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Innocent Flowers.
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I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.
Originally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor's status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers.
This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
I had no idea before I read this book that Jerome K Jerome started his working life as an actor—or rather a would-be actor, as his acting days didn’t last long. This is a highly entertaining account of his days trying to woo corrupt agents and indifferent theatre managers, and how his own lofty perceptions of his talents as an actor were dashed by absconding producers. His experiences of life at the bottom of the acting ladder are also reflected in other actors’ memoirs, some (but not all) of whom went on to bigger things. A must-read for any parent who wants to dissuade their offspring from taking up a life ‘on the boards’.
This book contains Jerome K. Jerome's 1891 monograph on stage productions, entitled "On the Stage and Off". Within this work, Jerome reflects on his personal experiences - both good and bad - working as an actor in the late-nineteenth century. A fascinating and insightful text, "On the Stage and Off" is highly recommended for those with an interest in the development of theatre, and would make for a great addition to collections of related literature. The chapters include: "I Determine to Become and Actor", "I Become and Actor", "Through the Stage Door", "Behind the Scenes", "A Rehearsal", "Scenery and Supers",…
I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
This is an apparently ‘true’ account of the first-ever production of Bernard Shaw’s Pygmalion(from which sprang My Fair Lady), directed by Shaw himself—in the days when playwrights mostly directed their own work—and featuring two theatrical giants: Herbert Beerbohm Tree as Professor Higgins and Mrs. Patrick Campbell as Eliza Doolittle. Tree, who as an actor liked to don disguises in the form of false noses and wigs, was incapable of playing ‘straight’, and Shaw, with what appears to be the patience of a saint, had a right old time dissuading him from giving Higgins a limp and a Scottish accent. Meanwhile Mrs. P—ironically, bearing in mind the story of the play—struggled with her cockney accent and disappeared from the last week of rehearsals without telling anyone where she’d gone. (She was getting married for the second time.) I don’t know how ‘true’ this all is but it makes…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I began my professional life as an actress and have skittered around the edges of theatre ever since, in various capacities. While I haven’t been on a stage for nearly forty years and I wouldn’t venture onto one at the point of a gun, I have always found the life of the actor fascinating. I’m old enough to have witnessed huge changes in the theatre over the decades, and it is intriguing to discover how much has changed—absconding managers are pretty well a thing of the past these days, and today’s actors don’t drink as much—yet how much the adaptability and single-minded passion of actors remain the same.
This great book gives a comprehensive and amusing overview of English society in the Edwardian period and the battle between what the author calls the Established Order and New Ideas, as reflected in the theatre and women’s role in society in particular. There is a very funny description of the role of the Censor, an employee of the Lord Chamberlain called the Examiner of Plays, an ex-bank manager who made his own rules according to his own whim and was accountable to nobody. The book also covers topics such as the popularity of ‘theosophy’ and the occult; and the prevailing hypocrisy of the Old Order as epitomised in the attitude of the monarch, King Edward VII, who tolerated ‘irregular’ behaviour so long as it was discreet, and condemned public immorality while indulging in affairs left right and centre.
The Edwardian Turn of Mind brilliantly evokes the cultural temper of an age. The years between the death of Queen Victoria and the outbreak of the First World War witnessed a turbulent and dramatic struggle between the old and the new. Samuel Hynes considers the principal areas of conflict - politics, science, the arts and the relations between men and women - and fills them with a wide-ranging cast of characters: Tories, Liberals and Socialists, artists and reformers, psychoanalysts and psychic researchers, sexologists, suffragettes and censors. His book is a portrait of a tumultuous time - out of which contemporary…
When I was growing up, I used to write letters to and from myself in my journals, certain these messages were crossing time. I’ve always had a fascination with what lies beyond the horizons of our natural world and felt like somehow the laws of physics–the traditional rules of space and time–may not always apply in quite the way we think they do. And that maybe, hidden in the day-to-day life of mothers and fathers, of families and lovers, are little hints that the impossible might just be possible. So naturally, these are the stories I most love to read (and write).
