Here are 97 books that Hunter's Green fans have personally recommended if you like
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As both a reader and mystery & thriller author, I’ve always been drawn to stories with a strong sense of place and “atmosphere." I love landscapes that can seduce and threaten in the same breath, and a setting so immersive that it feels like you once lived there. It’s what I always seek in the books I read and what I try to create in the stories I write. There’s no greater compliment than a fan saying they re-read your books just to revisit the world you created, because it’s my own reaction to the books I cherish. Here are some of my favourite reads where the beautiful setting is inseparable from the simmering suspense.
Like many people, I’d heard so much about this classic that I was braced for disappointment the first time I read it.
But no, du Maurier’s rich, atmospheric prose gripped me from that famous first line. While I agree about the power of the iconic cast, such as the infamous Mrs. Danvers, I feel that the setting itself is just as powerful a character. I especially love du Maurier’s way of personifying the setting, so that things such as trees, and plants, and buildings come alive with malevolence.
The opening pages, for example, immediately fill you with unease despite the narrator talking about nothing more than the driveway leading up to the house on the estate! From the woods that “crowded, dark and uncontrolled” and the beeches with “white naked limbs” to the hydrangeas “rearing to a monster height without a bloom, black and ugly” and the nettles that “choked…
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I've been a mystery lover all my life, reading through all the Nancy Drew and Agatha Christie books I could get my hands on in my small-town West Virginia library. Although I enjoy watching TV mysteries, it takes a lot to trick me, and when I find shows or books that surprise me, they quickly become my favorites. As a cozy mystery author, I love bringing clean mysteries with unexpected twists (even to me as I write them!) to my readers. Writing mysteries is my happy place, and when I get reviews saying readers find my books surprising yet satisfying, I know I'm following in the steps of Agatha, at least to some small degree.
I had to choose a mystery by the absolute master of the genre, Agatha Christie (bonus—my dog's name is Agatha, if that tells you how much I love her books). Agatha had a way of writing non-graphic mysteries that could still get under your skin...along with villains that were unforgettable, as was the case in this one. I won't say more since I don't want to give spoilers, but I'll never forget the creep factor of the whodunit in this book. And it's a bonus that Tommy and Tuppence Beresford are the sleuths—married sleuths for the win!
An old woman in a nursing home speaks of a child buried behind the fireplace...
When Tommy and Tuppence visited an elderly aunt in her gothic nursing home, they thought nothing of her mistrust of the doctors; after all, Ada was a very difficult old lady.
But when Mrs Lockett mentioned a poisoned mushroom stew and Mrs Lancaster talked about `something behind the fireplace', Tommy and Tuppence found themselves caught up in an unexpected adventure involving possible black magic...
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’m a writer of sapphic horror and romance fiction, and a professor of nineteenth and twentieth literature and Women’s and Gender Studies. I’ve been an avid reader of ghost-focused fiction since I was a little kid. This fascination was, in part, encouraged by my horror-loving parents, but I think I’ve just always loved being scared, and for me, the scariest thing imaginable is a haunted house. I’ve read widely in the genre, by turns spooked, thrilled, and baffled, and this reading eventually encouraged me to write my own haunted house novels. If you love a chilling tale, you’re going to love the books on this list.
This is a significant departure from the notion of a “haunted house” most of us are familiar with. We expect an old house, haunted by the past, far from humankind, and left to rot and fester in isolation somewhere remote. The haunted house in Siddons’s novel, however, is right in the middle of an upper-class neighborhood in Atlanta, and it’s a brand-new build. Rather than being haunted by the ghosts of the past inhabitants, the house itself is a force of evil, corrupting all who cross its threshold in terrible, terrifying, and often deadly ways.
An unparalleled picture of that vibrant but dark intersection where the Old and the New South collide.
