Here are 100 books that In Arabian Nights fans have personally recommended if you like
In Arabian Nights.
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My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
Steil accepts a short-term assignment in 2006 to teach a journalism class to the local staff of a Yemeni newspaper in the capital, Sanaa. Intrigued by the experience of teaching and befriending men and women of totally different values and beliefs, she extends her stay for a year. She recounts the difficulties of teaching journalism and living in a country where the values she once saw as normal, are constantly being challenged. As often happens with sensitive outsiders, she also sees some advantages of Yemen’s conservative culture that make her question aspects of her own thinking.
"I had no idea how to find my way around this medieval city. It was getting dark. I was tired. I didn’t speak Arabic. I was a little frightened. But hadn’t I battled scorpions in the wilds of Costa Rica and prevailed? Hadn’t I survived fainting in a San José brothel? Hadn’t I once arrived in Ireland with only $10 in my pocket and made it last two weeks? Surely I could handle a walk through an unfamiliar town. So I took a breath, tightened the black scarf around my hair, and headed out to take my first solitary steps…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
In 1945 Alireza married a member of a prominent Saudi family and went to live with him in his extended family. She recounts her experience living mainly in the company of the women of the family. Over 12 years and the birth of four children, she grows close to her Arabian family and learns to live according to their customs. The reader becomes immersed in Saudi culture in a way not easily available to an outsider and feels the same sadness as Marianne when ultimately her husband divorces her and she has to leave the family she has grown to love.
Autobiography: A harem is a female group composed of a married woman's mother-in-law, sisters-in-law, children, and servants. Californian Alireza arrived in Arabia in 1945 with her husband Ali. Shew grew to lover her expanded family and the harem. After 8 years, she was summarily divorced by Ali and escaped with the children to Switzerland, then home to America.
I began studying Arabic language in middle school in Utah. While I was in university, I read history and politics to understand what was happening in Israel and Palestine, and widened my interest to the entire Middle East. The major question that compelled my interest was how things have changed in the region and why.
I was fortunate to live in Iran, Tunisia, Morocco, and Egypt and to travel through much of the Middle East. During my time in these countries, I saw warning signs of political trouble, the involvement of the US, and the Arab Awakening of 2011. Change in the region has brought much that is good, but it has come in many areas at a high cost.
This book is an amazing introduction to the Middle East, despite it being written decades ago.
When I first lived in the Middle East, I realized that I had to learn a whole new framework of customs, practices, and expectations if I wanted to fit in. This book is still the best guide to values and practices, despite many changes since it was written.
Newly-married to a graduate student in anthropology at the University of Chicago, Elizabeth Fernea traveled to a Shia Muslim village in faraway Iraq in the mid-1960s. While Bob Fernea sets out to meet the officials in the town and surrounding area, Elizabeth is isolated in a small house, hindered by little local Arabic and being new and foreign as she works to make friends. The most respected and powerful man in the village is the local sheikh.
Unfortunately, Elizabeth doesn’t know what proper behavior for a…
A delightful account of one woman's two-year stay in a tiny rural village in Iraq, where she assumed the dress and sheltered life of a harem woman.
"A most enjoyable book abouut [Muslim women]—simple, dignified, human, colorful, sad and humble as the life they lead." —Muhsin Mahdi, Jewett Professor of Arabic Literature, Harvard Unversity.
A wonderful, well-written, and vastly informative ethnographic study that offers a unique insight into a part of the Midddle Eastern life seldom seen by the West.
Trapped in our world, the fae are dying from drugs, contaminants, and hopelessness. Kicked out of the dark fae court for tainting his body and magic, Riasg only wants one thing: to die a bit faster. It’s already the end of his world, after all.
My quest after culture began as a child reading National Geographic and wondering about exotic peoples. Later with a PhD in anthropology and living decades in the Middle East, I had a chance to immerse myself in the lives of people going about their normal activities. Eventually their thinking became almost as familiar as my own. The anthropologist Edward Hall says culture is elusive, “and what it hides it hides most effectively from its own practitioners.” He suggests that detached outsiders sometimes see cultures more clearly than local observers who have difficulty viewing themselves dispassionately. As outsider-writers, they validate insights much like anthropologists do, through comparisons of cultural values across time and space.