I was a teenager the first time I picked up this book. Romance novels weren’t my thing, and considering this one was heavily marketed as such, I nearly overlooked it. But once I got past the swooning, steamy promotional packaging, I realized there was quite more to it. In some ways it planted the seed in my younger self for the storyteller I would eventually become. It tells the story of a woman who has lost hope for her mess of a life, only to be given the rare opportunity to experience past-life-regression and alternate versions of herself in several previous lifetimes. Readers are swept through the centuries in richly told settings as we watch her experience the loves, losses, and lessons that have all led to the circumstances of her current, present-day life.
New York Times bestselling author Jude Deveraux plunges a modern-day woman into the mysteries of the past—where an enchanting love awaits...
Bestselling romance writer Hayden Lane has never been so obsessed with one of her fictional heroes before so entranced that she barely notices when her fiancé breaks their engagement. Desperate to discover more about him, she visits a psychic who tells har that in a past life, Hayden was Lady de Grey, a promiscuous woman of Edwardian England whose ghost is said to haunt her husband's home. Warned not to investigate further, Hayden is more intrigued than ever…
As a child, I spent a lot of time with my head in a book – mostly Enid Blyton mystery stories. My ambition was to write my own mystery stories one day. Thirty years later, I discovered a love of detective stories, and when my daughter, aged ten, complained that she could not find enough mystery and adventure books in our local library, it was the spur I needed to start writing again. Eventually, Eye Spy, a detective novel for children, was born and became the first in a series. And writing these books – creating quirky characters and intricate mysteries to solve – is just such fun!
I really enjoyed this fast-paced and cleverly plotted historical novel set in Edwardian times.
The story follows shopgirl Sophie, who works in a big new department store in Oxford Street, but inadvertently becomes a suspect when a valuable clockwork sparrow is stolen from the store.
The race is then on for Sophie to clear her name, with the help of her three resourceful friends. Sophie herself is a likeable and intrepid heroine, and the plot twists and turns in unexpected ways.
A gorgeous anniverary edition of the first title in Katherine Woodfine's bestselling debut series, The Sinclair Mysteries. A fast-paced historical mystery adventure for readers aged 9+, with gorgeous Edwardian period detail. Perfect for readers of Robin Stevens' Murder Most Unladylike series and M.G.Leonard's Adventures on Trains.
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'A wonderful book, with a glorious heroine and a true spirit of adventure' - KATHERINE RUNDELL, BESTSELLING AUTHOR OF IMPOSSIBLE CREATURES
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You are cordially invited to attend the Grand Opening of Sinclair's department store!
Enter a world of bonbons, hats, perfumes and MYSTERIES around every corner. WONDER at…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I’ve been reading historical romance since I was a teen and writing it since I published my first historical romance in 1987. Since then I’ve written over forty romance novels, short stories, and novellas, many of which are historical romances. I adore history and research is never a chore for me. Graduate school and a project on Eleanore Sleath, an English author of Horrid Novels from the early 19th century, honed the research skills that I bring to my historical novels. There are times when readers need the certainty of the happy ending that Romance promises, and I love delivering on that promise in all my books. I hope everyone finds a new author to love from this list!
Private Arrangements was my introduction to Sherry Thomas’s absolutely exquisite prose and story-telling. The setting is the Edwardian period and gives us a couple who were once passionately in love. The day after their wedding everything goes wrong with no way to pick up the pieces. Indeed, the two have lived apart for the last ten years. Now she wants a divorce, and he has a shocking proposal for her. How on earth can two people who have made such terrible mistakes find their way back to each other? Thomas takes you on an emotional ride on the way to the answer. She’s an amazing writer whose characters come to life on the page in a way few can match. If you haven’t read her work, you should.
To all of London society, Lord and Lady Tremaine had the ideal arrangement: a marriage based on civility, courteousness, and freedom—by all accounts, a perfect marriage. The reason? For the last ten years, husband and wife have resided on separate continents.
But once upon a time, things were quite different for the Tremaines….When Gigi Rowland first laid eyes on Camden Saybrook, the attraction was immediate and overwhelming. But what began in a spark of passion ended in betrayal the morning after their wedding—and now Gigi wants to be free to marry again. When Camden…
I’ve always had a fascination with the past and how it interacts with the present. I grew up playing in the house and grounds of a spooky old house that was a convalescent home for World War One soldiers and had stood there for centuries before that. At university my essays always strayed into the supernatural. I studied time slips and gothic fiction in English Literature and my history dissertation was about people who believed their children were fairy changelings. When I’m not combining my passion for historical mysteries and ghostly goings on in my writing, I collect old postcards and explore crumbling cemeteries for inspiration.