Thirtysomething Colquitt and Walter Kennedy live in a charming, peaceful suburb of newly bustling Atlanta, Georgia. Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Disappointed by their diminished privacy, Colquitt and Walter soon realize something more is wrong with the house next door. Surely the house can’t be haunted, yet it seems to destroy…
Amy Goldman is a gardener, author, artist, philanthropist, and well-known advocate for seed saving, plant breeding, and heirloom fruits and vegetables. Her mission is to celebrate and catalogue the magnificent diversity of standard, open-pollinated varieties, and to promote their conservation. Amy gave up a career as a clinical psychologist to follow her first love which was kitchen gardening. In her own words from Heirloom Harvest: “I have romantic leanings and tend to follow my heart… In hindsight, I know my heart steered me straight, and toward a future I could never have imagined…My passion for the fruits of the earth has deep roots….”
This book is a classic in gardening literature. I prize it so much that I keep grimy paws off my first-edition hardcover copy, and use a later paperback edition as a working copy. Abbie Zabar’s prose is authoritative and delightful to read; her drawings in pen and ink are exquisite.
Zabar loves beautiful things in miniature. She dedicates this oeuvre, “To all those who want a little garden in their lives.” As in a little garden in a pot comprising annual culinary herbs or perennial herbal topiaries. Everything you need to know about pot culture, choice of container (she is mad about unglazed clay pots), herbs best suited for potting, and the art and craft of topiary is contained therein (pun intended). To round out the book are some simply delicious recipes (I can vouch for the lemon verbena tisane) and pleasing little projects employing potted herb cuttings.
Taking a decorative approach to horticulture, the author shares specific advice on the cultivation and placement of herbs and offers instructions, recipes, and craft ideas for using herbs
I was raised in a loving but strict Catholic family in the 1970s, when girls like me were still expected to grow up to become traditional wives and mothers, rather than go to college and pursue a career. In a Pre-Cana class intended to prepare me and my fiancé for marriage (it didn’t work so well, as evidenced by our rancorous divorce twelve years later), I learned the concept of “family of origin,” and the profound impact a person’s upbringing has on them as an adult. I became fascinated by the psychic baggage each of us carries around, and how it affects our personal relationships and life choices.
The story of a flamingly narcissistic man plotting to betray his wife shouldn’t be funny at all, but Kaira Rouda definitely pulls it off with impressive skill and verve. Husband Paul is so insanely self-centered that I couldn’t stop laughing at the stream of inanities flying around in his egotistical brain as he drives his wife Mia to their lake house for what’s supposed to be the most memorable day of their lives. And is it ever, thanks to Mia’s moxie. You go, girl!
'[A] deliciously dark story shot through with black humour.' Sunday Mirror
A loving husband. The perfect killer?
'I wonder if Mia thinks I have a dark side. Most likely as far as she knows, I am just her dear loving husband.'
Paul Strom has spent years building his perfect life: glittering career, beautiful wife, two healthy boys and a big house in the suburbs.
But he also has his secrets. That's why Paul has promised his wife a romantic weekend getaway. He proclaims this day, a warm Friday in May, will be the best day ever.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I adore non-fiction books that read like novels. After ten years of working in research labs, my master’s degree in biology led me to a new career in science writing. I recently dove into the worlds of narrative non-fiction and history when I wrote Radiant, the Dancer, The Scientist and a Friendship Forged in Light. Immersing myself in Belle Époque Paris to research and intertwine the stories of Marie Curie and the inventor/dancer Loie Fuller helped me discover a passion for telling the stories of important figures forgotten by history.
In Portrait of a Marriage, Steinbeck scholar Susan Shillinglaw beautifully brings John Steinbeck’s first wife Carol into the spotlight. The impeccably researched narrative lays out the path of a ten-year marriage doomed to fail, even as Carol shapes John into one of America’s great writers. I couldn’t put it down.