In the 1860s, the ailing Lady Duff Gordon is advised by doctors to seek warmer climes if she is to recover from an advanced case of tuberculous. She travels to Egypt and embarks from Cairo by sailing a boat up the Nile and deep into Nubia. Along the way she comments on encounters with people of all classes and occupations that she meets. The book stands in stark contrast to the largely unsympathetic picture of the Egyptian peasantry by other British writers of the time. Her sympathetic portrayal includes seeing the importance of Islam and deploring foreign efforts to convert the population to Christianity. Her depictions show that even during this early period certain basic values existed that in a general way still guide behavior today in Egypt.
In 1862, Lucie Duff Gordon left her husband and three children in England and settled in Egypt, where she remained for the rest of her short life. Seeking respite from her tuberculosis in the dry air, she moved into a ramshackle house above a temple in Luxor, and soon became an indispensable member of the community. Setting up a hospital in her home, she welcomed all - from slaves to local leaders. Her humane, open-minded voice shines across the centuries through these letters - witty, life-affirming, joyous, self-deprecating and utterly enchanted by her Arab neighbours.
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I admire the way this book jumps out of the box and debunks the emphasis on “pure craft”—a term that grew out of the hero’s journey. (Basically the “Horatio Alger” story about a character going from rags to riches.)
This model stifles the voices of writers from other cultures.
Salesses’ techniques help writers mine their cultural background and discover stories only they can tell. It also frees all writers from the model of the hero’s journey.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
In The Thousand and One Nights, Scheherazade famously told stories to keep herself alive. In this novel the wife of a man in a coma uses stories to coax him back to life. The storytellers she brings to his hospital bedside include a raven, a ghost, a centaur, and Scheherazade herself. Even a housegets a monologue here. I love how this book brings the mythic aspects of life into every day for the purpose of healing. The underneath here is the man’s subconscious. The entities speaking to him exist in the every day; we just don’t normally see them. This book brings them all to life. A beautiful story beautifully told.
Do stories have the power to heal? For Gary Hawken, life in a coma offers few perks. Nurses care for him and people sit by his bed and tell him stories, but the glorious mess of life passes him by. In a world where survival depends on his ability to understand his stories, Gary must recognize the value of his own soul. A hypnotic tale of one man’s struggle to find the truth in his own epic life.
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
In my college days, I majored in dance and political science. It was the 1960s, so marrying art with politics made countercultural sense. After realizing I wouldn’t become the next Martha Graham, I chose to pursue a doctoral degree in political science. But I never abandoned my first love, the arts. Following a more than twenty-year career teaching about women and politics at several universities, I returned to school myself, completed an M.F.A. in creative writing, and published my debut novel, Cities of Women.
Readers may be familiar with The Arabian Nights, the source material behind this fascinating novel. Yet, what distinguishes Jamila Ahmed’s retelling is her focus on the famed storyteller, Shaherazade, whose exposure of the Seljuk king’s wife’s infidelity sets in motion a violent chain of events in twelfth-century Persia.
In lush, sensuous prose, Ahmed fills this vividly imagined, action-packed novel with compelling characters and labyrinthine tales within tales populated with mythical adventurers and creatures with magical powers.
The elaborate, psychologically complex portrait of Shaherazade at the heart of the novel celebrates the power of storytelling while paying homage to the agency of the storyteller.
In this riveting take on One Thousand and One Nights, Shaherazade, at the center of her own story, uses wit and political mastery to navigate opulent palaces brimming with treachery and the perils of the Third Crusade as her Persian homeland teeters on the brink of destruction.
In twelfth century, Persia, clever and dreamy Shaherazade stumbles on the Malik’s beloved wife entwined with a lover in a sun-dappled courtyard. When Shaherazade recounts her first tale, the story of this infidelity, to the Malik, she sets the Seljuk Empire on fire.
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
While some people may not think of genies (or jinn) as monsters in the same category as Bigfoot or dragons, from a cultural and folkloric point of view they definitely are.
