Here are 100 books that The Art of Not Being Governed fans have personally recommended if you like
The Art of Not Being Governed.
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I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
Working between cultures, as I do, I have been reading the Sinologist François Jullien for many years. I like how he traces the passage of an idea across cultures as they reveal tensions between the same and the different. The question Jullien poses with this book is, “Are universal values possible,” especially between the East and the West?
Although a common concept may exist, this does not mean a common meaning does. In my experience, we all communicate constantly, oscillating between understanding and misunderstanding, which is more so when cultural differences occur.
The once-read, never forgotten Wittgenstein statement: ‘The limits of my language mean the limits of my world,’ ever resonates–I believe language mediates all sensory experience, but often inadequately.
Francois Jullien, the leading philosopher and specialist in Chinese thought, has always aimed at building on inter-cultural relations between China and the West. In this new book he focuses on the following questions: Do universal values exist? Is dialogue between cultures possible?
To answer these questions, he retraces the history of the concept of the universal from its invention as an aspect of Roman citizenship, through its neutralization in the Christian idea of salvation, to its present day manifestations. This raises the question of whether the search for the universal is a uniquely Western preoccupation: do other cultures, like…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
In what I do and how I feel, I cannot avoid confronting the times we all live, called the “end times.” What they name is the end of an epoch of total planetary domination by Homo sapiens.
A moment of nemesis has arrived. What has been discovered, if unevenly, is that our collective world-making has revealed itself to be an unmaking. The history and the future of climate change, literally and metaphorically, stand for this moment.
The Brazilian anthropologists Deborah and Eduardo Viveiros de Castro powerfully capture not just the causes of this planetary crisis but, in my view, present ways of thinking and working toward affirmative futures.
The end of the world is a seemingly interminable topic D at least, of course, until it happens. Environmental catastrophe and planetary apocalypse are subjects of enduring fascination and, as ethnographic studies show, human cultures have approached them in very different ways. Indeed, in the face of the growing perception of the dire effects of global warming, some of these visions have been given a new lease on life. Information and analyses concerning the human causes and the catastrophic consequences of the planetary 'crisis' have been accumulating at an ever-increasing rate, mobilising popular opinion as well as academic reflection.
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
As one of my favorite novels, I find something unexpected every time I read this book. It takes you to a dystopic world, not so much as what it would look like, but how it would feel. I find it affirmative in its negativity. It takes me to what I value and wants to protect, cherish, and continue to experience. It has been part of a lesson I learned long ago and have lived by.
If you want things to be better, what is bad has to be confronted without turning away and surmounted by overcoming, adaptation, or acceptance.
Paul Auster's dystopian future from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian)
'That is how it works in the City. Every time you think you know the answer to a question, you discover that the question makes no sense . . .'
This is the story of Anna Blume and her journey to find her lost brother, William, in the unnamed City. Like the City itself, however, it is a journey that is doomed, and so all that is left is Anna's unwritten account of what happened.
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
For me, Bernard Stiegler was one of the most influential thinkers of technology of the modern age. I like books that bring my own thinking into question. His book does this for me by providing an interesting and unfamiliar way of understanding the relation between technology and consumerism.
He describes consumerism as damaging our psychic sphere and destroying our desires–replacing them with ones formed and met by marketed commodities. What I found insightful was how he showed “reason” being transformed by philosophy into an object of faith.
The result: reason now travels with the unreason of an unchecked rationalization of power of technological creation, but with little sense of the consequences, over time, of what has been created (think AI!).
In 1944 Horkheimer and Adorno warned that industrial society turns reason into rationalization, and Polanyi warned of the dangers of the self-regulating market, but today, argues Stiegler, this regression of reason has led to societies dominated by unreason, stupidity and madness. However, philosophy in the second half of the twentieth century abandoned the critique of political economy, and poststructuralism left its heirs helpless and disarmed in face of the reign of stupidity and an economic crisis of global proportions.
New theories and concepts are required today to think through these issues. The thinkers of poststructuralism Lyotard, Deleuze, Derrida must be…
My first memory is of my father telling me about the cosmos, the Big Bang, and how the sun would burn out one day, expanding so big it would swallow the Earth. This memory haunted my dreams and waking hours, instilling a fascination with the life and death cycles of everything. Now I’m an artist, writer, educator and somatic coach devoted to helping people talk about and honor the things western culture doesn’t create space for–big emotions, messy love and the gifts of dying.
I love a book with a mix of big wonder and big sorrow. I read this book; no, I gobbled this book in one day, looking out over the Atlantic.
I cried big salty tears into the sea and laughed out loud with the ocean breeze. I learned about the untold histories of Guam and the constellation of people and experiences that make up a rich life. I felt the beauty and power of the indigenous culture of Guam and I grieved the many deaths caused by the collision of climate crises, politics and greed.
A Michelle Obama Reach Higher Fall 2022 reading list pick
A Library Journal "BEST BOOK OF 2022"
"Aguon's book is for everyone, but he challenges history by placing indigenous consciousness at the center of his project . . . the most tender polemic I've ever read." -Lenika Cruz, The Atlantic
"It's clear [Aguon] poured his whole heart into this slim book . . . [his] sense of hope, fierce determination, and love for his people and culture permeates every page." -Laura Sackton, BookRiot
Part memoir, part manifesto, Chamorro climate activist Julian Aguon's No Country for Eight-Spot Butterflies is a…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
This book helped me release shame after a colleague of mine told me my work wasn’t “science.”
Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.
Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.
She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.
