100 Books Like The Edwardian Turn of Mind

This book taught me so much I didn’t know about the women working in theatre in Edwardian Britain, particularly behind the scenes. They were by and large the antidote to the (male) actor-managers who ruled the roost over the West End at the turn of the 19th/20th centuries. They were responsible for introducing Ibsen in his original form to cautious London audiences, and for creating something called the Actress’ Franchise League, which I’d never heard of before. It’s a broadly-researched book and very easy to read. 

I’ve often wondered how it was that actors went from the ‘rogues and vagabonds’ of Shakespeare’s time through the days of early Victorian theatre, when acting was considered a highly disreputable profession, to apparent respectability at the end of the 19th century with the creation of the first theatrical knight, Sir Henry Irving. This book—again meticulously- and widely-researched—explains in a highly readable form how changing attitudes among politicians, audiences, and playwrights contributed to the rise in the status of actors, so that by the beginnings of the 20th century it was considered perfectly respectable for even a middle-class man—or woman—to enter the profession.  

I had no idea before I read this book that Jerome K Jerome started his working life as an actor—or rather a would-be actor, as his acting days didn’t last long. This is a highly entertaining account of his days trying to woo corrupt agents and indifferent theatre managers, and how his own lofty perceptions of his talents as an actor were dashed by absconding producers. His experiences of life at the bottom of the acting ladder are also reflected in other actors’ memoirs, some (but not all) of whom went on to bigger things. A must-read for any parent who wants to dissuade their offspring from taking up a life ‘on the boards’.

This is an apparently ‘true’ account of the first-ever production of Bernard Shaw’s Pygmalion (from which sprang My Fair Lady), directed by Shaw himself—in the days when playwrights mostly directed their own work—and featuring two theatrical giants: Herbert Beerbohm Tree as Professor Higgins and Mrs. Patrick Campbell as Eliza Doolittle. Tree, who as an actor liked to don disguises in the form of false noses and wigs, was incapable of playing ‘straight’, and Shaw, with what appears to be the patience of a saint, had a right old time dissuading him from giving Higgins a limp and a Scottish accent. Meanwhile Mrs. P—ironically, bearing in mind the story of the play—struggled with her cockney accent and disappeared from the last week of rehearsals without telling anyone where she’d gone. (She was getting married for the second time.) I don’t know how ‘true’ this all is but it makes for… show more.

My absolute favourite WWI novel, this is the story of several English young people who come of age during the Great War. It gives glimpses into home front life as well as life at the front. As usual, McKay’s characters are vibrant, maddening, loveable, ridiculous--sometimes all at once. The prose is elegant, poetic, subtle, will smack you in the feels, and stay in your mind long after.

The glorious Flambards series, starring gutsy heroine Christina, was a staple for pony-mad teenagers in the 70s and 80s and is still held in great affection by its legions of fans. It’s so full of heart and life that it’s stayed relevant and readable today. Orphaned at the turn of the twentieth century, Christina Parsons is sent to live with tyrannical, hunting-mad Uncle William and his two sons in their impoverished estate. One son, dashing thruster Mark, is thought to be a good match for Christina, but it’s his younger brother, the clever, awkward would-be aviator William who she falls for. Perhaps the most trusting and enduring love she finds, however, is that for horses, starting with the wonderful, kind Sweet Briar in this opening novel. The freedom they discover together, blasting across Flambards’ ancient turf from Uncle William’s angry bellowing, is a tour de force.

January 1901: Queen Victoria is dead and her subjects nervously await a new king and a new century. Two families—the aristocratic Colemans and middle-class Waterhouses—meet at their adjoining plots in London’s elegant Highgate Cemetery. Their five-year-old daughters form an immediate bond. The lives of the two families entwine over the next decade as they struggle with social change, betrayal, and grief. Surprisingly, Highgate offers a release from the confining decorum of their everyday lives. The two girls play among the graves with a gravedigger’s son, while adult members of their households indulge in forbidden liaisons there. Chevalier’s crisp prose creates rich character portraits and vivid historical scenes with only a few strokes. This slim novel resonated in my mind long after I finished it. 

In these two volumes, Massie shows how the naval arms race Kaiser Wilhelm undertook with his grandmother Queen Victoria led inexorably to the Great War and a century of conflict. The rise of a young power, contesting control of the seas with the established global empire: sound familiar? The stakes could not have been higher - as Churchill said of Admiral Jellicoe, commander of the British fleet: "He is the only man who could lose this war in a single afternoon." Jellicoe prevailed when that fateful afternoon came at Jutland, but Massie shows us the long drift to war that started decades before on a different afternoon: a yacht race at Cowes.

This story differs from the others on my list, as it takes place in England in the early twentieth century. Setting and time period aside, the plucky main character Tabitha along with her pet rat and fellow detective (in her mind) steal the show and our hearts. We can’t help but root for her despite all she comes up against and all who belittle her as she follows clues in her unique and endearing manner through a giant and possibly haunted estate. Nooks & Crannies does a fine job balancing humor and wit with more serious subjects such as murder and abuse, and is sure to appeal to fans of Charlie and the Chocolate Factory.

This is a work of historical fiction by a master storyteller. I have been acquainted with Charles Kingsley (1819-1875) since being given The Water-Babies and Westward Ho! to read in childhood. Here he takes as his subject Hypatia of Alexandria (370-415), daughter of the mathematician and philosopher Theon. She was played by Rachel Weisz in the 2009 movie Agora.

Hypatia’s own contributions to mathematics are unclear. “All Hypatia's work is lost except for its titles and some references to it,” says her biographical entry in the MacTutor online history of math; but since she does have a MacTutor entry, I claim her as a mathematician.

Queen Victoria liked Hypatia so much she appointed Charles Kingsley personal tutor to her son, the future King Edward VII.