Here are 100 books that Hopeland fans have personally recommended if you like
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There is nothing more gratifying when you are reading your own books to a group of children to see that they are eager to know what is going to happen next. My top priority is to create a story that is a page-turner. My second wish is to include social topics that provoke ideas and questions. After I read to a group of schoolchildren, I like to encourage them to discuss the themes in the story; the children are always keen to give their views. Nonetheless, adding social topics to my children’s books needs to evolve naturally; ultimately, for me, the story is king!
I really admire Raymond Briggs’ work; he’s a wonderful storyteller and a fantastic artist with a great eye for colour. Ethel & Ernest is a beautiful book. The strip-cartoon format works well and makes for an intense reading experience. Whilst this book has lots of humour and light, it also features some dark topics such as the Second World War, mental illness, and bereavement. It is generally considered unsuitable for children under the age of twelve. It’s a charming love story and a vivid social record. I find it heartbreaking at times. It becomes even more touching when you remember that it is based on Briggs’ own family.
A marvellous, life-enhancing book for all ages, now a major animated film starring Jim Broadbent, Brenda Blethyn and Luke Treadaway
Utterly original, deeply moving and very funny, Ethel & Ernest tells the story of Raymond Briggs' parents' marriage, lady's maid Ethel and milkman Ernest, from their first chance encounter in 1928, through the birth of their son Raymond in 1934, to their deaths, within months of each other, in 1971.
Told in Brigg`s unique strip-cartoon format, Ethel and Ernest live through the defining moments of the twentieth century: the darkness of the Great Depression, the build up to World War…
Imperium is the most expensive structure ever created. Once an orbiting laboratory, it is now a space hotel for the fantastically wealthy. But as the station preps for its first group of space tourists, Dr. Chloe Bonilla, Imperium’s resident biophysicist, finds herself questioning whether babysitting a passel of space glampers…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
It’s rare to find a book that combines my two favorite horror subgenres–queer horror and parenting horror–but this book does that and more. With four different protagonists who are all, in one way or another, queer, this bizarre family saga delves into the surreality of grief and the questionable choices people make to protect themselves and the ones they love.
The true queerness of this novel goes beyond its characters’ various same-sex attractions and relationships; at its heart, it’s a queer story because it shows how we build families out of the rubble that’s left when the lives we expected to lead fall apart.
A "genuinely scary" horror debut written in "prose so beautiful you won't want to rush" about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes (Ana Reyes)
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio…
I consider myself above all to be an American Adventurer; I have been traveling in unorthodox methods for the last eight years beginning as a vagabond living in my car, a wilderness survival instructor in the Mojave, a privately contracted sailor in the Caribbean, funding an exciting independent film in remote Northern Pakistan, teaching English in Central Europe, and planting trees as part of a forestry project in remote Australia. I have committed myself to developing an organic method of traveling purposefully towards a vague destination and have turned it into a way of life.
Some people will argue that of all the movies adapted from books, the book will always win, but in The Curious Case of Benjamin Button, I believe the film adaptation is more alluring than the original short story, but it would not be fair to discredit that this film was influenced by Fitzgerald’s original satire of a child born aging in reverse.
While the movie veers away from the short story in time period, setting and character development, the short story draws more into the philosophical questions I believe we ourselves as a society are subconsciously thinking—even today, nearly a century after it’s writing as to how we contradict the specific wisdom that comes with age while also relinquishing it due to natural mental decline and end up treating our elderly like children.
Unlike the film, the story takes place just after the American Civil War and draws a…
As long ago as 1860 it was the proper thing to be born at home. At present, so I am told, the high gods of medicine have decreed that the first cries of the young shall be uttered upon the anesthetic air of a hospital, preferably a fashionable one. So young Mr. and Mrs. Roger Button were fifty years ahead of style when they decided, one day in the summer of 1860, that their first baby should be born in a hospital. Whether this anachronism had any bearing upon the astonishing history I am about to set down will never…
Imperium is the most expensive structure ever created. Once an orbiting laboratory, it is now a space hotel for the fantastically wealthy. But as the station preps for its first group of space tourists, Dr. Chloe Bonilla, Imperium’s resident biophysicist, finds herself questioning whether babysitting a passel of space glampers…
I’m a novelist who has primarily written in the dark fantasy and horror genre, which often embraces all things autumn. My first novelBlack & Orange, its sequel,Nomads, and supplemental short story collection, Reaping October, all take place in autumn and focus on an encroaching dimension of darkness that would change life as we know it. Halloween isn’t just a holiday, it’s a different existence altogether. Having a love for the season and being its steadfast student, I’ve explored these atmospheric themes for decades. I have a solid opinion on what stories take you there.