Carol Henning Steinbeck, writer John Steinbeck's first wife, was his creative anchor, the inspiration for his great work of the 1930s, culminating in The Grapes of Wrath. When they met at Lake Tahoe in 1928, their attachment was immediate, their personalities meshing in creative synergy. Carol was unconventional, artistic, and compelling. During the formative years of Steinbeck's career, when they lived in San Francisco, Pacific Grove, and Los Gatos, their modernist circle included Ed Ricketts, Joseph Campbell, and Lincoln Steffens. In many ways Carol's story is all too familiar: a creative and intelligent woman subsumes her own life and work…
Over my twenty years as a historian, the common thread in my work is the gap between how people are supposedto behave and how they actually do behave. From interracial sexual relationships in the segregated South, to rum smuggling from Cuba during Prohibition, to abortion on college campuses before Roe, I'm interested in how people work around rules they don’t like. And rules about sex are some of the most ignored rules of all. Reading about strange beliefs and common desires connect us to our ancestors. Being a professor of history at the University of Alabama in Tuscaloosa, Alabama allows me to research bad behavior in the past to my heart’s content.
We now take effective birth control for granted. But it used to be illegal, even for married couples. It wasn’t legal for unmarried couples until 1972! But that didn’t stop Americans of every kind from making and using a wide variety of substances and contraptions to try and limit births. From mom-and-pop condom shops to the Pill, this book traces birth control’s transformation from an illicit trade associated with the obscene and pornographic to a legitimate business.
From the 1873 Comstock Act to the groundbreaking inventions of today, a history of contraceptives reveals how they evolved from an illicit trade located in secret places and pornography outlets to one of the most legitimate businesses in America.
I am a historian with a PhD in history from American University. My research has focused on the changing nature of U.S. citizenship after the passage of the Nineteenth Amendment. In particular, my newly released book, Gendered Citizenship, sheds light on the competing civic ideologies embedded in the original conflict over the Equal Rights Amendment (ERA) from the 1920s through the 1960s. My research has won recognition through several grants and fellowships and my writing has appeared in the Washington Post, History News Network, New America Weekly, Gender on the Ballot, and Frontiers.
In Public Vows, Nancy Cott explores how the history of marriage in the United States reflects the creation of a very public and political institution. As Cott shows, in the early years of the United States, the common law doctrine of coverture allowed white men to hold a monopoly over the country’s civil and political institutions. For Cott, marriage has always been a public institution with political implications. As Cott explains, the political undercurrents and legal aspects of marriage have often allowed men to have control over women in law and in custom. Cott’s study was a vital component for my own work as her analysis helped me to better understand how the early U.S. legal system privileged husbands and fathers over wives and daughters with regard to property, earnings, contracting, and guardianship rights.
We commonly think of marriage as a private matter between two people, a personal expression of love and commitment. In this pioneering history, Nancy F. Cott demonstrates that marriage is and always has been a public institution.
From the founding of the United States to the present day, imperatives about the necessity of marriage and its proper form have been deeply embedded in national policy, law, and political rhetoric. Legislators and judges have envisioned and enforced their preferred model of consensual, lifelong monogamy--a model derived from Christian tenets and the English common law that posits the husband as provider and…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I am an unusual scientist in the sense that I have doctorates in both biology and anthropology, so I am very interested in the dichotomy between what our bodies truly want (biology) and how we are supposed to behave, or tell others to behave, in our cultural settings (cultural anthropology). Amazingly, studies show that we spend more time and attention in our lives living for others for what they think of us, than doing what we truly want, and that we often regret that, when we are close to dying. These books make us reconsider that way of living, so we can change this before it is too late.
The book is, to my knowledge, the only one that fully covers the evolution of marriage in the West, including historical details and interesting biological and anthropological data; it changes the way we are indoctrinated to think by showing that sex, love, and marriage were for most of the time completely separate things, while we now try as much to force the three items to be always together.
The most surprising part for people who have not been familiar with the history of these topics is how recent and geographically localized it is the expectation that love, sex, and marriage should be together.
Just when the clamor over "traditional" marriage couldn’t get any louder, along comes this groundbreaking book to ask, "What tradition?" In Marriage, a History, historian and marriage expert Stephanie Coontz takes readers from the marital intrigues of ancient Babylon to the torments of Victorian lovers to demonstrate how recent the idea of marrying for love is—and how absurd it would have seemed to most of our ancestors. It was when marriage moved into the emotional sphere in the nineteenth century, she argues, that it suffered as an institution just as it began to thrive as a personal relationship. This enlightening…