Here are 97 books that Hygiene and the Assassin fans have personally recommended if you like
Hygiene and the Assassin.
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I didn’t grow up fearless; I grew up quiet. I learned early how schools and communities can press a girl into something smaller than herself until she feels like a shadow. Horror was the first place I saw that pressure explode into power. When I read Carrie, I felt seen in a way I couldn’t explain. I am drawn to stories where shame turns feral, and silence becomes dangerous. These books speak to that breaking point where a voice is stolen and then reclaimed, proving the most terrifying "monster" is simply a girl who refuses to disappear.
This was the book that made me realize horror could terrify in a way that felt entirely familiar.
I read it when the cruelty of school was still a raw wound because I understood exactly how laughter is used to flatten a person until they start to disappear. It wasn’t the supernatural elements that stayed with me, but the profound loneliness of a girl shamed into a silence that eventually caught fire.
I finished it with the understanding that a "final snap" is never an accident, but the inevitable result of humiliation accumulating like a slow-burning medicine. King showed me that even the most quiet, discarded person carries a power that the world should be afraid of.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m tired of playing by the rules of a game I’m not allowed to win. I’m tired of being bound to a standard of being in the world that we know isn’t working but are too scared to confront head-on. I’m tired of being told to beat around the bush when pruning it, uprooting it, or burning it altogether would serve it better. I reject the tenet of white supremacy that claims a constant right to comfort. Brave and honest discourse matters. Our commitment to each other and to the future of every single creature on this earth matters. Bring on the badasses who love passionately, laugh loudly, and live bravely.
When the world ends, who will you turn to? For me, I’d turn to someone like Kainene in this book. Kainene isn’t beautiful, doesn’t play by the ridiculous rules of the feminine mystique, and is righteously bitter about a lot of things in her life. She’s also a guileless straight shooter people can count on, to tell the truth in any situation. That truth is never sugar-coated; it’s exactly what the characters in her life need to hear.
I love the bravery of her choice to keep her innermost thoughts private. I admire how steadfast she holds on to her commitment to what she believes will be a better future.
Winner of the Orange Broadband Prize for Fiction 2007, this is a heartbreaking, exquisitely written literary masterpiece
This highly anticipated novel from Chimamanda Ngozi Adichie is set in Nigeria during the 1960s, at the time of a vicious civil war in which a million people died and thousands were massacred in cold blood.
The three main characters in the novel are swept up in the violence during these turbulent years. One is a young boy from a poor village who is employed at a university lecturer's house. The other is a…
I’m tired of playing by the rules of a game I’m not allowed to win. I’m tired of being bound to a standard of being in the world that we know isn’t working but are too scared to confront head-on. I’m tired of being told to beat around the bush when pruning it, uprooting it, or burning it altogether would serve it better. I reject the tenet of white supremacy that claims a constant right to comfort. Brave and honest discourse matters. Our commitment to each other and to the future of every single creature on this earth matters. Bring on the badasses who love passionately, laugh loudly, and live bravely.
My aunt was a misunderstood social misfit who rode a bucking bronco bareback and held on for as long as she could. One of the two central characters of this book is just like the woman I remember my aunt being–brash, unapologetic, a little self-destructive, and possessing an unshakeable faith in a humanity that didn’t understand or deserve her.
I wish she wasn’t taken from me. I wish I knew her better. When I read this book, I can feel her spirit.
"AN INCENDIARY PORTRAIT OF THE VOLCANIC CURRENTS OF SEX AND BETRAYAL."-Mail on Sunday
THE INTERNATIONAL No. 1 BESTSELLER FROM THE AUTHOR OF MY BRILLIANT FRIEND
A BBC2 Between The Covers Book Club Pick
BRITISH BOOK AWARDS 2021 - SHORTLISTED FOR FICTION BOOK OF THE YEAR
Soon to be a NETFLIX original series
18M OF ELENA FERRANTE'S BOOKS SLOD WORLDWIDE
Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Where must she look to find her true reflection and a life she can claim as her…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I’m tired of playing by the rules of a game I’m not allowed to win. I’m tired of being bound to a standard of being in the world that we know isn’t working but are too scared to confront head-on. I’m tired of being told to beat around the bush when pruning it, uprooting it, or burning it altogether would serve it better. I reject the tenet of white supremacy that claims a constant right to comfort. Brave and honest discourse matters. Our commitment to each other and to the future of every single creature on this earth matters. Bring on the badasses who love passionately, laugh loudly, and live bravely.
I really resonate with the main character of this book because the author maintains her humanity while making her the hero of the story.
Jaele is allowed to be angry, sad, brave, grief-stricken, optimistic, pessimistic, and every other feeling under the sun while she’s on her quest; she’s not confined to the constant heroic stoicism you get from, say, Jedis or Elves. At one point in the book (my favorite part, actually), she admits that she’s resentful of her grief. I love when stories allow their characters to show their ugly sides.
