100 Books Like One Piece Vol. 1

Terry Pratchett’s Discworld hooked me from the very first pages—cliché as that may sound, it’s true. Virtually the entire book (as well as others from the Discworld) I read with a smile on my face.

Pratchett’s unique humor, his satirical take on human nature, the imaginative world of Discworld, and his reflections on reality come together in a brilliant mix that made me read… and read… and read.

It would be the most extreme of criminal acts for this beloved book not to be my ‘list topper!’ Reading this book instilled an instant love of good fantasy storytelling in me early on. It defines the fantasy genre, exemplifying the absolute best extremes in great world-building, characters, and epic storytelling.

Tolkien set the high bar I strive for in all areas in my own writing with one of the most memorable stories in one of the most unforgettable worlds of all time … and he managed to pull it all off within the context of a single book! No matter how many times I go back and re-read this one, I find something new to cherish, and you will too!

This book is a treasure that ignited and brought attention to the fantasy genre. There is a certain style to Terry Brooks, and yes it is similar to Tolkien, but it's refreshing, because (like Tolkien), this story focuses on wonder, miracles, and making the moral choice.  

This tale is not about who wields the magic but about the effect it has when used by good or evil people. In an “ever-grey” world, it is a boon to remember that some choices are black and white.

I enjoy everything about this series, from the characters to the setting, the story, and even the bad guys. This book is a bit more of a lighthearted adventure than Salvatore’s other works, and I think that’s why I like it the most. You have to be in the mood for heavy stuff. 

D&D is such a great setting with rich lore, and Drizzt has to be one of the most iconic fantasy characters ever. A lot happens in this series, and I enjoyed every bit of it. Maybe a little predictable or ‘gamey’ in some instances, but I know what I’m getting into and thoroughly enjoy it.

Growing up, I was always more intrigued by Captain Hook, the villain of Peter Pan, more so than I was the title character. John Leonard Pielmeier writes an incredible “memoir” from the most famous fictional pirate and uses the beloved characters from the Peter Pan story of our childhoods in a whole new way. The backstory with Smee, the conflict with the infamous crocodile, and all the major things we see in the classic story are told in a whole new way. I thoroughly enjoyed it and would recommend reading in tandem with the original Peter Pan for a fun way to see two sides to a story.

I will unashamedly tell anyone I meet that I am obsessed with Peter Pan. I wished I’d written it myself and will one day write a retelling. Because, honestly, sometimes the retelling is better. When Peter is darker, when Neverland is madness… or more so than it already is.

Lost Boy was not what I expected. The ending got me hard and I’m completely obsessed with this book. I don’t even want to explain anymore. Just please read it. 

Most of us are familiar with the original story thanks to the cartoon movie, but if you haven’t yet read the original book, I highly recommend that because it is a lot darker than you might think. I remember being blown away by it when I finally read it as an adult. 

And then you can go on an obsessive read-a-thon of all retellings, starting with the magnificent Lost Boy. 

This is an entertaining, funny fiction novel that’s not exactly about pirates, but it does have a naval setting.

It’s about an ugly, bad-tempered dog and the people around him. This is an “old-style” novel, written long before our current concept of how a novel should be written came into being. I don’t see any reason a modern reader shouldn’t enjoy it.

In a world where having any powers could get you exploited or killed, Kestrel has managed to successfully hide her magical abilities and find a pirate captain willing to take her on as part of his crew. When the captain is taken, though, Kestrel vows to repay his mentorship by rescuing him, and to do that she needs McAvery as a bargaining chip. Even when McAvery isn’t stealing ships, he’s annoying. Kestrel doesn’t trust him, and needing his help was never part of her plan.  

A fast-paced, enjoyable read.

On a day trip to Cambridge UK I was in an old book store. I could not believe my good fortune when I spotted an old-worn book entitled Howard Pyle’s Book of Pirates. I realised immediately that Pyle was the art teacher of N.C.Wyeth, the styles of the 2 are interchangeable. This book contains numerous Pirate stories, which Pyle wrote himself. Obviously the text is now very antiquated, but there are numerous illustrations illustrating Pirate battles and adventure. Pyle wrote and taught art in the late 19th Century. Any student of the Wyeth’s should check him out.

Studies of early modern piracy often either focus on one or two exceptional women – Elizabeth I, Gráinne Ní Mháille, Anne Bonny, and Mary Read – or neglect women altogether. This book challenges assumptions about early modern women’s contribution to and involvement with piracy, exploring how female lives intersected with it in numerous and nuanced ways. Female family members often acted as receivers and dealers of stolen goods: their involvement shows agency in relation to piracy, though female victimization was also common. In fact, partnerships with women were part of the wider patterns of support pirates received from seafaring communities; familial relationships often triggered female involvement since economic integration and domestic connections were linked in the maritime world. Appleby suggests that due to the changing nature of piracy, female agency diminished by the end of the seventeenth century.