Here are 98 books that If I Loved You, I Would Tell You This fans have personally recommended if you like
If I Loved You, I Would Tell You This.
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One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is a short story collection I return to every few years. There are four novellas in this collection, but each of them was delivered directly to my cerebral cortex. I can recall passages from each story. And I can see the locations.
I feel King is at his best when he's twisting his way through novellas and short stories. After reading "1922", it was weeks before I stopped seeing the well. And weeks before, I stopped shaking my head at what Wilfred James did or the grit of Tess in "Big Driver" or the pettiness of Dave Streeter. This is worth reading every year.
From the master of the long story form, the Sunday Times No. 1 besteller, Full Dark, No Stars - described by the Sunday Telegraph as 'an extraordinary collection, thrillingly merciless, and a career high point' - now with a stunning new cover look.
Is it possible to fully know anyone? Even those we love the most? What tips someone over the edge to commit a crime?
In '1922', a story which was adapted into a Netflix original film, a Nebraska farmer, the turning point comes when his wife threatens to sell off the family homestead.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love this book first and foremost because it is essentially the OG of madwomen narratives. Written in 1892, it is a super-creepy, sensory, trippy exploration of one woman’s sanity slowly being shredded by male medical “expertise”—in this case, a doctor’s prescription for postpartum depression: utter isolation in a bedroom with no intellectual stimulation... in order to alleviate postpartum depression (?!). Unsurprisingly, rather than “recovering,” the heroine drags readers down a terrifying rabbit hole of hallucination, self-destruction, and—ultimately—murder.
It’s a masterful, Hitchcockian deep dive into psychosis written over a half-century before Psycho. But it’s also an extremely satisfying example of feminist revenge-writing; Perkins not only drew on her own experience after suffering this “treatment” but sent a copy directly to her practitioner after its publication. Pow!
The Yellow Wallpaper (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.
Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As…
My obsession with metamorphosis began after my wife and I discovered that we're going to have our third child. I started having nightly dreams about the butterflies I kept in a dry aquarium when I was a kid, waking up in the middle of the night with a flashlight strapped to my forehead, waiting to see them emerge from their chrysalis. A pregnancy somehow feels like our human version of emergence: few experiences are as life-changing as becoming a parent, and fewer wonders more exhilarating than the natural magic of metamorphosis. Both mark beginnings but are in fact continuations. Both, in different ways, are also forms of endings. Both make us wonder about the riddles of our world.
In this classic, Gregor Samsa, a traveling salesman, famously wakes up one morning to discover that he is a gigantic vermin.
Interpretations of the book range from Kafka trying to say that modern life reduces us all to being bugs, to the idea that Kafka was really writing about art, and how, since the artist cannot ever be understood, he might as well be an insect.
I read it as Kafka's attempt to reconcile two philosophies - that of Nietzsche, who claimed that the human will is a force that leads to happiness, and that of Schopenhauer, who claimed that the will is just about survival.
In Kafka's hands, metamorphosis is both life-affirming and life-denying.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I’ve always been a fan of short fiction. My debut book, The Escape to Candyland, is a collection of interrelated short stories. It was a finalist in two contests: The Restless Books Prize for New Immigrant Writing and Southern Fried Karma Novel Contest. My latest book, Sometimes We Fall, is also a short story collection. It includes several contest winners. I’m working on a third collection which will be published in 2024.
Shirley Jackson is a master of the short story. My favorite is The Lottery. The build-up to the main event is spectacular. The reader thinks the village is getting ready for a normal event. As time passes, we realize what is to come. The themes of tradition and mob mentality are still relevant as we read about current events.
I paid homage to this story in my own tale which is included in my book.
I’ve loved short stories since I was a young girl introduced to Edgar Allen Poe. There’s something especially exciting about a complete story in few words, and once I had to balance work, children, and personal relationships, stories became all the more cherished for short takes. I especially like tales about and by women, relating to our real challenges, and I review them often so other busy women discover better writers and interesting tales. There is nothing like a short story any time of day, especially in the evening, to soothe the soul.
Edith Pearlman is a gem. These 20 beautifully written and fascinating short stories delve into the moments that matter most in everyday life. Read them one at a time or all together like a mosaic for modern women. Pearlman’s characters – men women and children – are all unique, and also extraordinary, in their way, and all mirror our own realities. Across the globe and across time, her tales are so true and so wise, I love reading them again and again, especially when I have little time and need a touch of literary magic.
'The best short story writer in the world' Susan Hill, The Times
Honeydew is the first collection from Edith Pearlman since Binocular Vision, winner of the National Book Critics Circle Award and a 'spectacular literary revelation' (Sunday Times).
Over the last few decades, Edith Pearlman has staked her claim as one of the great practitioners of the short story. Her understanding and skill have earned her comparisons to Anton Chekhov, John Updike and Alice Munro. Her latest work, gathered in this stunning collection of twenty new stories, is an occasion for celebration.
The stories in Honeydew are unmistakably by Pearlman;…
I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
This is a truly beautiful collection, and I love the way many of the stories place the protagonists in fraught situations that reveal what they will do to survive.