What stories, fables, and myths have taught you valuable lessons about the world?
Called the work of "a mesmerizing storyteller with deep compassion and memorable prose" (Publishers Weekly) and the book that, "anyone interested in natural history, botany, protecting nature, or Native American culture will love," by Library Journal, Braiding Sweetgrass is poised to be a classic of nature writing. As a botanist, Robin Wall Kimmerer asks questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces indigenous teachings that consider plants and animals to be our oldest teachers. Kimmerer brings these two lenses of knowledge together to take "us on a journey that is…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, King’s College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
This is one of the most compelling books written on Africa. The author insightfully and thoughtfully reassesses the predicament and plight of the African continent with regards to socio-cultural development, institution-building, nation-building, and state-building. The book – both challenging and stimulating as it is – proves to be a somewhat difficult read as the author alternately targets scholars of African studies more than students of Africa as his main audience and recipients.
In analyzing the obstacles to democratization in post- independence Africa, Mahmood Mamdani offers a bold, insightful account of colonialism's legacy--a bifurcated power that mediated racial domination through tribally organized local authorities, reproducing racial identity in citizens and ethnic identity in subjects. Many writers have understood colonial rule as either "direct" (French) or "indirect" (British), with a third variant--apartheid--as exceptional. This benign terminology, Mamdani shows, masks the fact that these were actually variants of a despotism. While direct rule denied rights to subjects on racial grounds, indirect rule incorporated them into a "customary" mode of rule, with state-appointed Native Authorities defining…
Why I chose to write about cold climates: I spent nearly seven years living in the North of Norway in the Sámi reindeer herding village called Guovdageaidnu, or Kautokeino in Norwegian. I cherish my time in that part of the world.
This is a little off-piste in that this isn’t exactly about cold climates; the main topic of Dodds Pennock’s book is about how Indigenous Americans discovered Europe. I first heard Dodds Pennock talk about her book at a lecture in London just a few months back and had to buy the book, which is a riveting account of the reverse migration of Indigenous Americans to Europe.
Why include this book on the Arctic, you ask? Dodds Pennock also writes about a few Indigenous Inuit that make it to England, and I haven’t stopped thinking about the story she tells about their fraught lives in the UK and (until now) unknown or forgotten history in England. For example, she tells a gripping story of two Inuits who were abducted and brought to London in the 1570s and are buried in the city in unmarked graves at St. Olave’s Church.
We have long been taught to presume that modern global history began when the 'Old World' encountered the 'New', when Christopher Columbus 'discovered' America in 1492. But, as Caroline Dodds Pennock conclusively shows in this groundbreaking book, for tens of thousands of Aztecs, Maya, Totonacs, Inuit and others - enslaved people, diplomats, explorers, servants, traders - the reverse was true: they discovered Europe. For them, Europe comprised savage shores, a land of riches and marvels, yet perplexing for its brutal disparities of wealth and quality of life, and its baffling beliefs. The story of these Indigenous Americans abroad is a…
In grade school, I was taught that my ancestors in Borikén (Puerto Rico) were eradicated by the Spanish, just a few decades after Christopher Columbus “discovered” the Americas. I have since become an Anthropologist of technology, where I study how the infrastructure failures and disasters like hurricanes are reactivating a dormant Taíno identity on my ancestral archipelago. My speculative fiction is inspired by this research and my fractured family history as a descendant of the Taíno, enslaved Africans, and their colonizers from Spain. In my stories, I challenge the narrative of my own extinction, imagining alternative pasts and futures where the Taíno are flourishing and Boricuas are free from American colonial rule (Taínofuturism).
Among the more insidious and tragic consequences of colonialism and its assimilationist policies is the eradication of indigenous conventions around gender and sexuality. In many indigenous communities, gender and sexuality do not operate in as binary as a fashion as they do in European societies.
Highlighting these historical and contemporary possibilities for what we might call queer identities (or “two-spirit” in some communities), is Joshua Whithead’s breathtaking “Indigiqueer” anthology, Love After the End. Contributors amend the provocation, the future is indigenous, to consider how the future is also queer or indigiqueer.
Weaving between the traditional and the contemporary, the past and the future, the ancestral and the posthuman, these tales of queer joy, love, and thriving remind us of what was lost and what is still possible as we strive toward mass decolonization.
This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories.
Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma.
I read this book twice, cover-to-cover and back-to-back. First, to find out what happens to our feisty Métis hero, Joan of Arcand, and then again to savor Dimaline’s lyrical writing. When Mere (her grandmother) is murdered by a wolfish shape-shifting creature—a rogarou—we find ourselves trapped in a mythic Métis world. “A dog, a man, a wolf. He was clothed, he was naked in his fur, he wore moccasins to jig.” Carrying a ground-up salt bone for protection, Joan ventures into the Empire of Wildto slay the rogarou who killed Mere and reclaim her husband. Like her hero, Dimaline is brave and fearless, pouring history, politics, and religion into her cauldron, then stirring with a branch of magic realism and psychological terror. Dimaline is my hero.
A NO. 1 INTERNATIONAL BESTSELLER One of the most anticipated books of the summer for Time, Harper's Bazaar, Bustle and Publishers Weekly
'Deftly written, gripping and informative. Empire of Wild is a rip-roaring read!' Margaret Atwood
'Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive' Tommy Orange, author of There There
'Dimaline turns an old story into something newly haunting and resonant' New York Times
'An utterly compelling blend of propulsive narrative, starkly beautiful writing and passionate, near dysfunctional love' Daily Mail
