Here are 100 books that House of Stairs fans have personally recommended if you like
House of Stairs.
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The concept of whether a woman can truly be the subject of her own life has always fascinated me. It was an invisible struggle I didn’t know I had. Until I set out to finish the 54 unmet dreams of my late father, whose life had been cut short in a car crash. It wasn’t until I looked at the world through main character lenses, the kind that just seem to come more naturally to men, that I was able to see myself truly. This is just one lesson from my book. If you’ve ever felt different, remember: you’re not. You just haven’t seen yourself as the main character yet. These books will guide you.
I read this during a confusing time—when I was seeking treatment for depression, from age 16 through 24.
Here was the third-most adapted book in history, and yet with each adaptation, the story grew further from the author’s true voice, which was that of an 18-year-old girl. How odd that this could happen, given that Frankenstein revolves around the creature finding his identity.
He only wants to do good, but when he learns how to read, he also learns how to label himself—as separate from God, and separate from man. He believes he must be bad because he’s different. The whole town agrees.
When I read this, I also felt different. This feeling didn’t go away until I finished my dad’s bucket list and saw the beauty and wonder he’d seen in me. I was different. But this was a good thing. I pray Mary Shelley found the same peace,…
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As we watch the news–the increasing number of earthquakes, volcanoes, wars, inflation, the rapid progress of AI, unelected elites deciding they know best for the world, and more–we don’t know how to process it all, and it leaves us feeling anxious. My passion for helping my readers not just escape but actually live better fuels me. I created this retelling of the Book of Revelations from the POV of celestial warriors and fallen angels in the unseen realms of our world to allow my readers to “make more sense” of the world and be at peace.
Talk about crazy experiments! Maze Runner is an epic quest combined with a nod to those who love solving puzzles on steroids. This is truly an end-of-the-world scenario, or I surely hope it is. While I can see some mad scientists excited about such an experiment today, it is still frowned upon. Thank goodness. But Maze Runner explores “science” gone rogue.
Indifference again plays a central role in the plot as those outside the experiment use a variety of psychological warfare techniques to keep the participants engaged in the game. The reader feels sorry for them having to overcome everything that’s thrown at them or die. I loved how the group of teens had to work together to figure out what was going on and then face the difficulty of extracting themselves from the maze. Ultimately, I loved that friendship and working together triumphed at the end of the day.
The first book in the New York Times bestselling Maze Runner series - now a series of major movies starring Dylan O'Brien!
SEE THE FILMS. READ THE BOOKS. ENTER THE MAZE ...
When the doors of the lift crank open, the only thing Thomas remembers is his first name. But he's not alone.
He's surrounded by boys who welcome him to the Glade - a walled encampment at the centre of a bizarre and terrible stone maze. Like Thomas, the Gladers don't know why or how they came to be there - or what's happened to the world outside.
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this book because although it seems at a casual glance to be written in the mold of 50s and 60s science fiction, with earthmen fighting bug-eyed aliens, it’s, in fact, a profound exploration of the morality of war, of chances, lost and motives misunderstood and of the ruthless use of children as combatants.
The training regimen of the children is gripping, as is the climactic space battle, but it’s the ending of the novel that gives the story its deep spiritual resonance.
Orson Scott Card's science fiction classic Ender's Game is the winner of the 1985 Nebula Award for Best Novel and the 1986 Hugo Award for Best Novel.
In order to develop a secure defense against a hostile alien race's next attack, government agencies breed child geniuses and train them as soldiers. A brilliant young boy, Andrew "Ender" Wiggin lives with his kind but distant parents, his sadistic brother Peter, and the person he loves more than anyone else, his sister Valentine. Peter and Valentine were candidates for the soldier-training program but didn't make the cut―young Ender is the Wiggin drafted…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
Kristina Parro is a long-time Taylor Swift fan who dove deep into the stories and lyrics of folkloreto help her overcome the tumultuous period she spent as a front-line healthcare worker during the pandemic. She discovered layers of deep meaning and surprising connections in the album, as well as throughout Taylor’s entire collection, that led her down a rabbit hole of her own. A quest that brought her to a more enlightened state of being. Lucky is Parro’s first novel. She's currently working on another adult-fiction manuscript. You can also find her hosting a live, weekly show on Instagram, during which she has insightful conversations with authors, artists, thinkers, creatives, and Taylor Swift fans!
