Here are 100 books that Ideas to Postpone the End of the World fans have personally recommended if you like
Ideas to Postpone the End of the World.
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Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a philosopher and writer, but I have equally been a soldier, designer, educator, and farmer. Thus, I am a product of this history. At the center of my gravity are concerns with environmental and climatic issues, conflict reduction, social justice, and political change predicated upon conditions of sustainability. I live in Australia but have worked in the Americas, Asia, and Europe. I have written over twenty books because I am driven to understand the complexity of the world in which I live. I am an activist, and so I strive to act affirmatively based on the knowledge I have gained.
First published in Italy in 1972, it arrived in English two years later and is now regarded as a classic. It is based on a fiction journey by Kublai Khan to over fifty cities, each with particular features and qualities: they are all fictional. However, they all in some way reflect the character of Venice.
What makes it one of my favorite books is the way its evocative language animates a world of imagination. What unfolds is fantastic rather than fantasy. It has inspired my own writing, and I have recently written a companion work—Disappearing Cities. It also is a collection of short stories engaging around fifty imaginary cities. It is now with my publisher. Besides the influence of Calvino, it was also prompted by two books mentioned above: Amitav Ghosh fusion of climate change and fiction, and Ailton Krenak evocation of stories that postpone the end of…
In Invisible Cities Marco Polo conjures up cities of magical times for his host, the Chinese ruler Kublai Khan, but gradually it becomes clear that he is actually describing one city: Venice. As Gore Vidal wrote 'Of all tasks, describing the contents of a book is the most difficult and in the case of a marvellous invention like Invisible Cities, perfectly irrelevant.'
The natural world is where I feel at home, and it is also the focus of my work as a writer. In Virginia, where I grew up, I always felt calmest walking footpaths in the mountains. Now I live on a windswept island in Scotland, my little aging caravan a couple of dozen feet from crashing waves. I have always felt curious about how we shape our surroundings and how our surroundings shape us. As a writer and a reader, I probe these questions every day.
This is one of those books that is so dense with surprising and counterintuitive facts that I have found myself quoting it regularly for years. It upended my thinking about the way the world we live in is distributed and the manner in which we tell ourselves stories of change.
Are we deranged? The acclaimed Indian novelist Amitav Ghosh argues that future generations may well think so. How else to explain our imaginative failure in the face of global warming? In his first major book of nonfiction since In an Antique Land, Ghosh examines our inability--at the level of literature, history, and politics--to grasp the scale and violence of climate change. The extreme nature of today's climate events, Ghosh asserts, make them peculiarly resistant to contemporary modes of thinking and imagining. This is particularly true of serious literary fiction: hundred-year storms and freakish tornadoes simply feel too improbable for the…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a philosopher and writer, but I have equally been a soldier, designer, educator, and farmer. Thus, I am a product of this history. At the center of my gravity are concerns with environmental and climatic issues, conflict reduction, social justice, and political change predicated upon conditions of sustainability. I live in Australia but have worked in the Americas, Asia, and Europe. I have written over twenty books because I am driven to understand the complexity of the world in which I live. I am an activist, and so I strive to act affirmatively based on the knowledge I have gained.
This is an award-winning book that will take you somewhere you are unlikely to have been before. I recommend having been a soldier, as someone who directly and indirectly writes on war, and with the knowledge of it being a domain of human folly, enfolding extreme emotions extending from hate to love. It held me in its grip. It made the familiar unfamiliar in a way that invited self-reflection. While a translation, its command of language was evident
A driving force behind so many fiction writers is not just to tell a compelling story but to expose particular aspects of the human condition. Diop’s book does this very powerfully. He puts the tragedy of racism, the consequence of colonialism, and questions of masculinity directly before the reader with no option to look away, but with an implied command to look at your own views and values.
Alfa and Mademba are two of the many Senegalese soldiers fighting in the Great War. Together they climb dutifully out of their trenches to attack France's German enemies whenever the whistle blows, until Mademba is wounded, and dies in a shell hole with his belly torn open.
Without his more-than-brother, Alfa is alone and lost amidst the savagery of the conflict. He devotes himself to the war, to violence and death, but soon begins to frighten even his own comrades in arms. How far will Alfa go to make amends to his dead friend?
I’m an Irish novelist and poet. Fiction writers are perhaps better described by their fascinations than by any expertise as such. I can’t claim to be an expert in anything, but I am easily fascinated. My educational background is in philosophy, but I’ve always had a tremendous interest in the natural world too, and my writing tends to reflect that. When it comes to fiction, I love books that throw new layers on old surfaces. With nonfiction, I love anything that can explain something. Nonfiction loves to adorn itself with fiction, while fiction tends to cling to nonfiction like flesh on a bone. So my list is mostly bones, and one big sea pearl.