This is a brilliantly written fast-paced time travel adventure, mystery, and romance, all rolled into one. Conway’s descriptive writing style brings the characters and settings of 1912 and present-day vividly to life. The history field trip scene reminded me so much of my own university field trip to a local cemetery that I wondered if we’d been on the same course. However, this story is set in Birmingham rather than Liverpool, but the similarities were uncanny.
The author has really done his research too, but where a less skilled author might inform the reader through info-dumping, Conway conveys the sights, sounds, and historical details of Edwardian Moseley through action and dialogue. You feel as though you have travelled back in time with Rachel and Danny and are experiencing the story with them. There are so many twists and turns and unexpected reveals that you can’t help but keep reading. But…
One touch... and you're who knows when? A brilliant paranormal mystery that launches this bestselling saga with an Edwardian thriller that blends science fiction with historical adventure. 2018 UPDATED AND EXPANDED EDITION.
In a small corner of Birmingham, England, a pair of mismatched History students from opposite sides of the tracks find their lives thrown together when an old gravestone catapults them back into their neighbourhood’s dark Edwardian past, where they have just three days to prevent the murder of a teenage girl.
In 1912, they find that every action has an unforeseen consequence that can ripple through generations... and…
I work on topics where medicine, crime, and the law intersect, aided by an undergraduate degree in chemistry and stimulated by my fascination with how criminal justice systems work. I have published on the history of poisoning, vitriol attacks, assault, child murder, and the role of scientific expertise in criminal investigations and trials, focusing on Britain since the seventeenth century. I’ve contributed to many TV documentaries over the years, and enjoy the opportunity to explain just why the history of crime is about so much more than individual criminals: it shows us how people in the past lived their lives and helps explain how we got where we are today.
This fascinating study shows that victim-blaming has a long history and doctors have been part of the problem, playing a significant role in constructing and reinforcing rape myths in the years 1850-1914. The unique focus on age, medical beliefs about puberty, and public concerns about sexual offences and working-class sexuality explains why even children under the legal age of consent might not be seen as sexually innocent. Medicine provided a scientific rationale for deeply entrenched and remarkably stable popular beliefs about ‘real rape’ and ‘victimhood’, contributing to the serious burden that female victims faced in court.
Drawing on court records from London and the South West, Sexual Forensics in Victorian and Edwardian England explores medical roles in trials for sexual offences. Its focus on sexual maturity, a more flexible concept than the legal age of consent, enables histories of sexual crime to be seen in a new light.
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I’m a French-born, London-based novelist and food writer. As an author, I have nurtured my voice at the kitchen counter, where I find language loosens up and as a reader, cookbooks, food memoirs, and novels sit in one pile on my bedside table. Food is never not political and I find that its depiction is a wonderful narrative tool, for plot development with the setting of a meal or to portray a character through ingredients for examples. The relationship between food, culture, and writing is something I also explore with my podcast, book club, and culinary community The Salmon Pink Kitchen. Happy reading, and bon appétit!
I devoured this modern classic comedy of manners like a good period drama.
The novel follows the adolescent years of Sebastian, duke and heir of the country house Chevron, where his mother Lucy plots luncheons and indulges parties where alcohol, games, and affairs are the prime guests. The tone is witty and the food, from the ingredients on display to the behaviours of those who eat, is used as a powerful show of appearances.
An instant bestseller when it was published in 1930, this glittering satire of Edwardian high society features a privileged brother and sister torn between tradition and a chance at an independent life.
Sebastian is young, handsome, moody, and the heir to Chevron, a vast and opulent ducal estate. He feels a deep love for the countryside and for his patrimony, but he loathes the frivolous social world his mother and her shallow friends represent. At one of his mother’s decadent house parties, Sebastian meets two people who shake his sense of self: Leonard Anquetil, a lowborn arctic explorer, who questions…