My long-time favorite writer, John Green, is another Swiftie! In 2014, after he posted on social media about her 1989 album, Taylor Swift took to Tumblr to proclaim that John Green was (also) her favorite author. While John is most well-known forThe Fault in Our Stars (or more recently, his TikTok),Looking for Alaska, his debut, is always my recommendation. Looking For Alaskais packed with teenage nostalgia that hits you like a gut punch. "Sad, Beautiful, Tragic" for bookworms. I read it early on in high school and it sparked a literary awakening within me. I realized that books can hold deeper, philosophical meaning; that by diving deep and soaking it all in, I could learn more about myself and this crazy thing we call reality.
The award-winning, genre-defining debut from John Green, the #1 bestselling author of The Anthropocene Reviewed and The Fault in Our Stars
Winner of the Michael L. Printz Award • A Los Angeles Times Book Prize Finalist • A New York Times Bestseller • A USA Today Bestseller • NPR’s Top Ten Best-Ever Teen Novels • TIME magazine’s 100 Best Young Adult Novels of All Time • A PBS Great American Read Selection • Millions of copies sold!
First drink. First prank. First friend. First love.
Last words.
Miles Halter is fascinated by famous last words—and tired of his safe life…
I am a former book editor turned writer and a lover of literature in all forms. Young adult literature will forever be my favorite. Though I’m no longer “young,” I have two teenagers who love YA as much as I do and we bond over these stories. Since one prefers contemporary & urban fantasy, and the other likes dystopian & epic fantasy, I read a lot of everything! I particularly enjoy books with characters who triumph over extreme adversity, and if you do too, then you'll like the books on this list.
This review perfectly summed
up this book but neglected to mention it has a spectacular cover, which I’ll
admit was the first thing that drew my eye. The story also features a bi-racial
main character, and since my children are multi-racial, I love seeing this
representation. Because I’m an unapologetic book nerd, I adored the many
literary references. And I always love a good road trip! All in all, this is
one character-driven YA novel you won’t want to miss.
“This debut has it all: music, books, aliens, adventure, resistance, queerness, and a bold heroine tying it all together. ”—Ms. Magazine
Can a girl who risks her life for books and an Ilori who loves pop music work together to save humanity?
When a rebel librarian meets an Ilori commander…
Two years ago, a misunderstanding between the leaders of Earth and the invading Ilori resulted in the death of one-third of the world’s population. Today, seventeen-year-old Ellie Baker survives in an Ilori-controlled center in New York City. All art, books and creative expression are illegal, but Ellie breaks the rules…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’m not the biggest Sanderson fan. I like his books, but I don’t have a wing of my library dedicated to him. But Skyward in particular stands out to me. It’s a much more personal story.
Spensa is socially inept, misunderstood, and hot-headed. I loved that because I got to see her grow through struggle and failure like a regular person.
I’m not usually a fan of stories told in the first person either, but seeing the world through her eyes as she learned what courage actually means made the story impossible to put down. It reminded me that growth doesn’t come from destiny; it comes from persistence and the willingness to change, often at great cost.
This book made me cheer for someone who felt real in all the best and most frustrating ways.
Spensa's world has been under attack for hundreds of years. An alien race called the Krell leads onslaught after onslaught from the sky in a never-ending campaign to destroy humankind. Humanity's only defense is to take to their ships and fight the enemy in the skies. Pilots have become the heroes of what's left of the human race.
Spensa has always dreamed of being one of them; of soaring above Earth and proving her bravery. But her fate is intertwined with her father's - a pilot who was killed years ago when he abruptly deserted his team, placing Spensa's chances…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I’ve been a creative writer for over a decade, and I always tell people that writers are readers first. As such, I’ve been in love with both young adult and sci-fi books since I was a kid. Fittingly, my debut book is science fiction for young readers. I believe this sub-genre has so much to offer. The really good, memorable books use high-concept ideas or conflict as a vehicle for exploring compelling, relatable themes. I have always believed that’s the best way to approach writing sci-fi. And, with The Memory Index, I took this approach to heart.
David Arnold's The Electric Kingdomis a beautifully written narrative imbued with love, tragedy, fear, and hope. It is a brilliant love letter to storytelling – a novel that cleverly subverts dystopian conventions and instead paints a wholly original painting of something deeply affecting and inspiring.
I don't want to mention any plot points at all for fear of giving too much away (the official synopsis should be more than enough to hook you). I will say this: I read the entire second half of the book in one sitting. His characters are fully realized—the secrets and tension always growing in a slow burn.
Arnold masterfully connects all his story elements in a riveting third act. And, once I came to the end, I found the book had changed me in subtle ways—as all the greats do.