Science fiction envisions the future. The best way to imagine future change is to look at how and when change occurred in the past.
The drivers seldom change: climate, war, and famine. None of those indicators are looking particularly good for humanity right now. Dudley Young’s masterful, poetic, and irreverent scholarly work about the origins of the sacred in human history is the most enjoyable and rewarding book I have read on human evolution and development. So many things began to make sense to me after reading it.
Young is a steamroller of a writer, sloshing through millions of years of paleontology and thousands of years of early human culture with the same vim and swagger as he does Yeats’ poetry (his field of expertise)—and all in wonderful prose.
Tracing the origins of mankind's identity through evolutionary biology and mythological literature, Dudley Young examines the primitive mind and the development of religion and sacredness as seen through our ancestors. Attempting to unearth the origins of violence and to answer the question "Are we born violent?", Young begins millions of years ago, with the transformation of the arboreal monkey into a chimpanzee. As man's brain grew and became more advanced, his most basic instincts - sex and violence - became unharnessed and unprogrammed at the same time that human civilisation emerged. The book concludes on a tragic theme, with the…
A house plant in my living room attacked another plant, wrapping itself around it and killing it. Then another plant tried to sink roots into a neighbor. I began to do a little research, then a lot of research, and learned that plants accomplish amazing feats. They can tell by the angle of the sun when spring is coming, and they can call parasitic wasps to rid themselves of caterpillars. Plants vastly outweigh and outnumber animals, so they run this planet. What if, on another planet, they could think like us… and that’s why I wrote a novel.
If you don’t know much about what plants can do, this is a great place to start.
Learn what a plant sees, smells, and feels. Yes, they can do all that. They know what color shirt you’re wearing. They can smell the warning from a neighbor plant being eaten by a bug. They know when you touch them. They know where they are, and they remember things. Plants are not passive, and they are acutely aware of the world around them.
How does a Venus flytrap know when to snap shut? Can it feel an insect's spindly legs? How do flowers know when it's spring? Can they actually remember the weather? And do they care if you play them Led Zeppelin or Bach? From Darwin's early fascination with stems and vines to "Little Shop of Horrors", we have always marvelled at plant diversity and form. Now, in "What a Plant Knows", the renowned biologist Daniel Chamovitz presents an intriguing and refreshing look at how plants experience the world. Highlighting the latest research in plant science, he takes us into the lives…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m an Irish novelist and poet. Fiction writers are perhaps better described by their fascinations than by any expertise as such. I can’t claim to be an expert in anything, but I am easily fascinated. My educational background is in philosophy, but I’ve always had a tremendous interest in the natural world too, and my writing tends to reflect that. When it comes to fiction, I love books that throw new layers on old surfaces. With nonfiction, I love anything that can explain something. Nonfiction loves to adorn itself with fiction, while fiction tends to cling to nonfiction like flesh on a bone. So my list is mostly bones, and one big sea pearl.
Few books have made such a lasting impression on me as this remarkable work on fairy tales and how to unlock their deep-rooted lessons.
It was like seeing the nuts and bolts of a secret language laid bare. Fairy tales share a similar structure and vocabulary to dreams, and one of the characters in my novel has very vivid dreams that are sending her messages. It’s hard to write dreams effectively. Too obtuse and they lose the reader. Too obvious, and they come off as silly.
But this book by von Franz is so enlightening and intelligent, you come away understanding the language of the unconscious so much better. It was a real eye-opener for me. John Wick fans will recognize the cover illustration from the library scene in Parabellum.
It’s Ivan Bilibin’s illustration of Vasilisa from the Eastern European folktale Baba Yaga.
A renowned psychologist examines fairy tales through a Jungian lens, revealing what they can teach us about the darkest sides of human behavior
Fairy tales seem to be innocent stories, yet they contain profound lessons for those who would dive deep into their waters of meaning. In this book, Marie-Louise von Franz uncovers some of the important lessons concealed in tales from around the world, drawing on the wealth of her knowledge of folklore, her experience as a psychoanalyst and a collaborator with Jung, and her great personal wisdom. Among the many topics discussed in relation to the dark side…
I am a philosopher and writer, but I have equally been a soldier, designer, educator, and farmer. Thus, I am a product of this history. At the center of my gravity are concerns with environmental and climatic issues, conflict reduction, social justice, and political change predicated upon conditions of sustainability. I live in Australia but have worked in the Americas, Asia, and Europe. I have written over twenty books because I am driven to understand the complexity of the world in which I live. I am an activist, and so I strive to act affirmatively based on the knowledge I have gained.
