Here are 100 books that The Traveling Vampire Show fans have personally recommended if you like
The Traveling Vampire Show.
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I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
I was riveted in a world of young boys searching for more than just a body. So much of coming-of-age stories delve deep into the minds of these kids as they navigate both the familiar and unfamiliar. I was lifted to a time and place that resonates with my desire for nostalgia.
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—is now available as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I think all horror authors have at least one coming-of-age novel inside them. I suppose I have some expertise on the topic because I recently finished my first coming-of-age novel, The Dancing Plague. I’ve written stories from the perspectives of children before. One of the challenges I found is getting the voice right. Kids think and talk differently than adults, so it can be a bit tricky finding the right balance between credibility and readability. Nobody wants to read an adult novel that sounds as though it was written by a kid. Conversely, nobody wants to read a novel that’s narrated by a twelve-year-old that sounds as though it was written by an adult.
While The Body is poignant and nostalgic, and The Traveling Vampire Show is goofy fun, A Boy’s Life is simply a very solid, weighty, well-written tale. McCammon nails the mindset of his young protagonist so much so it’s hard for the reader not to feel like a twelve-year-old kid again, viewing the world through impressionable and innocent eyes. It’s a book that will evoke memories of your own childhood, and it is one you will remember long after you have stopped reading.
Robert McCammon delivers “a tour de force of storytelling” (BookPage) in this award-winning masterpiece, a novel of Southern boyhood, growing up in the 1960s, that reaches far beyond that evocative landscape to touch readers universally.
Boy’s Life is a richly imagined, spellbinding portrait of the magical worldview of the young—and of innocence lost.
Zephyr, Alabama, is an idyllic hometown for eleven-year-old Cory Mackenson—a place where monsters swim the river deep and friends are forever. Then, one cold spring morning, Cory and his father witness a car plunge into a lake—and a desperate rescue attempt brings his father face-to-face with…
I’ve always been intrigued by the behaviors of humans. Even as a child, I’ve watched how people interact with each other. We are all so different, yet we are all the same. Each of us has an imaginary box where keep some things locked up such as: our innermost desires—and our worse fears. Fears that, in a very subtle way, guide us in our life decisions. Afraid of blood… then you’d likely not choose nursing. Afraid of flying… then you probably won’t become a pilot. But what happens when we cannot avoid what we are most afraid of? This is where a horror story begins.
To set the record straight, I do not love this book. I still haven’t come to a decision if I even like it. It isn’t the “best” book on my list, yet it isthe most disturbing. And it is a must-read.
A warning, though. It’s a book that you won’t be able to stop and you’ll likely feel very guilty for even reading it. It dives into human behaviors that we don’t want to think about and surely would not intentionally want to take part in. I’ve a question for you: Is there a limit to what you would do to another human being if others were doing it too? How confident are you in your answer? The worse part about this novel is that it is based on a true story.
A teenage girl is held captive and brutally tortured by neighborhood children. Based on a true story, this shocking novel reveals the depravity of which we are all capable.
This novel contains graphic content and is recommended for regular readers of horror novels.
Mia Lark is running out of options. There is only one way to change the score: the fantasy planet Revivium.
Armed with the powerful magic in the helm and the friendly AI, Hex that goes with it, Mia throws caution out the window. It’s time to find the main guildhall…
I think all horror authors have at least one coming-of-age novel inside them. I suppose I have some expertise on the topic because I recently finished my first coming-of-age novel, The Dancing Plague. I’ve written stories from the perspectives of children before. One of the challenges I found is getting the voice right. Kids think and talk differently than adults, so it can be a bit tricky finding the right balance between credibility and readability. Nobody wants to read an adult novel that sounds as though it was written by a kid. Conversely, nobody wants to read a novel that’s narrated by a twelve-year-old that sounds as though it was written by an adult.