I cannot recommend TEK enough. Arnold has written what is nothing short of…
New York Times bestseller David Arnold's most ambitious novel to date; Station Eleven meets The 5th Wave in a genre-smashing story of survival, hope, and love amid a ravaged earth.
When a deadly Fly Flu sweeps the globe, it leaves a shell of the world that once was. Among the survivors are eighteen-year-old Nico and her dog, on a voyage devised by Nico's father to find a mythical portal; a young artist named Kit, raised in an old abandoned cinema; and the enigmatic Deliverer, who lives Life after Life in an attempt to put the world back together. As swarms…
I grew up in the 1970s, still in contention for America’s most paranoid decade (thanks, Watergate). Practically everything I watched, listened to or read (right down to my beloved superhero comics) was asking, what’s hiding behind the world around you? I don’t think of myself as a paranoid guy – I don’t, for instance, believe in a real life Deep State – but these are the sorts of stories that resonate for me. Taken less literally, they do ask worthwhile and still disturbingly relevant questions: what is beneath the world you know and see every day? What is right in front of you, both good and bad, that you aren’t seeing?
Agent Scylla was dead, but they brought him back because someone is holding a contest, a contest to see who can create the deadliest weapon. As Scylla navigates a world he’s been out of touch with for too long, he finds that there’s something on its outskirts, pulling all the wrong strings. A thrilling espionage adventure drenched in paranoia, this was the most fun I ever had being terrified to learn the truth. The only book I ever read that I literally could not put down. Its momentum – the need to find out what the contest was about and where the search would lead Scylla – was so powerful, I could not stop my fingers from turning the pages.
I grew up in the 1970s, still in contention for America’s most paranoid decade (thanks, Watergate). Practically everything I watched, listened to or read (right down to my beloved superhero comics) was asking, what’s hiding behind the world around you? I don’t think of myself as a paranoid guy – I don’t, for instance, believe in a real life Deep State – but these are the sorts of stories that resonate for me. Taken less literally, they do ask worthwhile and still disturbingly relevant questions: what is beneath the world you know and see every day? What is right in front of you, both good and bad, that you aren’t seeing?
Suburbanite Ragle Gumm is overcome with a sense of urgency to play a bizarre newspaper game every day. He’s so good at it, he makes a living from its cash prizes. But lately, his world seems to be fraying around him. Things he sees and knows are suddenly...not. And if you can’t trust the very ground you’re standing on, what’s left? This takes the whole “maybe my world isn’t what I think it is” idea about as far as it can go, and it was just about the first story to ever do that. The best, most satisfying book I ever read about a banal, mundane world that turns out to be anything but.
Ragle Gumm is an ordinary man leading an ordinary life, except that he makes his living by entering a newspaper contest every day - and winning, every day.
But he gradually begins to suspect that his life - indeed his whole world - is an illusion, constructed around him for the express purpose of keeping him docile and happy. But if that is the case, what is his real world like, and what is he actually doing every day when he thinks he is guessing 'Where Will The Little Green Man Be Next?'
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I grew up in the 1970s, still in contention for America’s most paranoid decade (thanks, Watergate). Practically everything I watched, listened to or read (right down to my beloved superhero comics) was asking, what’s hiding behind the world around you? I don’t think of myself as a paranoid guy – I don’t, for instance, believe in a real life Deep State – but these are the sorts of stories that resonate for me. Taken less literally, they do ask worthwhile and still disturbingly relevant questions: what is beneath the world you know and see every day? What is right in front of you, both good and bad, that you aren’t seeing?
It’s about the simplest idea you can hang a story on: three people discover a house in the wilderness and explore it. But this short, black and white, silent graphic novel just sucked me deeper and deeper into the terror of a place that seems to grow impossibly larger, even as your pathway through it becomes narrower and narrower until...well, it’s pretty dark stuff. Simmons’s art is also inky black, but visualizes the concepts at play with beautiful power. There is a terrible force behind the scenes here, but you can never know what it is and you can never defeat it.
This adventurous, silent graphic novel demonstrates the solid strength of this young cartoonist's storytelling ability. Whether plunging into the watery depths of a sinkhole that has obviously swallowed part of a town or entering the uncertain hidden corridors of the house, every turn is captured with intensity by Simmons' scratchy pen. Page composition and panel arrangements are masterfully coordinated to reflect the characters' increasingly claustrophobic panic as the story reaches its crescendo, and to cause a similar and palpable reaction in the reader. House is Josh Simmons' first full-length graphic novel after years of honing his craft on the humorous,…