100 Books Like Hitting a Straight Lick with a Crooked Stick

Each one of these stories is a mini-novel, which are the sort of stories I love. Black never leaves you hanging, like some writers do, and you will feel like you’re right in there watching the story unfold. The writing has been called pitch-perfect and I agree. Every word is right, every moment fits and every character is trying to make sense of the world as we all do, every day. She deftly explores the emotional DNA passed from generations before and what that means for each of our lives going forward. So you get a great tale well told. and a lot to think about at the same time. Exactly what I love to read and what smart modern women are drawn to. 

Edith Pearlman is a gem. These 20 beautifully written and fascinating short stories delve into the moments that matter most in everyday life. Read them one at a time or all together like a mosaic for modern women. Pearlman’s characters – men women and children – are all unique, and also extraordinary, in their way, and all mirror our own realities. Across the globe and across time, her tales are so true and so wise, I love reading them again and again, especially when I have little time and need a touch of literary magic.  

This is a truly beautiful collection, and I love the way many of the stories place the protagonists in fraught situations that reveal what they will do to survive.

Some of my favorites are “The Worst You Ever Feel” and “The Briefcase” for how they show war’s impact on survivors, and “Painted Ocean, Painted Ship” and “The Miracle Years of Little Fork” for combining the tragic and the absurd in creative ways.

The one and only collection by this great novelist [and the sister of A.S. Byatt] is one of my most favorite. These short tales explore all sorts of relationships, not only marriage and friendship, but our relationships with personal identity, politics, and the culture which defines us. The writing is absolutely divine – images pop from the page and characters stay with us as if we’ve actually known them. And between the lines there is a lot of philosophical musing, which I love – just enough to make us think but never wear us down. These stories are for women who like to explore the existential. Think of them as a workout for the brain. 

Rudolph Fisher was a contemporary of Sayers, but working in a very different context: the Harlem Renaissance.

This novel, reputed to be the first detective novel written by a Black American, opens with the mysterious, apparently impossible murder of a Harvard-educated fortune-teller, N’Gana Frimbo, the ‘conjure-man’ of the title. Then the body disappears, and Frimbo (apparently) reappears – throwing medical and police investigations into chaos.

There’s a surfeit of suspects and lots of talking; what I really love about this novel is the sense of being plunged into a vivid, fully-populated world. This book wins my vote for most overlooked mystery novel from the Golden Age.

I love this book because it gives you all the juicy stories and details about Black artists during the Harlem Renaissance. Their relationships with each other were all so messy and complicated, and I love learning about my favorite artists and writers who have inspired me as people who were deeply imperfect rather than untouchable, saint-like literary figures who could not be critiqued. It helped me see this as more human.

This book demonstrates that prose doesn’t have to be lyrical to leave an indelible impact on readers.

Lutie Johnson is a single mother living in a rundown building on the street. Her desires are simply articulated as are the barriers keeping her from achieving them. Lutie spends most of the novel dodging the clutches of men who think they deserve her just because they desire her, and a neighborhood snake-eyed madam who wants to exploit Lutie’s beauty.

Petry begins the book describing a cold November wind and continues with an icy precision that will entrance the reader until the very last page.  

Here in Harlem pays homage to the people of Harlem in the first half of the 20th century. I loved how the rhythmic, musical verse brings the setting to life. It’s modeled on Spoon River Anthology by Edgar Lee Masters, but in a completely unique way that will really speak to YA readers.

The voices depicted in this poetry collection—especially Clara Brown’s recurring testimonies—make the book feel like a fully alive story rather than simple moments captured in time.

I loved Ayo, this book’s fourteen-year-old main character. She’s burnt out on activism, having been raised by a famous activist mom fighting for Black rights in America. All Ayo wants is to take a break and live a normal teen life. This makes so much sense to me—why do people who are at a disadvantage have to spend their time fighting for basic rights—what if they just want to spend their time making art or writing books like selfish white dudes are free to do?

But when something terrible happens at a big march, Ayo skipped, all the education and activist spirit her mom drilled into her no longer feels like a burden. I loved how she figured out she wanted to fight and really came into her own.

Tar Beach is a classic and for good reason! This book addresses heavy subjects like racism and poverty but is threaded through with an overall message of hope and love. The main character flies above her life in 1930s Harlem, soaring over buildings and bridges -- claiming them as her own. The dreamy illustrations and surreal storyline acknowledge the hard realities of life, but leave the reader with a sense of optimism for the future.