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Count the Ways.
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I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
For me, this novel combines the best of three sharply different types of books: It's a dystopian novel that paints an enthralling (and terrifying) portrait of an invented world. It's a page-turner.
And it's a story that hit some deep emotions in me. The basic narrative is that Frida, the harried and divorced mom of toddler Harriet, leaves Harriet alone while she dashes off to get herself a latte. Okay, that's stupid and risky, though Harriet is unharmed.
But in this book's world, that's enough to land Frida in a "reform school" from which it's almost impossible to prove yourself "perfect" enough to be released. As the story spiraled worse and worse, I couldn't believe this was happening.
I couldn't read another word; no, I couldn't put it down.
THE INSTANT NEW YORK TIMES BESTSELLER AN OBAMA'S 2022 SUMMER READING PICK
'A taut and propulsive take on the cult of motherhood and the notion of what makes a good mother. Destined to be feminist classic - it kept me up at night' PANDORA SYKES 'A haunting tale of identity and motherhood - as devastating as it is imaginative' AFUA HIRSCH 'Incredibly clever, funny and pertinent to the world we're living in at the moment' DAISY JOHNSON
'We have your daughter'
Frida Liu is a struggling mother. She remembers taking Harriet from her cot and changing her nappy. She remembers…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
I was hooked by the unexpected opening sentence: "The first time I saw my granddaughters, I was standing across the street, didn't dare go any closer."
What had gone wrong? Why was a grandmother so estranged from her own grandchildren?
As the novel unspooled, it double-backed into other surprise twists, and the characters and motivations weren't as clear-cut as they'd seemed. Leah, the mother of the two granddaughters, wasn't being juvenile, impulsive, or heartless when she broke off contact with her parents. Yoella, the grandmother, wasn't as loving and innocent as she thinks she was—and how much does she realize, in fact?
I loved the way the book sometimes said more between the lines than in the actual words.
WINNER OF THE SAPIR PRIZE 2022
'A mesmerising, disquieting tale of family estrangement ... Unforgettable' OBSERVER
'A striking and memorable novel' MEG WOLITZER
'A stone-cold masterwork of psychological tension. Its final pages had me holding my breath' NEW YORK TIMES
'Hila Blum is my new favourite writer' LOUISE KENNEDY
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What damage do we do in the blindness of love?
Thousands of miles from her home, a woman stands on a dark street, peeking through well-lit windows at two little girls. They are the daughters of her only daughter, the grandchildren she's never met.
At the centre of this mesmerising…
I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
I had to shut this book about halfway through, and I couldn't pick it up again until my daughter was safely home from her weekend visitation with her father—because it was too real.
Too powerful, in the way it captured my (and many mothers') constant fear that my ex-husband would find some excuse not to bring my daughter back after each visit.
I've rarely read anything that grabbed me so personally. The overall plot itself was also enthralling, though less directly realistic for me.
Anna and her ex-husband, Brian, seem to have an amiable divorce, and Anna finds new romance with a sexy lover. But then things go too far: Will Anna lose custody of her young daughter, Molly? What did her lover, Leo, actually do?
Recently divorced, Anna Dunlap has two passionate attachments: her daughter, four-year-old Molly, and her lover, Leo, the man who makes her feel beautiful - and sexual - for the first time. Swept away by happiness and passion, Anna feels she has everything she's ever wanted.
Then come the shocking charges that would threaten her new love, her new "family" . . . that force her to prove she is a good mother.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
At the heart of this novel is a brave and scary question that (luckily) I and most parents never need to consider: What if your child does something too awful for you to forgive?
The story is told through alternating timelines and points of view—through the voices of Maya, an English professor and mother, and of Ellie, her teenage daughter.
We know from the start that Ellie has done something unforgivable, and that Maya needs to forgive her. But first, Maya needs to reach her, and Ellie refuses to accept that outreach.
I loved the way this book intertwines so many threads while keeping me on the edge of my seat for the answers.
