Here are 100 books that Idle Women fans have personally recommended if you like
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I have been writing novels for many years now about the social history of Birmingham and the West Midlands and often find myself writing about World War Two. It’s the history of most families in this country. But I also grew up—unusually for my generation—with parents who were active adults in the war, my father in the army in North Africa and Italy, my mother in a factory that had gone over to munitions in Coventry. So the war felt very present as they talked about it a lot. Only later I grew to understand what it means to people and explored the history for myself.
When I wrote my book, which includes a lot about the railways wartime, I struggled to find any books which described women’s experience. When it comes to railways, nerdy descriptions of wheel configurations abound! Enter this book. Rose Matheson describes the fascinating and often troubled history of women when it comes to railway work and its opposition by male employers and unions. A good number of women were employed by the railways in World War Two, but never allowed to drive engines or stoke the fires. The work they were permitted to do is described here with plenty of photographs—as well as the ongoing history after the war when women continued the struggle to be taken seriously as railway workers.
The Great Western Railway struggled with what was called 'the women question' for many years. It had heartily agreed with The Railway Sheet and Official Gazette that 'the first aim of women's existence is marriage, that accomplished, the next is ordering her home'. Yet women were the cheapest form of labour, apart from young girls, presenting the company with a dilemma and the GWR finally succumbed to allowing women to work after heavy external pressures. Using over 100 pictures, Swindon author Rosa Matheson traces the development of this problematic relationship, from its beginnings in the 1870s when women were employed…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have been writing novels for many years now about the social history of Birmingham and the West Midlands and often find myself writing about World War Two. It’s the history of most families in this country. But I also grew up—unusually for my generation—with parents who were active adults in the war, my father in the army in North Africa and Italy, my mother in a factory that had gone over to munitions in Coventry. So the war felt very present as they talked about it a lot. Only later I grew to understand what it means to people and explored the history for myself.
Rumer Godden is a favourite novelist of mine, but this is non-fiction. Godden was born in India and only left after Independence. Towards the end of World War Two, she made a long journey to document the work done by women volunteers in the Bengal region of India during the war, travelling huge distances, crossing many rivers, to remote places. The book, with photographs, includes the work of both European and Indian volunteers in a huge number of organizations, ranging from the Red Cross, hospital trains, and dispatch riders to the ARP and mobile canteens. Best of all are the descriptions Godden gives us in this wonderful book as she turns her novelist's eye on all these people and places of work and brings them all to life.
I have been writing novels for many years now about the social history of Birmingham and the West Midlands and often find myself writing about World War Two. It’s the history of most families in this country. But I also grew up—unusually for my generation—with parents who were active adults in the war, my father in the army in North Africa and Italy, my mother in a factory that had gone over to munitions in Coventry. So the war felt very present as they talked about it a lot. Only later I grew to understand what it means to people and explored the history for myself.
Personal stories are usually the best way of getting the flavour of a time. Joyce Storey, who would describe herself as an ordinary working-class woman, married in 1939. Her story tells of the everyday struggles of a young mother of two daughters with a husband absent in the RAF. She spent some of the war living with him when he was posted to Grimsby—very foreign to her as she came from Bristol—and with all the everyday battles of in-laws, air raids, and struggling for every penny. She’s a lively writer, conjuring up pictures of her new neighbours in Grimsby, the birth of her babies, and early motherhood ‘Yuk!’—which she did grow into. You get very fond of Joyce and her challenges.
The story of Our Joyce's war, 1939-1945, with the destiny everyone else wanted to carve out for her. With an army husband rarely on leave, Joyce, very quickly the mother of two, fights her own battles with air-raids, in-laws and factory work - always searching for the dream house and a life to call her own. The author also wrote "Our Joyce".
The Oracle of Spring Garden Road
by
Norrin M. Ripsman,
The Oracle of Spring Garden Road explores the life and singular worldview of “Crazy Eddie,” a brilliant, highly-educated homeless man who panhandles in front of a downtown bank in a coastal town.
Eddie is a local enigma. Who is he? Where did he come from? What brought him to a…
I have been writing novels for many years now about the social history of Birmingham and the West Midlands and often find myself writing about World War Two. It’s the history of most families in this country. But I also grew up—unusually for my generation—with parents who were active adults in the war, my father in the army in North Africa and Italy, my mother in a factory that had gone over to munitions in Coventry. So the war felt very present as they talked about it a lot. Only later I grew to understand what it means to people and explored the history for myself.
I read this story in my teens and as a result, spent years wanting to join the navy. (That did wear off!) Having read it again recently, it seems a much darker story than I had remembered. But the mystery at its heart won’t let you go. Nevil Shute was a great storyteller and like many writers of his generation had many experiences to draw on. The story is quite slow-moving, but poignant—heartbreaking in fact. Gradually, he unfolds the mystery of Jessie Proctor, an Englishwoman working for a family in Australia. It begins with Jessie’s suicide and we uncover the events that have haunted this young, ex-servicewoman’s life. As Shute says, "a war can go on killing people for a long time after it’s all over."
The mysterious death of a young woman on an Australian farm reveals a bittersweet story of doomed wartime romance amidst a family crisis.
Alan Duncan returns to his family home in Australia after the war and several years of study in England. But his homecoming is marred by the mysterious suicide of his parents' quiet and reliable parlour-maid. A search through her belongings in search of clues leads to heartbreaking revelations about the woman's identity, the death of Alan's brother Bill and, above all, the disappearance of his brother's fiancee, Janet.
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.
The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.
Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.
It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.