Unlike the other authors on this list who mostly write about adult characters, John Saul writes almost exclusively about children (at least he has in all the books I’ve read by him). I chose Suffer The Children for this list because it was the first book he wrote back in 1977, I believe. There are some disturbing moments in it, as there are in most horror novels, so be aware of that. However, Saul is a talented author who can effortlessly get into the heads of the kids he writes about. He’s also a master of the slow-burn, building suspense page by page until the big pay-off, so if you don’t need action every other sentence, he might be right up your alley.
Innocence dies so easily. Evil lives again . . . and again . . . and again.
One hundred years ago in Port Arbello a pretty little girl began to scream. And struggle. And die. No one heard. No one saw. Just one man whose guilty heart burst in pain as he dashed himself to death in the sea.
Now something peculiar is happening in Port Arbello. The children are disappearing, one by one. An evil history is repeating itself. And one strange, terrified child has ended her silence with a scream that began a hundred years ago.
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
In choosing a theme for this list, I was very careful to think of one that would allow me to include this book, my favorite haunted house novel of all time. It’s gay; it’s weird; its central mystery is never fully resolved, which may be why it’s stuck with me for years and is one of the few novels I’ve reread more than twice as an adult.
Miranda Silver is neither a classic Gothic heroine nor an ass-kicking Sidney Prescott type, but someone stranger and more opaque. She’s confused and lonely and an unreliable narrator. Her romance with classmate Ore might offer some respite from the terrors of her family’s ancestral home, but it’s not enough to save her.
I love a queer story without a happily ever after. Knowing who you are and who you love doesn’t always make everything turn out okay. Sometimes, it just means you have…
Haunting in every sense, White is for Witching by Helen Oyeyemi is a spine-tingling tribute to the power of magic, myth and memory.
High on the cliffs near Dover, the Silver family is reeling from the loss of Lily, mother of twins Eliot and Miranda, and beloved wife of Luc. Miranda misses her with particular intensity. Their mazy, capricious house belonged to her mother's ancestors, and to Miranda, newly attuned to spirits, newly hungry for chalk, it seems they have never left. Forcing apples to grow in winter, revealing and concealing secret floors, the house is fiercely possessive of young…
A native of New York’s Long Island, I’ve always been obsessed with the shoreline. My best early memories are of traveling with my family to the eastern edge of Long Island for our two-week summer vacation. My parents didn’t earn a lot of money, and we didn’t vacation often, so those two weeks in August were heavenly. As an adult, I gravitate to coastlines and islands. I’ve always been a fan of books with a strong sense of place, especially when that place is the shore. And I loved setting my current book on an island in the Mediterranean, delving into the qualities and characteristics that make a coastline so evocative and so appealing.
Who doesn’t love a good coming-of-age story—especially one set on the beautiful, summery, and storied beaches of Cape Cod?
It’s the type of location I find irresistible. Set in the 1980s, the book centers on a young, aspiring novelist named Eve who crosses path with a literary power couple at their Cape Cod home. She lands a job as a research assistant, falls in love with their intriguing son, and scores an invitation to their famous book party.
This novel made me nostalgic for the time I was Eve’s age, full of dreams and waiting for the world to open its arms to me! So atmospheric and evocative!
I was transported back to a time that I don’t often think about, a time that was magical while it lasted. I didn’t want the book to end!
*A July 2019 Indie Next List Great Read* *One of Parade's Most Anticipated Books of Summer 2019* *An O Magazine Best Beach Read of 2019* *A New York Post Best Beach Read of 2019*
“The Last Book Party is a delight. Reading this story of a young woman trying to find herself while surrounded by the bohemian literary scene during a summer on the Cape in the late '80s, I found myself nodding along in so many moments and dreading the last page. Karen Dukess has rendered a wonderful world to spend time in.” ―Taylor Jenkins Reid, New York Times…
Winner of the 2024 New Mexico - Arizona Book Award.
In this deeply researched novel of America's most celebrated outlaw, Mark Warren sheds light on the human side of Billy the Kid and reveals the intimate stories of the lesser-known players in his legendary life of crime. Warren's fictional composer…
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Early African American fiction is not as well-known as the slave narrative genre, but the few novels that do exist before the Civil War are sophisticated interpretations and developments of sentimental fiction. Harriet E. Wilson’s Our Nig is a bildungsroman charting the life of free Black servant girl Frado who is exploited and abused by her adopted white family. Wilson challenges the passive and flat portraits of Black men and women in most antebellum fiction, by portraying a complex and multifaceted character in Frado.