When Maya Taylor, an English professor with a tendency to hide in her books, sends her daughter to Florida to look after a friend's child, she does so with the best of intentions; it's a chance for Ellie, twenty and spiraling, to rebuild her life. But in the sprawling hours of one humid afternoon, Ellie makes a mistake she cannot take back. In two separate timelines-before and after the catastrophe-Maya and Ellie must try to repair their fractured relationship and find a way to transcend not only their differences but also their more troubling similarities. "[Melding] psychological insight, precise plotting…
I've always been obsessed with justice, but as a five-foot, zero-inch woman, I can't exactly kill a bad guy with my bare hands. So I right wrongs in my books, which always end on a note of triumph, and where people who do dread, nefarious things tend to meet with rightful ends. Before I became a writer, I worked as a psychotherapist, and one day I was assigned the case of this adorable five-year-old who had just killed the family pet. Drilling down into the reasons behind the acts people commit helped me save this child, and has come to consume me. It also happens to be something every author on this list does brilliantly well.
Three generations of women act victoriously throughout this white-knuckle tale. Anne, who met the man of her dreams – slash the man of her nightmares – right out of college; her daughter, Thea; and the tough matriarch to them all. When these women thread their way through the winter woods to hole up in a cabin, they don't know the identity of the man who has chased them there, or the threat they will face. They only know their fierce love for each other, a bond too strong for any man to break. Told in the voices of these women, with interlocking timelines, there is an ageless, fairy tale quality to this thriller. It will raise your heart rate even as it tugs at your heartstrings.
By the bestselling author of A Beautiful, Terrible Thing, a haunting thriller about a mother and daughter who must draw strength from each other when they find themselves trapped in a cabin with a stranger who wants to either control them--or kill them.
FOURTEEN YEARS BEFORE THE CABIN: Twenty-something Anne meets the man of her dreams right out of college, but after they get married, Anne notices that her husband begins acting differently. Why is Ethan suddenly so moody? And will their marriage endure?
A WEEK BEFORE THE CABIN: Ten years later, Anne and her twelve-year-old daughter, Thea, are safely…
Although I’ve written over 50 books, the ones that have had the greatest impact are the novels that have been turned into movies. Through my books and the films based on them, I’ve had the privilege of sharing thought-provoking, life-changing stories with millions of people around the world. As a blind person, myself, I realize the absurdity of writing books I can’t read that are turned into movies I can’t watch, but a powerful story delivers life-changing lessons and endures forever.
Among the 50 books I have written, eight of them have been turned into movies with a ninth currently in pre-production. For this reason, even as a blind person myself, whenever I read a novel—or in my case, listen to the audiobook—I see the story unfolding in my mind as a movie. Never have I read any novel that is more screen-worthy thanThe Twelfth Angel. In this story, Og Mandino teaches us that we all have talent, value, and worth. Even the most insignificant among us can create an impactful change in those around them and the world. You will feel that kind of impact as you meet The Twelfth Angel.
"A very special story about life and love and courage." MERLIN OLSEN, SPORTSCASTER John Harding had a high-powered career, a loving wife, and a beautiful son. He's lost it all and has returned to his home town of Boland, New Hampshire, teetering on the brink of suicide. But an old friend asks John to manage his old Little League team, the Angels. Reluctantly, he agrees, and meets a hopeless player who bears a striking resemblance to his dead son--and through their extroardinary relationship, John finds the wisdom in living that he thought had slipped beyond his grasp forever.... AN ALTERNATE…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Neighbors. We’ve all got ‘em, right? We believe we’re the good ones, and we pray we don’t live next door to the bad ones… but sometimes it’s inevitable that we share our property lines with those ill-suited for neighborly behavior. Horror books about bad neighbors are the perfect window into our own communities. We can peer into the lives of others without worry of getting caught. We can tiptoe through their rooms and rummage through their drawers… Who knows what we might find. Are they witches? Serial killers? Devil worshippers? Only their dirty laundry will tell.
Samson’s one and only novel, The Auctioneer is a wonderfully unnerving tale of how a community can find itself completely hollowed out in a matter of a single devil’s bargain. Predating Stephen King’s Needful Things, this book is a literary garotte that slowly closes around the reader’s throat. The paranoia is palpable in these pages, believe me.
