Here are 22 books that Humboldt's Gift fans have personally recommended if you like
Humboldt's Gift.
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Known for his pure understatement, Simenon is able to conjure a world with a few simple brushstrokes; his depth of insight and characterisation are always rewarding, as is his knowledge of what motivates human beings.
'Try to imagine a guest, a wealthy woman, staying at the Majestic with her husband, her son, a nurse and a governess . . . In a suite that costs more than a thousand francs a day . . . At six in the morning, she's strangled, not in her room, but in the basement locker room'
Below stairs at a glamorous hotel on the Champs-Elysees, the workers' lives are worlds away from the luxury enjoyed by the wealthy guests. When their worlds meet, Maigret discovers a tragic story of ambition, blackmail and unrequited love.…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always thought Burke should write a standalone about Clete Purcell, sidekick to Robicheaux and here he has done so. It is an incisive and humane look at the character of a complex hero who has to sort out an internecine plot involving fentanyl and a Nazi group at work.
In the latest installment in his famous Detective Dave Robicheaux series, New York Times bestselling author James Lee Burke brings Dave’s partner and friend Clete Purcel to the forefront for the first time as Clete and Dave attempt to stop ruthless smugglers of a dangerous new drug
Clete Purcel – private investigator, ex-member of the New Orleans Police Department, and war veteran with a hard shell and just a few soft spots – is Dave Robicheaux’s longtime friend and partner in detective work. But he has a troubled past. When Clete leaves his car at the local car wash, only…
Simenon, who wrote hundreds of novels, was a master of understatement, and his ability to conjure characters and story with a few words is evidence of his mastery. This is such a simple story and so well structured it shows that all you need for a good novel is character setting and style.
A new translation of Simenon's gripping novel about lives transformed by deceit and the destructive power of lust.
It was all real: himself, the room, Andree still lying on the ravaged bed.
For Tony and Andree, there are no rules when they meet in the blue room at the Hotel des Voyageurs. Their adulterous affair is intoxicating, passionate - and dangerous. Soon it turns into a nightmare from which there can be no escape. Simenon's stylish and sensual psychological thriller weaves a story of cruelty, reckless lust and relentless guilt.
'A wondrous achievement, brief, inexorable, pared to, and agonisingly close…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
This book is dense and enthralling, taking the reader deep into the subconscious of the narrator, a bitter, infuriatingly passive, utterly lucid screen writer who’s witnessing the disintegration of his marriage, as his wife is slowly seduced by the film director. Or has the narrator offered her to the film director or the sake of his career? Is his career worth the cost of his creative love which is theater? The writing is gorgeous and melancholy. Not an easy read but a worthwhile one.
Contempt is a brilliant and unsettling work by one of the revolutionary masters of modern European literature. All the qualities for which Alberto Moravia is justly famous—his cool clarity of expression, his exacting attention to psychological complexity and social pretension, his still-striking openness about sex—are evident in this story of a failing marriage. Contempt (which was to inspire Jean-Luc Godard's no-less-celebrated film) is an unflinching examination of desperation and self-deception in the emotional vacuum of modern consumer society.
I’ve been passionate about absurdist literature since my early youth when we read Kafka’s Metamorphosis in school. Later in life, friends recommended Irving, Vonnegut, Bellow, and Boyle to me. I discovered Murakami, Mendoza, and Niven. Films like Common Wealth or The Last Circus by Spanish filmmaker Alex De La Iglesia, which are equally entertaining and thought-provoking, gave me the spark to start writing myself. I hope you enjoy the books on this list as much as I have!
I read this book when I didn’t know what to do with my life and needed to make a decision. The hero’s stumbling around another continent was truly entertaining and made me want to go to Africa as well and see for myself and get to learn about my own ignorance and limitations.
Bellow evokes all the rich colour and exotic customs of a highly imaginary Africa in this comic novel about a middle-aged American millionaire who, seeking a new, more rewarding life, descends upon an African tribe. Henderson's awesome feats of strength and his unbridled passion for life earns him the admiration of the tribe - but it is his gift for making rain that turns him from mere hero into messiah.
I grew up blocks from Hollywood Boulevard in the late ‘60s and early ‘70s and had something like a front-row seat to the greatest pop culture five-car pile-up in American history. At the Canteen on Hollywood and Vine, where my aunt would take me on summer weekdays for the “Extras for Extras Smorgasbord,” you’d rub shoulders with aging starlets, cowpokes, starry-eyed young hopefuls, and “leading men” in five-and-dime ascots who never had a leading role. Even Billy Barty, always of good cheer, would make the scene—he was so nice to me, and I had no idea he played my hero, Sigmund the Sea Monster!