At eighteen, Jaele's life is shattered when her family is murdered by a band of Raiders, members of a long-accursed race. Overwhelmed by rage and grief, alone for the first time in her life, and fuelled by childhood myths of a warrior queen, Jaele sets out on an epic quest for vengeance. Traveling through a kaleidoscope of cultures, some compassionate, some fierce, all remarkably fantastic yet potently real, she sheds her innocence, but none of her experiences prepare her for her ultimate confrontation with her enemy.
A Telling of Stars was recommended by the jury panel of the 2004 Sunburst…
I was lucky to always know what I wanted to do–namely, to travel and observe. Picking up a camera early in my travels allowed me to justify these aimless wanderings under the guise of "photographer." Making any money at it took a while longer! The books in my list have been faithful companions along the way, offering inspiration and comfort at such times–and they were many–those qualities were in short supply. Over the years, I have visited many of the places mentioned in their pages and experienced the ups and downs faced by their authors and characters. And their message deepens every time I re-read them.
I first encountered Evelyn Waugh’s classic novel Scoop in a backpacker guesthouse in Kowloon in 1987. Some traveler had left it behind, and I read it insatiably, cover to cover, and then started again from the beginning. It was even more hilarious and bitingly satirical on the second read and is the one book I’d take along were I banished to a desert island where luggage allowance was severely restricted.
First published in 1938, Scoop delivers a timeless and elegant roasting of the profession of journalism and self-important foreign correspondents. I have to admit–up to a point–that the bumbling exploits of William Boot, the book’s reluctant protagonist, played more than a small role in my own decision to both pick up a camera and put pen to paper!
Evelyn Waugh's brilliantly irreverent satire of Fleet Street, now in a beautiful hardback edition with a new Introduction by Alexander Waugh
Lord Copper, newspaper magnate and proprietor of The Daily Beast, has always prided himself on his intuitive flair for spotting ace reporters. That is not to say he has not made the odd blunder, however, and may in a moment of weakness make another. Acting on a dinner party tip from Mrs Algernon Stitch, he feels convinced that he has hit on just the chap to cover a promising little war in the African Republic of Ishmaelia. But for,…
I’m a Brighton based writer. I’ve lived with bloody depression and frigging anxiety, since a child. I’m the founder of The Recovery Letters project, which publishes online letters from people recovering from depression, addressed to those experiencing it. It was published as a book in 2017 and Cosmopolitan named it "One of the 12 mental health books everyone should read". I also edited What I Do to Get Through: How to Run, Swim, Cycle, Sew, or Sing Your Way Through Depression. My fourth book, How to Tell Anxiety to Sod Off, is due out in 2022.
What I love about this book is the journey it takes you on, from despair to hope. At the start of the book, Mark is at the height of anguish with his depression. You read about what he did to start his recovery process; what worked and what didn’t, what he did wrong and what he got right. It gives you hope that you can make a similar journey and hope is the antidote to depression because it’s the main thing it takes from you, so it’s the main thing you need to find and cling on to; even the smallest amount of hope helps.
On paper, things looked good for Mark Rice-Oxley: wife, children, fulfilling job. But then, at his 40th birthday party, his whole world crumbled as he succumbed to depression...
How many men do you know who have been through periods when their lives haven't seemed right? How badly askew were things for them? Many men suffer from depression yet it is still a subject that is taboo. Men often don't visit the doctor, or they don't want to face up to feelings of weakness and vulnerability. By telling his story, Mark Rice-Oxley hopes it will enable others to tell theirs. In…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
With my 64 works of fiction I have tried passionately to give expressions for and to dive into the complexity of love relationships in both historical and present contexts, especially as in Land of Shadows in the view of pounding conflicts presented to fictive or historical persons, having thereby always respect for documentary research added to my own personal experiences. Also the Greek myths have been a guide for my writing, as in the case of Land of Shadows, the myth of Orpheus and Eurydice, reflecting old insights of mankind. Being now with my novels and plays represented in 41 countries, I see this as a sign of readers 'round the globe sharing my passion.
These letters of Franz Kafka to his Czech translator Milena are not formally a novel but in its essence the love novel, none of his novels were. He wrote them 1920-1923, being ill with tuberculosis as he was visiting different sanatoriums in Germany and Czechoslovakia and she was living in Vienna in an unhappy marriage. As they only saw each other shortly three times it forms a love by letters story of burning love transforming itself into misunderstandings and conflict. Their value lies in the genial Kafka’s trying and succeeding in communicating something incommunicable about how it is to be in love accounting totally honestly for his vast complexity of emotions from the utmost passion and longing to the state of fear of being rejected. A great inspiration to me for my novel in writing about Kafka.
Kafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech, and their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience.
Milena, for her part, was passionate and intrepid, cool and intelligent in her decisions but reckless when her emotions were involved. Kafka once described her as living her life 'so intensely down to such depths'. If she did suffer through him, it was part of her great appetite…
I’ve always been a fan of dark comedies. Fargo. Heathers. Fight Club. There’s something about being able to laugh about tragedy that feels both cathartic and as if you might get struck down by lightning. But I also grew up on a steady diet of supernatural horror à la Stephen King, Peter Straub, and early Dean Koontz. So combining the supernatural and dark comedy into my writing seemed like a natural fit. While I’m drawn to dark comedies of all sorts in both fiction and film, I have a soft spot for those with a supernatural element that involves death, either in the literal sense or as a character.
It’s not often you read the opening chapter of a novel (in this case the Prologue) and go back to read it again before continuing with the rest of the novel because you’ve never read anything like it before. And the book just gets better from there. Combine an African culling song with a tortured journalist investigating crib deaths and a heroine real estate agent who sells haunted houses, then put that all in the hands of Chuck Palahniuk, and you have a supernatural horror dark comedy/satire unlike anything you’ll ever read. Except maybe another Chuck Palahniuk novel. After reading this, I was inspired to write Breathers.
Carl Streator is a reporter investigating Sudden Infant Death Syndrome for a soft-news feature. After responding to several calls with paramedics, he notices that all the dead children were read the same poem from the same library book the night before they died. It's a 'culling song' - an ancient African spell for euthanizing sick or old people. Researching it, he meets a woman who killed her own child with it accidentally. He himself accidentally killed his own wife and child with the same poem twenty years earlier. Together, the man and the woman must find and destroy all copies…
I’ve always loved books where something in the past of the main storyline surges into its present, demanding that an old wrong be righted or an old mystery solved. It’s why my first degree was in Social and Political Sciences (Psychology major) instead of English Literature or Creative Writing: I knew that learning how to writewould be useless if I didn’t understand the things I wanted to write about. The role of the past in shaping our present – our behaviours, sense of self, relationships – is endlessly fascinating, and stories that unpick this are often the ones that surprise me the most with their insight into the human condition.
Vivid, surprising, and psychologically astute, The Wicked Girls stands out among a plethora of books with a similar premise.
There are no easy answers or pat solutions here. This is a book that asks interesting questions and offers a range of answers, through the characters, for readers to ponder. On the police procedural side, Kate Atkinson’s Case Histories treads a similar line, but Marwood’s protagonist is a journalist, which offers a less common ‘way in’ to the investigation along with a less familiar set of challenges. [If you love Children’s fiction, check out the phenomenal Diana Wynne Jones’ Eight Days of Luke to match this theme (then, if you love it, Charmed Life and Howl’s Moving Castle), plus Jenny Nimmo’s The Rinaldi Ring and Berlie Doherty’s White Peak Farm.]
“The suspense keeps the pages flying, but what sets this one apart is the palpable sense of onrushing doom.” —Stephen King, “The Best Books I Read This Year”
The Edgar Award-winning psychological thriller that asks the question: how well can you truly know anyone?
On a fateful summer morning in 1986, two eleven-year-old girls meet for the first time. By the end of the day, they will both be charged with murder. Twenty-five years later, journalist Kirsty Lindsay is reporting on a series of sickening attacks on young female tourists in a seaside vacation town when her investigation leads her…
I have been a reader and a writer for as long as I can remember, so books about reading, writing, and storytelling have always interested me. As a school library media specialist for over 30 years, I have read thousands of picture books and placed wonderful books in the hands of thousands of young people. Several of these books were mentor texts when I wrote my picture book biography. I want young people to be inspired to read and write, and I hope these books will do that for the adults who select them and the children who read them.
I often wonder what inspires someone to write, and in this book, Lesa Cline-Ransome does a great job of explaining how Ethel Payne became such a groundbreaking journalist.
I love that this book will inspire young readers to listen to stories like Ethel Payne did her entire life. The distinctive illustrations complement the lyrical text beautifully. What I also like about this book is that it’s a great example of writing articles. The book shows Ethel’s passion for the written word as a journalist and her persistence in telling the stories.
"A worthy addition to children's biography collections." -Booklist
"A solid treatment of an important but little-known figure, and it may prompt kids to think about the role and composition of a free press." -BCCB
"Cline-Ransome tells [Ethel Payne's] story with economy and drive. 'Somebody had to do the fighting,' she quotes Payne saying, 'somebody had to speak up.'" -Publishers Weekly
Renowned author Lesa Cline-Ransome and celebrated illustrator John Parra unite to tell the inspiring story of Ethel Payne, a groundbreaking African American journalist known as the First Lady of the Black Press.