One of the finest and best-selling horror novels of the 1970s returns at last to chill a new generation of readers
In the isolated farming community of Harlowe, New Hampshire, where life has changed little over the past several decades, John Moore and his wife Mim work the land that has been in his family for generations. But from the moment the charismatic Perly Dunsmore arrives in town and starts soliciting donations for his auctions, things begin slowly and insidiously to change in Harlowe. As the auctioneer carries out his terrible, inscrutable plan, the Moores and their neighbors will find…
Passionate military members are my jam, and I feel pretty confident writing about them. First, I write erotic romance myself, giving me something of an inside view of what makes a good erotic romance with a military vibe. Second, I read a lot of them. Even if the story is a mite slow, you’ve got that alpha military guy who’s going to pull the story out. Or at least, that’s the way it’s worked in every military erotic romance I’ve read. Last, as I mentioned earlier, I was raised in the Navy. I’ve seen lots of men in uniform and the sight never fails to give me a thrill. I think I recognize that passion when I see it.
Okay, I admit it. I could have chosen any of Suzanne Brockmann’s books with her SEALs. I started reading her books many years ago and stayed with her SEALS until the original team started getting out of the Navy. I’m not sure I’d say her books are erotic, but they are plenty steamy. In this book, the SEALs are playing war games in New Hampshire. What could go wrong? Well, they could lose their pretend hostage… Love, lots of fighting, and plenty of sexy action in this book!
Bestselling author Suzanne Brockmann blends high adventure, harrowing drama, and heart-racing passion into thrilling novels of suspense. Whether tackling danger or wrestling with desire, her elite heroes and heroines never fail to give their all, in stories that soar above and beyond expectations. Now, in this electrifying novel, Brockmann takes us Into the Storm.
In a remote, frozen corner of New Hampshire, a Navy SEAL team and the elite security experts of Troubleshooters, Incorporated are going head-to-head as fierce but friendly rivals in a raid-and-rescue training exercise. Despite the frigid winter temperatures, tension smolders between veteran SEAL Petty Officer Mark…
I’ve been fascinated by UFOs since I was a kid, but it wasn’t until I met a Martian in 2016 that I started writing about them. To be more specific, I stumbled across a bizarre 1926 article about a man in telepathic communication with a Martian named Oomaruru. I then delved deeper into the beliefs about intelligent Martians at that time. It led to my writing The Big Book of Mars, which touched on the UFO phenomena in the 1940s and ‘50s. But knowing there was so much more to explore, I began writing We Are Not Alone, which is now my 8th book.
Fuller’s book captures the story of Betty and Barney Hill, who became the first nationally covered case of an alien abduction.
The book tells their tale and shares the hypnosis sessions they underwent to recall the many bizarre details of their experience. Fuller’s interviews with the Hills, along with the documented transcripts, make for a remarkable read.
TWO LOST HOURS ABOARD A UFO—THE ABDUCTION OF BETTY AND BARNEY HILL • One of the most extraordinary UFO tales of our time—a thrilling, otherworldly, and wildly entertaining adventure that enraptured America and stands as the quintessential extraterrestrial encounter
"True believers will see this as further evidence of the reality of UFOs" —The New York Times
On a summer night in 1961, Betty and Barney Hill were driving home through New Hampshire when a bright object appeared in the sky and began following them. When the couple finally pulled over to get a better look, the object vanished before their…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Two boyhood experiences inspired my fascination with the Civil War: a family trip to Gettysburg and purchasing original photographs of soldiers at flea markets. Captivated by the old photos, I became an avid collector of Civil War-era portrait photography. Curiosity about identified individuals in my collection led me on a lifelong journey to tell their stories. In 2001, I started a column,Faces of War,in theCivil War News.Since then, I’ve profiled hundreds of participants in the column, and in six books. In 2013, I became the fourth editor and publisher of Military Images, a quarterly journal that showcases, interprets, and preserves Civil War photography.
The bonds of comradeship formed by volunteer soldiers during the Civil War lasted a lifetime for those who survived its bloody campaigns. Most regiments held annual reunions, during which the veterans rekindled friendships and remembered their service. Many collected reminiscences in book form, and these regimental histories are treasure troves of personal accounts. One of the most outstanding of this genre is theHistory of the Twelfth Regiment, a narrative of the men and officers who served in the 12th New Hampshire Infantry. Author Asa Bartlett, a beloved officer, humanizes the service of these Granite State volunteers.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
