctive images-a crouching tiger or…
I'm an internationally recognised opinion leader in sustainable fashion. My career started as a designer with the pioneering upcycling label From Somewhere, which I launched in 1997. My label’s designer collaborations include collections for Jigsaw, Speedo, and 4 best-selling capsule collections for Topshop. In 2006, I co-founded the British Fashion Council Initiative Estethica at London Fashion Week, which I curated until 2014. In 2013 I co-founded Fashion Revolution, a global campaign with participation in over 90 countries. I'm a regular keynote speaker and mentor, and Associate Visiting Professor at Middlesex University. My first book Loved Clothes Last is published by Penguin Life, Corbaccio Editore in Italy and in France by Edition Marabou.
A very detailed and beautifully written history of the textile industry throughout time, this book really underlines how our industriousness has turned into a multibillion-dollar industry, disregarding many of the principles and values it stems from.
As a go-to a history of the textile industry, you can’t read much better than this, an unbroken thread of useful knowledge for whoever thinks fashion is frivolous.
From colorful 30,000-year-old threads found on the floor of a Georgian cave to the Indian calicoes that sparked the Industrial Revolution, The Golden Thread weaves an illuminating story of human ingenuity. Design journalist Kassia St. Clair guides us through the technological advancements and cultural customs that would redefi ne human civilization-from the fabric that allowed mankind to achieve extraordinary things (traverse the oceans and shatter athletic records) and survive in unlikely places (outer space and the South Pole). She peoples her story with a motley cast of characters, including Xiling, the ancient Chinese empress credited with inventing silk, to Richard…
My latest picture book was conceived when I participated in art fairs as a weaver and quilter. I was struck by how each craft, whether it be woodworking, metallurgy, glassblowing, pottery, etc., had a unique vocabulary and origins in many different cultures. My goal is to cultivate appreciation of the work of artisans around the world who are carrying on cultural traditions. I also saw an opportunity to expand vocabulary by sharing the language of the crafts, and to encourage children to think about a craft they may want to try. It is my hope that art teachers, parents and grandparents, artisans, and lovers of crafts will enjoy sharing this inspirational book.
This story is about how a garment called a gabi is made in Ethiopia, from the planting of cotton seeds to the weaving, trimming, and wearing during festive occasions. It shows the significance of carrying on a traditional craft through lyrical text and colorful illustrations.
I love the idea that children can see how clothing and other items around the world are not necessarily made in factories. In this case, the creation of a traditional piece of clothing involves many artisans of all ages working by hand. (Illustrated vocabulary is included.)
From seed to harvest, from loom to shop, to a gift for Girma, this lyrical story of the Ethiopian Gabi is a beautiful celebration of weaving, community and culture.
Written in the cadence of The House That Jack Built, this vibrant and lushly illustrated tale pays tribute to the Gabi- a traditional Ethiopian cloth that is used to celebrate both community and culture. From the tiny seed to the fluffy white cotton, from the steady hands of the farmer to the swift fingers of the weaver, from the busy shopkeeper, to a gift for a loved one, follow the journey…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have sewn since I was a child, taught by my mother to keep me out of mischief. From having the best-dressed dolls in the neighbourhood I graduated to making my own, sometimes outlandish, forms of fashion and then became a banner maker and community textile artist. Sewing is in my DNA and I love the tactile, rhythmic soothe of it. But I have long been curious about how, in the many books are published about needlework, very few ever mention why people sew. This is what fascinates me, the stories of sewing, because it is through its purpose that we discover the spirit that lies within it.
This is a brilliantly researched book which allowed me to accompany Sofi Thanhauser as she travelled across continents to unearth the origin and the fate of fabric production. It made me realise the terrible damage done to our environment and to communities through colonialisation, exploitation, industrialisation, and our throw-away economy. Tracking how craft is being replaced with slave labour, how traditions are being eroded, and local economies destroyed in the pursuit of cheaper and greater textile production, Worn is not a comfortable read, but it is, for me, a reminder of the human cost involved in most of what I wear.
A sweeping and captivatingly told history of clothing and the stuff it is made of—an unparalleled deep-dive into how everyday garments have transformed our lives, our societies, and our planet.
“We learn that, if we were a bit more curious about our clothes, they would offer us rich, interesting and often surprising insights into human history...a deep and sustained inquiry into the origins of what we wear, and what we have worn for the past 500 years." —The Washington Post
In this panoramic social history, Sofi Thanhauser brilliantly tells five stories—Linen, Cotton, Silk, Synthetics, Wool—about the clothes we wear and…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
If you’re interested in the origins of creative thought, this is the book for you. Baskets are key, it turns out, in the connections now made between humans and the tool- and nest-making birds and chimpanzees. Containing, yes, but holding so much more than “stuff”, baskets from around the world are holders of pattern recognition, histories, and even wisdom.
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This masterful study of trimmings made and used in Britain and Ireland from 1320-1970 is a lesson in how to look carefully. Westman’s understanding of the most sumptuous elements in interiors, essentially the “bling”, offers insights into specialist working practices and the relationships between clients, suppliers, makers, and fashionability. Her forensic approach means that often the stunning images are paired with a detail of a tassel, cord, or fringe. You’ll never look at a painting of an interior in the same way again!
Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
It seems I was destined to write about textiles. Long after I started documenting the tapestries of the Dovecot Studios, Edinburgh—over 45 years ago—I discovered that my great-grandfather was a cotton mule-spinner, working one of those machines that spurred on the industrial revolution. So it’s in my blood. I’ve interviewed dozens of people who’ve made similar discoveries, and have become a firm believer in the long-lasting inherited significance of textiles. We’ve made them and they in turn have made us who we are. Now more than ever, my hope is to entangle people into the wonderful web that connects every era and every culture.
This excellent introduction to the latest archaeological textile studies should convince you that this is the most exciting field for new interdisciplinary approaches to understanding the past. There are 23 essays discussing finds from 16 counties, each telling intelligent but accessible stories about social, chronological, and cultural aspects of ancient societies. Well illustrated and with lots of further reading listed, you’ll end up wanting more.
There is evidence that ever since early prehistory, textiles have always had more than simply a utilitarian function. Textiles express who we are - our gender, age, family affiliation, occupation, religion, ethnicity and social, political, economic and legal status. Besides expressing our identity, textiles protect us from the harsh conditions of the environment, whether as clothes or shelter. We use them at birth for swaddling, in illness as bandages and at death as shrouds. We use them to carry and contain people and things. We use them for subsistence to catch fish and animals and for transport as sails. In…