Not usually considered a Hollywood novella per se, Bellow’s “small grey masterpiece” (V.S. Pritchett) tracks failed actor Tommy Wilhelm on a dark Manhattan day when his luck and his money run out.
This book is at once a tender portrait of failure and a searing indictment of the false promises America makes to the gullible. Along the way, Tommy recalls his one and only screen role—as a Hollywood extra, he briefly appeared barelegged in a kilt, pretending to blow bagpipes—just one more humiliation in a string of let-downs. By day’s end, Tommy goes face to face with humanity in a subway station and spirals toward “the heart’s ultimate need”—tears.
“What makes all of this so remarkable is not merely Bellow’s eye and ear for vital detail. Nor is it his talent for exposing the innards of character in a paragraph, a sentence, a phrase. It is Bellow’s vision, his uncanny ability to seize the moment and to see beyond it.” –Chicago Sun-Times
A Penguin Classic
Fading charmer Tommy Wilhelm has reached his day of reckoning and is scared. In his forties, he still retains a boyish impetuousness that has brought him to the brink of chaos: He is separated from his wife and children, at odds with his vain,…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
The Stranger is one of those books we all had to read in school when we were young and dumb. I recently reread it and was humbled by the quality of Camus’ writing. He is sparse with his words, yet they evoke a kaleidoscope of emotions.
With the intrigue of a psychological thriller, The Stranger—Camus's masterpiece—gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie; translated by Matthew Ward.
Behind the subterfuge, Camus explores what he termed "the nakedness of man faced with the absurd" and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.
“The Stranger is a strikingly modern text and Matthew Ward’s translation will enable readers to appreciate why Camus’s stoical anti-hero and devious narrator remains one of the key expressions of…
I grew up blocks from Hollywood Boulevard in the late ‘60s and early ‘70s and had something like a front-row seat to the greatest pop culture five-car pile-up in American history. At the Canteen on Hollywood and Vine, where my aunt would take me on summer weekdays for the “Extras for Extras Smorgasbord,” you’d rub shoulders with aging starlets, cowpokes, starry-eyed young hopefuls, and “leading men” in five-and-dime ascots who never had a leading role. Even Billy Barty, always of good cheer, would make the scene—he was so nice to me, and I had no idea he played my hero, Sigmund the Sea Monster!
If this beautifully illustrated collection of Hollywood tragedies were only kink, only lurid scandal like so many cheap TV potshots, it wouldn’t be the iconic masterpiece it has become. Kenneth Anger’s take on the faded and fallen Hollywood differs because he loves the place and its people with all his heart.
A child starling and renegade director in his own right (Scorpio Rising, Kustom Kar Kommandoes), he oozes child-like wonder and horror on every page. As he puts it in the book’s equally stark sequel, Hollywood Babylon II, the movies “promise immortality, but don’t really deliver.”
“Kenneth Anger has fashioned a delicious . . . box of poisoned bonbons. Picking through the slag heap of the Hollywood dream factory, [he] has put together a truly prodigious anthology of star-studded scandal.”—The New York Times
Kenneth Anger is a former child movie actor who grew up to become one of America’s leading underground filmmakers. Hollywood Babylon was originally published in Paris, and quickly became an underground legend. Not a word has been changed. Not a story omitted. Here is the hot, luscious plum of sizzling scandal that continues to shock the world.
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I first read Lolita when I was 14 and have read it every few decades since, learning something new each time.
I love the first-person immediacy of it and the way it is a crime novel in reverse: the narrator is already imprisoned but not for the crime he describes. It is a love story turned on its head: what the narrator says is love is in fact abuse.
It is a road trip across the vastness of the US, like one I took when I was a student.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I believe that laughter is the best way into a person’s heart and also into their head. Life is beautiful, but it is also incredibly fragile. Satire and humor are effective ways to raise the level of awareness of destructive behaviors and/or controversial topics that are otherwise difficult or unpleasant to address. I think satire and humor make it easier to hold up a mirror and look critically at our own beliefs and our actions.
I’m a huge fan of satire, as I believe it can inform and make you think critically, as well as being wildly entertaining.
I think Catch-22 is one of the most perfect satires about the absurdity and tragedy of war. I’m not the fastest reader, but Heller’s dialogue, humor, and sharp observations of the human condition under the perversion of war had me turning the pages quickly.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