Thomas Ligotti writes dark magical realism short stories. The Shadow at the Bottom of the World is an unforgettable collection written by a modern master of atmosphere. His stories rarely have complicated plots, but the feeling they leave you with is the whole point. In the thousands of books I’ve read, I can safely say he writes like no other-- he enshrouds your spirit with dread. The title story showcases a small town that encounters the arrival of a threatening breed of darkness. Written with the stunning imagery of Bradbury, the mysticism of Lovecraft, and the disquieting tone of William S. Burroughs, this collection will have you brightening the blaze in the fireplace, just to make the shadows retreat.
A longtime Lovecraft devotee, who has extended the weird tale to the next level via the likes of Borges and Burroughs, Thomas Ligotti is usually published as part of a general anthology of horror writers. But now Ligotti has pulled together a collection of his favorite fiction, both old and new, representing his best and most characteristic works.
Thomas Ligotti's stories are perhaps best described as dark magical realism. Many of his stories center on the distorted perspective of a frequently doomed narrator. The title story, "The Shadow at the Bottom of the World," reimagines a kind of Bradbury-like small…
Writers often get labeled as either nonfiction or fiction writers. In grad school, it was very difficult to study across genres, which I found very frustrating: To me, the most important thing about a book has always been the voice. A novel? A memoir? Essays? Stories? Don’t pin me down, just give me something with a voice that propels me forward, that is unique and sparkling and unputdownable. When I find books with voices so singular and propulsive, I return to them over and over.
There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).
Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • NATIONAL BESTSELLER • With this book, the acclaimed author created an entirely new form—an exhilarating blend of autobiography and mythology, of world and self, of hot rage and cool analysis. First published in 1976, it has become a classic in its innovative portrayal of multiple and intersecting identities—immigrant, female, Chinese, American.
“A classic, for a reason” – Celeste Ng via Twitter
As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother’s “talk stories.” The fierce and wily women warriors of…
The stars aligned to ignite my passion for magic-realism romance after a few things had happened. 1) I got heavily into the idea of the multiverse and alternate realities in high school, having been inspired by my physics teacher. 2) I read and fell in love with The Time Traveler’s Wife (see list!). 3) I binge-watched the incredible sci-fi show Fringe, which deals with parallel universes and time jumps. 4) I decided to write my first multiverse romance, inspired by all the above factors and more besides. Since then, I’ve focused most of my reading on romantic novels, with those that share a magic realism twist being auto-reads—of course!
Cesca Major's book is my pick in the spate of recent time-loop novels that feature romance. The Groundhog Day concept, where the protagonist repeats the same day over and over to (hopefully) get it right, is fertile ground for a great romance. Who hasn’t wished they could get a do-over with a loved one or potential partner?
Our protagonist, Emma, keeps reliving the day her husband, Dan, died after being hit by a car after a marital fight. I love Emma’s agony in trying all the possibilities to avoid Dan’s death, to the extent of virtually driving her insane. The lack of consequences, given she always wakes up on the Monday morning, is another thing that pushes her to increasing extremes.
This is not a typical romance, but the focus on saving her marriage no matter what makes this book a perfect magic-realism romantic novel. I also adore the London…
A heartwarming and emotionally poignant time-loop novel about a stressed woman who must relive the same day over and over, keeping her family and work life from imploding as she attempts to spare her husband from an unfortunate fate.
It is an ordinary Monday and harried London literary agent Emma is flying out of the door as usual. Preoccupied with work and her ever growing to-do list, she fails to notice her lovely husband Dan seems bereft, her son can barely meet her eye, and her daughter won’t go near her. Even the dog seems…
When I started writing The Majesties, I wanted the narrative to be a continual excavation of secrets, one after the other. This sort of multi-layered story has always intrigued me and my fascination with it has influenced all my written work so far. I am particularly fascinated by books where characters unconsciously keep secrets from themselves, and where the line between the “real” and the fantastic is blurred beyond recognition. Sometimes it’s not just about solving a mystery, but articulating its mysteriousness—giving it flesh and bone, stitching its parts together, and bringing it to life through words.
I read this book late at night while recovering from jetlag, and it was either the perfect book to read late at night while my mind’s guard was down or the worst book to do this with. The stories are hilarious, but also often horrifying, and ingeniously fantastic. A bunny lamp that curses whoever touches it; a woman who gets pregnant from taking birth control pills; a boy who bleeds gold when he drinks his sister’s blood—these stories are sure to keep your brain lit up long after your head has hit the pillow.
Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung.
Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.
Anton Hur's translation skilfully captures the way Chung's prose effortlessly glides from being terrifying to wryly humorous.
Since I was a little boy, long before I dreamed of becoming a Daoist monk, I sensed that there was far more beneath the pond of life than on the surface. I remember feeling jealous of a little turtle I saw in the Connecticut River. Why couldn’t I pop out of my world and see what was happening above, but he could? My spiritual questing led me to Asia and also deep into myself. Writing magical realism does not feel like engaging a fantasy; it feels like I can finally share how the world really is.
As both a novelist and a monk whose life focuses on blending the material and spiritual, I consider this a very important work. Despite a privileged Jewish upbringing in New York City, Latin culture has forever been an important part of my life. The fact is, I’ve always been surrounded by South American friends and spent time in South America in my teen years.
This book brings to life the mystical heart of so much that drives South American culture, revealing it in a way that pulls you straight into the arms of a parallel world, or if not parallel, then one that exists both above and below what we superficially see and feel. I find it a great read and one that remains alive in my imagination year after year.
“Spectacular...An absorbing and distinguished work...The House of the Spirits with its all-informing, generous, and humane sensibility, is a unique achievement, both personal witness and possible allegory of the past, present, and future of Latin America.” —The New York Times Book Review
Our Shared Shelf, Emma Watson Goodreads Book Club Pick November/December 2020!
The House of the Spirits, the unforgettable first novel that established Isabel Allende as one of the world’s most gifted storytellers, brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political…
Aside from my brief stint as a bossy know-it-all when I was little, I have always been that quiet girl no one notices. In high school, it took me at least ten minutes and five tries to get myself to wish my desk partner a happy birthday. I spent a lot of my adolescence trying to find myself, so I understand what it’s like to feel lost. My greatest wish is for my book to help at least one person feel how these books helped me.
Before Bo Burnham made us all Google derealization in 2021, Helena Fox helped me understand the concept of dissociation and how it ties to grief and its aftereffects. I had never seen struggles with mental health portrayed in such a raw, haunting way.
Though the book is unquestionably dark, and interested readers should check for content warnings before starting, I appreciated the honest portrayal of mental illness and loss. I read this book years ago, but it resurfaces in my mind every so often and lingers there.
A Kirkus Reviews Best Book of the Year A Chicago Public Library Best of the Best of the Year
"Profoundly moving . . . Will take your breath away." -Kathleen Glasgow, author of Girl in Pieces
A stunningly gorgeous and deeply hopeful portrayal of living with mental illness and grief, from an exceptional new voice.
Biz knows how to float. She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, and who shouldn't be here but is. So Biz doesn't tell anyone…
For me, games have always been a way of playing mathematics. Every game has a hidden piece of mathematics behind it, and if you can understand that mathematics, I’ve found that it gives you a real edge in playing the game. I travel a lot for my work as a mathematician, and I love to ask about the games they play when I visit a new country. Games tell me a lot about the culture and people I am visiting. My book is my way of sharing my passion for games and mathematics with my readers.
This book is Hogwarts meets The Glass Bead Game meets The Handmaid's Tale. I was recommended it when I talked about my games book at a local bookshop. I must admit that I was initially very nervous about a book riffing on one of my favorite books of all time (The Glass Bead Game), but I really enjoyed it.
It is set in a school that trains students to play the game against a political backdrop that Margaret Atwood could easily have conjured up. It helped to give another perspective on Hesse’s fictional game that, as I said in my first recommendation, I’ve been obsessed with ever since reading about it as a student.
'BEAUTIFUL' JOANNA CANNON
'MESMERISING' ERIN KELLY
'TOTALLY ADDICTIVE' JOANNA GLEN
'SUMPTUOUS' OBSERVER
'DIZZYINGLY WONDERFUL' THE TIMES
WINNING WAS EVERYTHING...
UNTIL IT DESTROYED THEM
Two young men, Leo and Carfax, close friends and fierce rivals. A family ripped apart by madness and tragedy. One woman, her life built upon a lie, with a mysterious connection to them all...
'INGENIOUS' GUARDIAN
'A STORYTELLER OF RARE IMAGINATION' MAIL ON SUNDAY
'BRILLIANT' WOMAN & HOME
'A RICH DELIGHT' SANDRA NEWMAN
'CAPTIVATING' DAILY MIRROR
'AN IMMERSIVE, IMAGINATIVE SLICE OF STORYTELLING' DAILY EXPRESS
'MAGICAL' IRISH INDEPENDENT