"They discussed the expediency of a speedy departure. Seth would first seek employment, and then return for Mag. They would take with them what they could carry, and leave the rest with Pete Greene, and come for them when they were wanted. They were long in arranging affairs satisfactorily, and were not a little startled at the close of their conference to find Frado missing. They thought approaching night would bring her. Twilight passed into darkness, and she did not come. They thought she had understood their plans, and had, perhaps, permanently withdrawn. They could not rest without making some…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
This novel shows how the drive for material achievement and spiritual fulfillment can tear a family apart.
As an honors student in school, I related to nine-year-old Eliza’s climb up the ranks of a spelling bee and the pressures of academic success. I also related to her brother Aaron’s search for spirituality outside of Judaism. The book shows the pressures Jewish families like mine face in seeking success and meaning.
Eliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is destined for greatness. In this altered reality, Saul inducts her into his hallowed study and lavishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment.…
I’ve taught English for 20 years and the novels I’ve enjoyed teaching most – because the students have enjoyed them most – are those with the first-person perspectives of young narrators. These characters’ voices ring loud and clear as they learn, change, and grow, often suffering and having to find resilience and strength to survive. The limited perspective also takes us into the mind and heart of the protagonist, so that we feel all the feels with them. This is why I chose a first-person perspective for the narrator of my own book ‘Cuckoo in the Nest’: Jackie Chadwick is sarcastic, funny, and observant. Readers love her.
I read this book years ago but it’s always stayed with me.
The teenage protagonist, 13-year-old Jason from Worcestershire, England, has a stammer: a speech difficulty that haunts him and has him performing all kinds of manoeuvers to avoid saying certain sounds in class. This would only add embarrassment onto all the other embarrassments he feels as a boy going through puberty.
He calls his stammer ‘Hangman’. As well as this daily struggle, he realises his parents are arguing, and he gets bullied at school.
As a reader, I was touched by his resilience and doggedness. David Mitchell has admitted that the book is semi-autobiographical and this adds another layer of poignancy.
David Mitchell comes home - to England in 1982, and is in the cusp of adolescence. Jason Taylor is 13, doomed to be growing up in the most boring family in the deadest village (Black Swan Green) in the dullest county (Worcestershire) in the most tedious nation (England) on earth and he stammers. 13 chapters, each as self-contained as a short story, follow 13 months in his life as he negotiates the pitfalls of school and home and contends with bullies, girls and family politics. In the distance, the Falklands conflict breaks out; close at hand, the village mobilises against…
Ramon Ramirez’s Dog is a collection of essays written over the years about the adventures and misadventures, mostly outside but occasionally inside the diplomatic career of a U.S. ambassador. Common threads weaving the stories together are a desire for a life well-lived, balancing career with family and friends, keeping physically…
Hi! We are writers currently living in Los Angeles after 18 years in New York. We wrote Margot Mertzafter reading American Girls: Social Media and the Secret Online Lives of Teenagersby Nancy Jo Sales. It was the first time we heard of boys cultivating and curating non-consensual nude pics, effectively treating them like Pokemon cards. It was infuriating, especially when we realized there are no federal laws to protect victims of revenge porn at the time. So it became a focus of our work. We love a main character who’s angry but also funny, and desperately seeking change.
The logline sounds like the most depressing character study you’ll ever read. A story of a pregnant teenager, Jane, who lives with her mom after the death of her father. Jane spends her days delivering pizzas and her nights drinking beers alone in a shed behind their house. But thanks to the prose, and the pacing of the plotting, this book is both funny, engaging, and something of a psychological thriller. Especially when Jane becomes obsessed with one of her regulars, a stay-at-home mom. We marveled at Kyoung Frazier’s ability to put us in the head of Jane, in a way that we actually wanted to stay there.