After losing her brothers, Titania studied and trained to rule Aubren. But she hadn’t planned on becoming Queen at fifteen. Now with her reign challenged from within the castle walls, she must decide what is best for her kingdom. Should another rule in her stead? Or has fate led her…
I heard a Jordan Peterson interview in which he boiled down my entire life’s struggle in a single phrase. The interviewer was pushing Jordon on the subject of male toxicity. Jordon said something like, “If a man is entirely unwilling to fight under any circumstance, he is merely a weakling. Ask in martial arts trainer and they will tell you they teach two things – the ability to fight and self-control. A man who knows how and also knows how to control himself is a man.”
James Jones's brilliant debut novel must have had a great effect on me because I admit, in many ways, my book covers the same ground – how does a man maintain honor and dignity when constrained to live his life by the choices of other, and much more powerful men? I suppose the difference between our two themes is that the question in my book is about those same choices but wrapped in the question of race. Jones’s characters, while in the military, were dealing with personal issues. My Corporal Buck is dealing with an issue about which all of America is on fire.
From Here to Eternity is 70 years old. I read it in 1969, an eternity ago and it has lasted with me from there to here. When I was in the Marine Corps I knew everything that was happening to me. But I didn’t know what…
Prew won't conform. He could have been the best boxer and the best bugler in his division, but he chooses the life of a straight soldier in Hawaii under the fierce tutelage of Sergeant Milt Warden. When he refuses to box for his company for mysterious reasons, he is given 'The Treatment', a relentless campaign of physical and mental abuse. Meanwhile, Warden wages his own campaign against authority by seducing the Captain's wife Karen - just because he can. Both men are bound to the Army, even though it may destroy them.
I live in California and write novels based on my grandmother’s stories of our female ancestors. I love tales of everyday women who lived normal lives (according to them) but were quite remarkable to my 21st-century eyes. I wrote The Aloha Spirit about my husband’s grandmother, who was an amazing woman. His family is from Hawaii, and we visit there frequently. Anyone who spends time in the islands experiences the warm welcome of the people, which we know as the aloha spirit. I know Grandma had a difficult life, and I wrote the novel to explore how she might have overcome those difficulties to find her aloha spirit.
I’m a bit of a fangirl when it comes to Sara Ackerman. I love all of her books about real people in Hawaii during World War II. Her characters are believable and compelling, and the Hawaiian setting is a different aspect of World War II than is usually presented. This book features a close-knit group of women who open a pie stand near a military base. Violet’s husband has disappeared without a word, and she suspects her daughter knows something she isn’t telling. When tension and suspicions rise among neighbors, the women are accused of being spies, and Violet must keep her friends and family safe.
“A close-up look at how wartime chaos affects a tight-knit group of women living on Hawaii in 1944 at the height of Pacific combat.... [Violet’s] journey overcoming her trials and grief through friendship, family, and romance is a story of strength and perseverance.”—Booklist
Violet Iverson and her young daughter, Ella, are piecing their lives together after the disappearance of her husband. As rumors swirl and questions about his loyalties surface, Violet believes Ella knows something. But Ella is stubbornly silent. Something—or someone—has scared her.
With the island overrun by troops training for a secret mission, tension and suspicion between neighbors…
During my 45 years of practicing law, I've learned that everyone has flaws, but we all still struggle to be recognized and accepted. I always ask my law clients why things have gone sideways because understanding the personalities involved and why they are in conflict is essential. This depth of understanding is equally necessary in the process of writing believable fiction. Characters and their conflicts must resonate with the reader. For me, as a writer, this is the essential challenge for writing good fiction. I can have imaginary conversations with any of my characters because they become very real personalities in my mind.
Todd Bowden, a middle-class boy, has everything good going for him until he meets Kurt Dussander, a man who was the pure embodiment of evil during Hitler’s Nazi regime, now living in America under the assumed name, Arthur Denker. Todd figures out who “Arthur Denker” is from crime magazines his father had kept in a trunk in the garage.
Todd’s curiosity for violence rises to the surface. He is increasingly drawn down into darkness, blackmailing Mr. Dussander to tell him what went on in the concentration camps.
#1 New York Times bestselling author Stephen King’s timeless coming-of-age novella, Apt Pupil—published in his 1982 story collection Different Seasons and made into a 1998 Tristar movie starring Ian McKellan and Brad Renfro—now available for the first time as a standalone publication.
If you don’t believe in the existence of evil, you have a lot to learn.
Todd Bowden is an apt pupil. Good grades, good family, a paper route. But he is about to meet a different kind of teacher, Mr. Dussander, and to learn all about Dussander’s dark and deadly past…a decades-old manhunt Dussander has escaped to this…
It is 1948 in Berlin. The economy is broken, the currency worthless, and the Russian bear is preparing to swallow its next victim. In the ruins of Hitler's capital, former RAF officers and a woman pilot start an air ambulance company that offers a glimmer of hope. Yet when a…
Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
“I must be good; I must be good.” Willie Beech’s mother drummed the mantra into him when he left home as an evacuee. My heart went out to the boy from the first page, where it is clear he had been maltreated, neglected, and indoctrinated with a cruel sense of godliness in the guise of caring.
His curmudgeonly evacuation host, Tom Oakley, is the kind of person whose stern manner I would have feared as a child but who hides a kind heart and a strong sense of fair play. This story is one of my all-time favorites.
Puffin Classics: the definitive collection of timeless stories, for every child.
Tom tucked a blanket round him, drew up a chair by the fire and watched Willie fall asleep. The tales he had heard about evacuees didn't seem to fit Willie. 'Ungrateful' and 'wild' were the adjectives he had heard used, or just plain 'homesick'. He was quite unprepared for this timid, sickly little specimen.
Britain, 1940. With World War Two raging all around, young children are being sent from their homes in the city to the countryside for safety. When eight-year-old Willie Beech first arrives on Tom Oakley's doorstep,…