Some of my favorites are “The Worst You Ever Feel” and “The Briefcase” for how they show war’s impact on survivors, and “Painted Ocean, Painted Ship” and “The Miracle Years of Little Fork” for combining the tragic and the absurd in creative ways.
A short-story collection from the acclaimed author of The Great Believers
Named a must-read by the Chicago Tribune, O Magazine, BuzzFeed, The Huffington Post, Minneapolis Star-Tribune, and The L Magazine
Rebecca Makkai's first two novels, The Borrower and The Hundred-Year House, have established her as one of the freshest and most imaginative voices in fiction. Now, the award-winning writer, whose stories have appeared in four consecutive editions of The Best American Short Stories, returns with a highly anticipated collection bearing her signature mix of intelligence, wit, and heart.
A reality show producer manipulates two contestants into falling in love, even…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I’ve loved short stories since I was a young girl introduced to Edgar Allen Poe. There’s something especially exciting about a complete story in few words, and once I had to balance work, children, and personal relationships, stories became all the more cherished for short takes. I especially like tales about and by women, relating to our real challenges, and I review them often so other busy women discover better writers and interesting tales. There is nothing like a short story any time of day, especially in the evening, to soothe the soul.
Everyone recognizes ZNH’s iconic novel, Their Eyes Were Watching God, but Hurston is a master short story writer. She reminds me of the artist Van Gogh, who devoted his work to the common man as Hurston centers her stories on simple folk whose experiences exemplify the human struggle. Profound and pleasing to read, you will smell the flowers, hear the bees buzzing, and occasionally laugh out loud at these beautifully told stories of real life. Although your life may be different from these, you will be reminded of what bonds us more than what divides us. No better time to think about that.
From 'one of the greatest writers of our time' (Toni Morrison) - the author of Their Eyes Were Watching God and Barracoon - a collection of remarkable short stories from the Harlem Renaissance
With a foreword by Tayari Jones, author of An American Marriage
'Genius' Alice Walker
'Rigorous, convincing, dazzling' Zadie Smith on Their Eyes Were Watching God
In 1925, college student Zora Neale Hurston - the sole black student at Barnard College, New York - was living in the city, 'desperately striving for a toe-hold on the world.'
During this period, she began writing short works that captured the…
I’ve loved short stories since I was a young girl introduced to Edgar Allen Poe. There’s something especially exciting about a complete story in few words, and once I had to balance work, children, and personal relationships, stories became all the more cherished for short takes. I especially like tales about and by women, relating to our real challenges, and I review them often so other busy women discover better writers and interesting tales. There is nothing like a short story any time of day, especially in the evening, to soothe the soul.
The one and only collection by this great novelist [and the sister of A.S. Byatt] is one of my most favorite. These short tales explore all sorts of relationships, not only marriage and friendship, but our relationships with personal identity, politics, and the culture which defines us. The writing is absolutely divine – images pop from the page and characters stay with us as if we’ve actually known them. And between the lines there is a lot of philosophical musing, which I love – just enough to make us think but never wear us down. These stories are for women who like to explore the existential. Think of them as a workout for the brain.
Margaret Drabble is one of the major literary figures of her generation. In this collection of her complete short fiction from across four decades, she examines the intense private worlds and passions of everyday people.
From one man's honeymooning epiphany in 'Hassan's Tower' to the journeying fantasies of 'A Voyage to Cythera', and from the sharp joy of 'The Merry Widow' to the bloody reality of the collection's title story, these are moving, witty and provocative tales, exploring cruel and loving relationships, social change and personal obsessions, and confirming her status as a leading practitioner of the art of the…
I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.
This book is essential to anyone who wants to come into the meaning of art, design, and architecture.
Give it time and it will undoubtedly change your life. Dewey’s central argument is that experience itself is aesthetic, that we need to pay deep attention to the quality inherent in every experience.
Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
When I learned science's story of the universe–that it began as a primordial plasma that transformed itself into stars, galaxies and a living planet that then transmogrified into plants and animals and consciousness–when I learned the details of how the universe began as small as an acorn and then magically transformed that acorn of elementary particles into two trillion galaxies, I was beset with one, piercing, lifelong question: WHY ISN'T EVERYONE WAKING UP EACH MORNING STUNNED OUT OF THEIR MINDS? My entire professional life has been an effort to draw others into this amazement, into life as an ongoing celebration.
In his book, Wolfgang Leidhold examines the entire journey of humanity and discovers something truly amazing: even though the human brain has not changed in structure during the 300,000 years of the existence of Homo sapiens, a series of mental powers have been evoked through our conscious participation. He shows us how humans became involved in building human mentality, going through eight such transitions, including the evocation of self-reflexive consciousness, inner transcendence, and the reproductive imagination.
The great gift of this book is the conviction it awakens that the development of human consciousness is not over and that those of us alive today can become involved in what he calls "the next turn in human experience."
In a wide arc from the Paleolithic to the present day, this book explores the changing structure of human experience and its impact on the dynamics of cultures, civilizations, and political ideas.
The main thesis is a paradigm shift: the structure of human experience is not a universal constant but changes over time. Looking at the entire range of human history, there are a total of nine transformations, beginning with conscious perception and imagination in the Paleolithic and ending, for the time being, in modern times with the discovery of the unconscious. In between, this book explores six more transformations…
