Books like Imperial Leather — picked by fans

I did well in history growing up, but an accident at a mountain in the 7th grade had me laid up and reading a book about Native Americans in their own words. At that point, I knew they weren’t teaching us everything.

Finding Howard Zinn later was the motherlode of what history teachers hadn’t taught us, and I absorbed it.

When I started researching the slave trade in the mid-2000s, there wasn’t a great deal of historical work that examined the realities of the trade for its enslaved victims, nor the merchants who organized it.

I therefore had to turn to Barry Unsworth’s exceptional 1993 novel Sacred Hunger, to gain insight into the slave trade’s gruesome realities. Unsworth undertook deep historical research before writing Sacred Hunger, which examines the fictional slaving voyage of the Liverpool Merchant.

The novel vividly exposes the violence, misery, and death that was at the trade’s core, as well as enslaved people’s constant attempts to resist their captivity. He also paints an accurate portrait of slaving merchants’ chilling rationality and “Sacred Hunger” for personal profit, regardless of what achieving that ambition costs in human lives.

Americans are reared on the myth that we are all created equal.

But this myth can have negative effects in a highly stratified society, where the richest 5% of families have 248 times as much wealth as the second richest 20% of the population and where racial discrimination permeates every aspect of life.

In this classic work, Lewis shows how the myth of equal opportunity “individualizes” success and failure. The belief that each individual earns success or is responsible for failure contributes to a public ethos in which the poor are blamed for their plight and the rich lack compassion for the worst off. 

The book illuminates the profound policy consequences of these beliefs for public education, crime, race relations, and poverty reduction.

As economic inequality has grown exponentially over the past five decades, some of the dispossessed have rebelled. 

Focusing on mobilizations in Brazil, Mexico, and Salvador, Gledhill demonstrates how struggles for social justice are transformed into “threats” to national security, which require “securitization” measures. Through intricate ethnographies, the book documents the deployment of the police, military, and paramilitary to quell domestic disputes.

Protests by students, laborers, migrants, Indigenous, the poor, environmentalists, and human rights activists are subjected to police “pacification” involving state violence, criminalization, incarceration, and sometimes death.

Situating securitization in the context of transnational and global relations generated by capitalist uneven development, Gledhill argues that the logic of capitalist accumulation in the current era is inseparable from repressive violence against “inconvenient” populations.

I love this book because it is well-written and utilises characters from some of Jane Austen’s novels without having a wildly improbable plot, as so many Austen variations do.

The characters are fleshed out and very realistic. It impressed me that the characters chose to perform a play by a playwright of the era whom I’d never heard of. The book is well-researched, and the language used by the characters and in the book’s narration is very authentic to the era, without trying to ape Jane Austen’s writing, which is impossible today, and when authors attempt it, it isn’t enjoyable.

I enjoyed the pace and style of the book and could imagine myself back in the Regency era, having to deal with Lady Catherine de Bourgh and the Reverend Collins.

Helena of Rivenloch is a feisty, sword-wielding wench who refuses to be tamed by any man.

When an unsuitable suitor wishes to wed her younger sister, Helena attempts to slay the bridegroom, abducts his right-hand man, and demands her sister’s freedom. But her plans go awry when her captive captures her fiery, rebellious heart.

I loved how Helena was as fierce a fighter as any knight, capable of capturing Sir Colin du Lac. I loved her independent, fierce spirit, as she forged her own destiny. And I especially loved the passionate romance that bloomed between Helena and Colin, who respected her as his equal as she won his heart.

In the nineteenth-century setting of Snowpelled, the proper role of a lady is politics, and magic is the domain of men. Cassandra Harwood is the one scandalous exception—but something’s gone wrong. At the start of the story, all we know is that even the simplest spell is now out of her reach.

The mystery unfolds as Cassandra attempts to outsmart an elf lord and avoid her (absolutely delightful) ex-fiancé, the latter task no less difficult than the former. 

I love third-person point of view, but one of the joys of this book is getting the story directly from Cassandra—a woman who became a magician by “utterly refusing to give up on my great plans until the world around me finally saw sense and accepted them.” 

For those Regency romance purists and Georgette Heyer fans out there, it would be criminal to leave this tale off the list. Known as the Queen of Regency, Heyer weaves an interesting tale about two masters of disguise. Both brother and sister dress and conduct themselves as the opposite sex in this adventure! Do you enjoy witty banter? Me too! I love lighthearted, humorous moments, and I was not disappointed.

This book is very true to regency form in terms of language, vocabulary, and sentence structure. That being said, you’ll enjoy this book more if you already have a solid understanding of Regency societal rules and peerage, codes of conduct, etc.

Alexis Hall is the most well-known author on this list, and this sapphic Regency fantasy will not disappoint readers who like a Byronic love interest.

I loved the way the novel is narrated by the very opinionated Robin Goodfellow (aka “Puck”), who has been kicked out of the fairy court. Robin describes how Maelys Mitchelmore’s social life becomes complicated when an unknown ill-wisher curses her.

A chance encounter introduces her to the dark, brooding, and attractive Lady Georgianna Landrake, who helps Maelys discover and defeat her adversary. But Lady Georgianna suffers from her own family curse, and magical forces nearly tear the two lovers apart.

It takes courage, wisdom, and the help of Maelys’ friends to free Lady Georgianna and allow love to triumph. 

So far I’ve recommended books that I read over and over again because I’ve enjoyed them so much.

This time I am recommending a book which has only recently come out, but which has really impressed me with the clarity of the writing, the interesting story, and the convincing historical details.

And, of course, a hero who is just a little bit out of the ordinary, who marries his childhood friend in order to inherit enough money to save his property, and slowly learns that she is the only woman he could ever truly love. (sigh)