Books like Hunt for the Shadow Wolf — picked by fans

I love the mystery and wisdom of wolves. When I began researching wolves to write my own wolf stories, I discovered they had not only keen instincts but shocking intuition. I read stacks of nonfiction books on wolves and wolf stories, too. I toured a wolf conservation. One of the wolves, a white wolf, looked me straight in the eye and held me there. A wolf’s eyes do more than see you. Her communication was almost a prayer. I went home and wrote a short story about a white wolf—"Sky Wolf, A Fairy Tale." And then I wrote a wolf novel. I’m in love with wild wolf spirit.

I teach writing for children and I’ve analyzed the elements that make a winning story. One of these elements is the magic of three. My idea for Finley Finds his Fortune, was sparked by a desire to write a folk tale with the magic of three and also by my visit to Whitechurch, the last working watermill in England. I was awed by the power and beauty of its water wheel so I wove a water mill into my story. To do this, I had to first study how a mill works. That’s what I love about writing children’s books―that I can explore my own personal interests and passions.

Writing began for me in 1994 when I quit a good job to see if I could be a writer. I chose the political thriller genre because my books describe characters trying to figure out how to achieve practical ends non-violently. Kendall Smith pursues this goal, usually while working in the mysterious Sahara Desert. Despite the awesome nature of the challenge and the numerous life-or-death circumstances that he experiences, he begins to suspect that there is a spiritual component to his quest for peace, mirrored in nature and the human journey. My attempt to present that phenomenon, no matter how ephemeral, is the ultimate goal of my writing.

When I first started to teach my son how to be a good person, I came face-to-face with the question of what “goodness” even meant to me. Living in Taiwan at the time, I started studying what Chinese philosophy had to share on the topic, and I started drawing and writing stories that would make certain concepts easier for young readers to explore with their grown-ups. Parables and fables have long been engaging tools to convey morals and values. Though the values may change over time, I find the format to still be a wonderful tool to explore some of life's biggest questions.

Once upon a time, I came to the realization that I had no idea what my parents were thinking, much less anyone else. This has turned into a life of repeated musing over how much I do and don't understand about other people. More recently, my mother's death brought to light the many different ways family and friends remembered her, with joy and pain, loss and wariness. I chose this topic for the list because these books help highlight and explore the mysteriousness of family and memory and how a person can be whole and complete and sure of what they've lived through, only to turn and see a new angle never before recognized.

I have always loved a good sassy sidekick, human or otherwise. I started my first book, DragonBond, at the age of fifteen, and throughout the various drafts between its inception and its completion, the dragon Axen’s sass game has always been fierce. Since then, I’ve published a total of thirteen books, seven of which are in the Endonshan Chronicles series. I have a Master’s degree in psychology which I use to create well-rounded characters with unique quirks and personalities. I hope you enjoy these picks and all the snark contained within!

Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.

As a girl, I would roll around on the floor with my Labrador retriever, beg my parents for horseback-riding lessons, and dream of being a vet. A proficiency in language and lack of science skills led me to writing instead, but my intense love of animals never waned. I adore adventure stories featuring animal characters and human ones, and some form of communication between them. That’s why I wrote Shannon’s Odyssey which, like many Middle Grade novels, also explores family secrets and the all-important act of forgiveness. It’s not fantasy but contains mystical elements rooted in reality, because who doesn’t want to believe magic exists in our everyday lives?

I have always loved a good sassy sidekick, human or otherwise. I started my first book, DragonBond, at the age of fifteen, and throughout the various drafts between its inception and its completion, the dragon Axen’s sass game has always been fierce. Since then, I’ve published a total of thirteen books, seven of which are in the Endonshan Chronicles series. I have a Master’s degree in psychology which I use to create well-rounded characters with unique quirks and personalities. I hope you enjoy these picks and all the snark contained within!

I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!