Books like I Sailed with Chinese Pirates — picked by fans

The original chronicle of the massive pirate outbreak along the China coast in the early 19th century. Written by a Chinese amateur historian, he makes his patriotic agenda clear on every page: to boost the maligned reputation of China’s imperial navy in allegedly quashing the pirates (by twisting the historical truth, to put it mildly). The main characters and incidents are based on fact, while he fills in the gaps with private conversations and meetings that no one could have been privy to. Translated into English by a German missionary in 1835, this mix of fact and speculation is the ur-document on which every western account of these pirates is based. Newer editions include an eyewitness narrative by a British sailor who spent six months as a captive of the pirates. Essential and entertaining reading which should be taken with large pinches of (pilfered) salt.

Dian Murray spent ten years in Taiwan and mainland China in the 1970s and 1980s doing groundbreaking research into the early 19th century pirates, which became her PhD dissertation, later expanded into this book. This is the first attempt in any language to put together the full story of these pirates. Being an academic, her interest was less on the wider narrative and personalities, and more on various issues of historical development, sociology, weaponry, and more. By far the most important book for anyone researching these pirates. Sadly out of print.

Formerly a professor of History at the University of Macau, Robert Antony has made it his life’s work to study piracy along the China coast. Among his several books on the topic, this one digs deepest into the development of piracy in the early 19th century, citing weather, economic, and political conditions, told in a highly readable narrative style. Among the entertaining details, he tracks the average annual going rates for ransom and stolen goods. He writes in an agreeable, relaxed manner, with a number of incidents told as edge-of-your-seat thrillers. The title itself was a common term of invective to describe Chinese pirates. An essential read for students of piracy.

In 1852 a young French woman set out on a round-the-world tour, stopping in Brazil and California before sailing to the young British colony of Hong Kong. Her return vessel to San Francisco was damaged in a typhoon, then hijacked by pirates. She chronicles in effervescent detail her treatment by the pirates, both callous and kind, offering a rare glimpse of Chinese pirate life. The original French edition was a big hit and soon translated into other languages. In the spirit of other 19th century travelogues, this book transports the reader in exquisite detail to many colorful and exotic far-off places, but the highlight is her engaging account of the terrors and discoveries of her captivity on the South China Sea. For the serious researcher, it offers a wealth of rare details of shipboard and captive life.

This book is horrifying, weird as shit, and absolutely beautiful, from China Mieville’s stunning prose to the grotesque splendor of his imagery.

Mieville’s follow-up to Perdido Street Station is a Melvillian Gothic that takes its characters on a sprawling, twisted naval journey that incorporates such horrors as giant mosquito monsters, a symbiotic pair of dictators known as the Lovers, and a Frankensteinian punishment system where bio-thaumaturgists graft foreign limbs or organs onto their victims’ bodies.

The Scar blew my mind when I first read it in college, and made me rethink what a novel could be. Its creativity and depth feel endless, with layers of philosophical and thematic depth. It’s the kind of book that makes you feel like you could read it a hundred times, and still find fresh meaning.

The Scar’s final act also perfectly captures the feeling that you’re beholding something beyond your capacity to fathom—and… show more.

This is a beautifully illustrated and well-presented book that covers everything pirate from slang to weapons. It’s a gorgeous book, cover to cover, with detailed pirate history and fun pirate myths. This one is an easier read with beautiful illustrations and memorabilia. This title absolutely belongs on ye olde pirate bookshelf.

I first read Rediker’s work as a graduate student, and from the first pages, I was “hooked.”

Want to understand what made pirates tick? In this book, pirates are recast not as violent, unthinking brutes but as ordinary, sea-going laboring men driven to lawlessness by the brutal demands of expanding Atlantic trade.

I especially appreciated Rediker’s situating pirate behavior and customs within the broader world of maritime life. He argues that these outlawed men created a floating society that was then the most egalitarian and democratic in the Western world.

On a day trip to Cambridge UK I was in an old book store. I could not believe my good fortune when I spotted an old-worn book entitled Howard Pyle’s Book of Pirates. I realised immediately that Pyle was the art teacher of N.C.Wyeth, the styles of the 2 are interchangeable. This book contains numerous Pirate stories, which Pyle wrote himself. Obviously the text is now very antiquated, but there are numerous illustrations illustrating Pirate battles and adventure. Pyle wrote and taught art in the late 19th Century. Any student of the Wyeth’s should check him out.

Studies of early modern piracy often either focus on one or two exceptional women – Elizabeth I, Gráinne Ní Mháille, Anne Bonny, and Mary Read – or neglect women altogether. This book challenges assumptions about early modern women’s contribution to and involvement with piracy, exploring how female lives intersected with it in numerous and nuanced ways. Female family members often acted as receivers and dealers of stolen goods: their involvement shows agency in relation to piracy, though female victimization was also common. In fact, partnerships with women were part of the wider patterns of support pirates received from seafaring communities; familial relationships often triggered female involvement since economic integration and domestic connections were linked in the maritime world. Appleby suggests that due to the changing nature of piracy, female agency diminished by the end of the seventeenth century.

This book is about neither pirates nor children, but it belongs on a list about pirates and children nonetheless. It’s certainly a book that children aged eight to eighty (or older) can enjoy, and because the protagonist is a one-legged seaman (Doctor Dogbody) who embodies the spirit of a one-legged pirate (Long John Silver) and a one-handed pirate (Captain James Hook) it deserves mention. Doctor Dogbody is a ship’s surgeon who likes his tipple, and when he’s drained his pint (or two or three) he is happy to tell the tale of how he lost his leg. And every time he tells the tale it’s a completely different saga, each saga more preposterous than the last. This is a laugh-out-loud book which I first discovered via the recommendation of a mountaineer, who would read each chapter aloud to his tent-mates at night while marooned in a snowstorm on the… show more.