This is a huge book—in size, as an object, and in number of pages (almost 1400). It's a book for people like me who enjoy exploring words, language, and ideas. It was created by over 160 distinguished scholars working in twelve languages and translated into English by five translators.
There are around four hundred words selected from many different fields. For me, it is a deep well into which to dip and draw out new insights and discoveries. It recognizes that words change in meaning in translation. This becomes very clear as a word is passed through different languages and familiar and unfamiliar usage over time, but often with an ethnocentric bias.
The book is far more nuanced than an ordinary dictionary, and its entries are more expansive—some are actually essays, some five or six pages long or more. Once I got to know it, I found it…
This is an encyclopedic dictionary of close to 400 important philosophical, literary, and political terms and concepts that defy easy--or any--translation from one language and culture to another. Drawn from more than a dozen languages, terms such as Dasein (German), pravda (Russian), saudade (Portuguese), and stato (Italian) are thoroughly examined in all their cross-linguistic and cross-cultural complexities. Spanning the classical, medieval, early modern, modern, and contemporary periods, these are terms that influence thinking across the humanities. The entries, written by more than 150 distinguished scholars, describe the origins and meanings of each term, the history and context of its usage,…
I’ve been fascinated by wildlife since the age of 5, and 60 years later I’m still addicted. I worked as a research scientist on bats and birds and then morphed into a nature conservationist. I worked for the Royal Society for the Protection of Birds for 25 years – 13 years as the Conservation Director. I’ve written books about wildlife and its conservation and regularly review such books on my blog. I hope that my work has made a difference and that my books, and other authors’ books, can move things on a bit quicker too.
This reminds me strongly of Aldo Leopold’s A Sand County Almanac - a classic of the ecological literature, and I can think of no better comparison to give you an idea of this book’s content, quality, and worth. It is set largely in Highland Scotland and comprises 52 short essays on wildlife and land use.
Many of the essays start with an observation of a species or place, then the author fills in the background, muses on the wider picture, and how the world could be better. It’s a simple and effective way to tell a story.
Roy Dennis is an elder statesman of the UK conservation movement, one of its doers, and one of its thinkers. This book is well worth a read.
A collection of vibrant essays to inform, stimulate and inspire every nature lover. Through unparallelled expertise as a field naturalist, Roy Dennis is able to write about the natural world in a way that considers both the problems and the progress in ecology and conservation. Beginning with cottongrass, whose snow-white blooms blow gently in the wind across the wetter moors and bogs, this is a year-round trove of insight and knowledge for anyone who cares about the natural world - from birdsong and biodiversity to sphagnum and species reintroduction. Written by one of our most prominent advocates for rewilding, the…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I developed my love for landscape growing up in Sussex and studying at Oxford University. For several decades, I have worked as an academic geographer in New Zealand. It’s a country dramatically transformed from forest and wetland to introduced grasslands. These were created originally to supply British consumers with primary products, although nowadays, markets in East Asia are important. Living at the edge of the world has long turned my interests toward environmental histories and global environmental futures. How can we live and eat more sustainably, how can we use the land and water we have more responsibly, and how can we restore biodiversity in ravaged landscapes for future generations?
The author and her husband are pioneers of one of the best-known rewilding schemes in Britain at their estate at Knepp in West Sussex. They began a quarter century ago, after financial losses from conventional farming of their heavy clay soils, with its reliance on expensive oil-derived inputs, became unsustainable.
She describes rewilding as restoration by letting go, although with the help of grazing animals such as pigs, ponies, and longhorn cattle. The book is a rich evocation of a landscape evolving as a remarkable array of wild species flourish. It is also a valuable record of the debates about rewilding. In 2023, it was made into a documentary film.
'A poignant, practical and moving story of how to fix our broken land, this should be conservation's salvation; this should be its future; this is a new hope' - Chris Packham
In Wilding, Isabella Tree tells the story of the 'Knepp experiment', a pioneering rewilding project in West Sussex, using free-roaming grazing animals to create new habitats for wildlife. Part gripping memoir, part fascinating account of the ecology of our countryside, Wilding is, above all, an inspiring story of hope.
Winner of the Richard Jefferies Society and White Horse Book Shop Literary Prize.
