Books like I Am the Central Park Jogger — picked by fans

The photographs compiled in this book were all captured by Enrique Metinides, my favorite Mexican photographer.

Enrique worked as a crime photographer for over 50 years, capturing murders, crashes, and all kinds of catastrophes for Mexico’s infamous tabloids. This photo book is a great testament of Mexico’s palpable surrealism, where death is just one more component of the chaotic landscape.

Even though Metinides worked for the sensationalist press, none of the images in this book could be called that. His photos emanate an enormous respect for the victims and for tragedy itself.

The beauty of his shots do not romanticize the “real-life horror” that we are looking at. Rather, they remind us that sometimes, when in the presence of the devastating forces of life, there’s nothing else to do but be a humble spectator. 

I really appreciated reading a book where the character on death row is not himself an innocent victim. As a former federal law clerk who worked on death cases, I eventually came to oppose capital punishment, but Lippman presents a character who seems to deserve death. 

I liked being confronted once again with the fundamental question of what constitutes justice for the worst among us.

Author Tamara Cherry found the words to articulate what so many journalists like me have felt and experienced while covering stories. She explores the question of whether reporters revictimize victims of tragedies. Not only that, but she also looks at the impact on the reporter, too.

I haven’t read another book that does this as well with so much data to back up her theories. I have also knocked on the door of a bereaved parent because a producer assigned it to me, and felt sick to my stomach, wishing I’d gotten into another line of work instead. We don’t have to do it this way and this book proves it. 

Growing up in New York City, I’ll never forget my first experience, at around the age of seven, with people literally living underground. Our subway stalled in a tunnel in front of an abandoned station. The lights went off in the car and the platform outside was cast in an eerie orange glow by a single bulb.

Suddenly, a figure emerged from the shadows, charged my subway car, and started banging wildly and laughing maniacally, just on the other side of the glass to me. This continued for what felt like a million years before the train came back to life, and we moved on.

Decades later, I discovered this book about a parallel city below mine where people like that man live an alternative existence in miles and miles of dark warrens underground. I’m obsessed with it.

The complexities of the human, the whole human. That’s what Paley explores. How we think, how we act and feel, how we play and fight, how we talk. And talk. Paley is a master of nuance, and often reveals her mastery through dialogue. There is always a convincing urgency in the way her characters speak, and a delicious talking-around a thing, an idea. Her worlds richly detailed and urban. I’d like to live in the apartment building of Grace Paley’s mind. 

We read several popular novels that explore competitive school environments. One of the best in this sub-genre is Small Admissions, by Amy Poeppel, which provides a fictional glimpse into the cut-throat world of Manhattan prep school admissions and ultra-competitive parents. Poeppel crafts a fun, wicked read with sharp dialogue. We could easily imagine what would happen when the children in Small Admissions apply to college…their parents would fit in well with the characters in our book.

Joseph Mitchell was the city reporter for the New Yorker for about half a century. This is a collection of his magazine stories. Many of them involve the old Fulton Fish Market, but he also wrote about weird things like dime museums, gypsies, and stag banquets. 

To me, every story in this collection is like a time capsule. This is the book that made me want to write about New York City because it suggests there is a history on every block there worth recording. If you don’t like a chapter or two, then skip to the next one, but I’ll vouch for 80% of this book being the best non-fiction writing that I have ever read (and I practically read for a living).

I love the way Bushra Rehman writes about immigrant New York in the 80s – in vignettes that thread together to convey a sense of time, place, and geography.

All her characters are portrayed sensitively and complexly: from the main protagonist Razia coming into her queerness, to Pakistani aunties with their own histories and trauma, to friends who grow further apart.

I love how much this story is about women as the cornerstones of community. 

I am definitely recommending some very big books here! 

This one is easily recognizable because of the size of its spine, but it’s also incredibly interesting – an economic, social, and political history of New York City from its founding to consolidation, I think the best thing about this book is all the subjects it covers which I knew nothing about. 

New York City during the American Revolution comes to mind. So does the early history of New York’s apartment buildings. There’s a reason this book won a Pulitzer Prize. 

I like the sequel too (called Greater Gotham, only by Wallace), but prefer this book, I think, because I know the post-1898 history better while much of this book was novel to me.

Understanding New York Jews is key to understanding American Jews. There is no city like New York City and there are no Jews like New York Jews. In the middle of the 20th century, they made up around 30% of the total city population. This three-volume award-winning set uncovers aspects of the city’s history that even aficionados don’t know. Each volume can be purchased separately but together they paint an absorbing panorama across four centuries. I like to teach the volumes. They are fresh each time I read them, with lively prose and compelling vignettes. Reading them is like walking the streets of Gotham with a great guide.