Most Americans probably think of the wisecracking genie in Disney’s Aladdin, but belief in genies is both serious and widespread. In his book Legends of the Fire Spiritsjournalist Robert Lebling describes how the creatures appear in the Koran (hint: it’s closer to the recent filmThree Thousand Years of Longing).
They are in some ways the Muslim equivalent of Christian angels, imbued with magical powers and viewed by the devout not as real and tangible as you or I. What I love about this book is how Lebling reveals the real stories of jinn—in both their wonder (granting wishes) and terrible vengeance (mass murder).
As with all monsters, whether you believe in them or not is…
In the magical tale of Aladdin in "The Arabian Nights", the genie that suddenly appears out of the lamp is powerful, playful and utterly mysterious. Supernatural, shape-shifting figures have been given many names over the ages - genie, demon, spirit, ghoul, shaitan and jinn. Those who have seen them believe jinn shadow us in our daily lives, causing endless mischief, providing amazing services and sometimes inducing sheer terror. "Legends of the Fire Spirits" explores the enduring phenomenon of the jinn. From North Africa to Central Asia, from the Mediterranean to sub-Saharan Africa and beyond, this riveting book draws on long-forgotten…
Having previously worked in the Urban Affairs side of academia and drawing heavily on my own experience living in the city of Portland, OR while writing my book, Moonshine, I’ve become very interested in how fantasy authors find creative ways to incorporate the supernatural elements of the genre with the extremely mundane aspects of urban planning and civics. I find that the most immersive fantasy worlds are the ones that concern themselves with the gritty details of how their societies operate on a basic logistical level, and I think a well-written fantasy city can very much shine as a character in its own right.
Harsh environments provide a compelling opportunity for fantasy authors to explore how otherworldly magic or technology can help populations build functioning civilizations and survive in such conditions. The Perfect Assassin’s setting of Ghadid, a desert city built upon massive platforms that rise above the dunes, does exactly this with an ancient plumbing system that provides its residents with water that not only fills their cups but also fuels the magic of their healers. While the water supply allows the residents of Ghadid to survive in such a harsh climate, its limitations further inform how the city handles farming, commerce, medicine, its calendar, and—most pertinently to the story—the threat of malevolent spirits from the sands below.
The assassins of Ghadid serve a higher power, dispensing justice in the shadows. Or so Amastan has been taught.
Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, impossibly, fellow assassins are being killed off. Until, inevitably, Amastan is ordered to solve these murders. Even worse, the jaan of the murdered start roaming the dusty streets of Ghadid: restless spirits seeking any body to possess.
Time is running short, and Amastan must find this perfect assassin or become their next target.
Karl's War is a coming-of-age-meets-thriller set in Germany on the eve of Hitler coming to power. Karl – a reluctant poster boy for the Nazis – meets Jewish Ben and his world is up-turned.
Ben and his family flee to France. Karl joins the German army but deserts and finds…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
I loved this quirky, surreal novel, which is set in Cairo during the time of the Mamluks. Alternating between dreams and fables, the novel also takes us on a tour of Cairo. He uses the mock diary of a traveler for every section of old Cairo, but then diverges into the individual stories of characters in the city.
Balian, a British pilgrim who has come to visit St. Catherine’s Monastery in Sinai, is really a spy sent by European powers to scout out the power of the Mamluk force, as well as the political intentions of the Sultan. Soon over his head, he finds himself meeting a variety of flamboyant characters. An Italian spy, Giancristoforo, is soon arrested and disappears into state custody. Balian has bizarre dreams at night, but even during the daytime he can’t distinguish between dream and reality.
Arabian Nightmare is a book which has hung around…
' ...a classic orientalist fantasy tells the story of Balian of Norwich and his misadventures in a labyrinthine Cairo at the time of the Mamelukes. Steamy, exotic and ingenious, it is a boxes-within-boxes tale featuring such characters as Yoll, the Storyteller, Fatima the Deathly and the Father of Cats. It is a compelling meditation on reality and illusion, as well as on Arabian Nights-style storytelling. At its elusive centre lies the affliction of the Arabian Nightmare: a dream of infinite suffering that can never be remembered on waking, and might almost have happened to somebody else.' Phil Baker in The…
