Here are 100 books that His Bloody Project fans have personally recommended if you like
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These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
Rilke, the auctioneer, finds a collection of photographs that show the death of a young woman. He journeys into the dark heart of Glasgow–and his own desires–to find out who she is.
An amazing debut, looking at the subcultures and twisted alleyways that stitch together every big city. I was compelled by how far Welsh was prepared to go, depicting a city I thought I knew.
'Unputdownable' Sunday Times 'I was hooked from page one' Guardian
When Rilke, a dissolute auctioneer, comes upon a hidden collection of violent and highly disturbing photographs, he feels compelled to discover more about the deceased owner who coveted them. Soon he finds himself sucked into an underworld of crime, depravity and secret desire, fighting for his life.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
Gonzo journalism meets Tartan Noir as Iain Banks ventures into crime. A journalist who’s a big fan of all the bad stuff seems to have a link to a killer picking off members of the establishment.
The second-person narration follows the killer, an unusual stylistic flourish. The answers to the horror lie within, and this book goes to some unbearably dark places. (In theory, The Crow Road is also a murder mystery.)
The twenty-fifth anniversary edition of a modern classic: 'ingenious, daring and brilliant' - Guardian
COMPLICITY n. 1. the fact of being an accomplice, esp. in a criminal act
A few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source - could be big, could be very big - in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully paid-up Gonzo hack on an Edinburgh newspaper.
The source is pretty thin, but Cameron senses a scoop and checks out a series…
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
The seventies. The tough town. Laidlaw, Glasgow’s philosopher detective, is trying to find out who killed the lassie in the park. Arguably the template for Taggart, arguably the starting point for Tartan Noir.
I liked the way its bark was just as bad as its bite. It threatens to explode into violence all the way through, between most of its characters–then it does. Hard cases. And yet, at the very end, incredibly, compassion and sympathy.
First in “a crime trilogy so searing it will burn forever into your memory. McIlvanney is the original Scottish criminal mastermind” (Christopher Brookmyre, international bestselling author).
The Laidlaw novels, a groundbreaking trilogy that changed the face of Scottish fiction, are credited with being the founding books of the Tartan Noir movement that includes authors like Val McDermid, Denise Mina, and Ian Rankin. Says McDermid of William McIlvanney: “Patricia Highsmith had taken us inside the head of killers; Ruth Rendell tentatively explored sexuality; with No Mean City, Alexander McArthur had exposed Glasgow to the world; Raymond Chandler had dressed the darkness…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I’m a keen follower of Scottish crime fiction, a genre that has really come to the fore in recent years, spawning dedicated book festivals and many TV and film adaptations. The great thing about many of these books is that they don’t always follow the usual narrative of cops and baddies but have varied and diverse storylines, often concentrating on characters in unusual or extreme situations and not involving the police–something I attempted in my own book. My picks on this list hopefully illustrate just how diverse Scottish crime writing can be and encourage more readers to seek it out.
Crime novels can often take themselves too seriously, but a fair proportion of Scottish crime writing tends to buck this trend.
Douglas Skelton has several novels that, while dealing with unsavory, violent characters and deadly situations, make us laugh with the sheer joy of witty dialogue and the blackest of black humor.
This book is one of these (even the title makes me smile!). The fast pace, quick-fire jokes, and knowing references to film noir of the 40s and 50s make this a compulsive, entertaining page-turner.
A missing teenage girl should be an easy job for Dominic Queste - after all, finding lost souls is what he does best. But wouldn't it be better sometimes if lost souls just stayed that way? Jenny Deavers is trouble. She's being hunted, and for the people tracking her, murder is nothing. As the bodies pile up, so does the pressure on Queste, both to protect Jenny and to find out who wants her dead. The trail leads him to a brutal world of gangsters, merciless hitmen, dark family secrets and an insatiable lust for power in the highest echelons…
I write horror and crime thrillers grounded in my unusual lived experience as an author and attorney who has also overcome poverty, incarceration, and violent crime. I feel most fulfilled when I read a book that both entertains and expands me in meaningful ways, immersing me in lives, cultures, and history I might not otherwise know. So I love Social Horror novels, which feature characters who face significant human adversity beyond my own experience and leave me questioning what was worse, the human or the supernatural.
Grayson Hale claims that the devil made him commit a gruesome murder. This brilliant page-turner kept me guessing whether the blame should fall on the devil or untreated mental illness, given Grayson’s upbringing within a fundamentalist Christian household where he was viewed as evil.
I love psychological horror, so this book was right up my alley as I turned the pages to see whether the murder had a human or supernatural cause. The book beautifully unfolds the story of Grayson’s trauma, shame, and self-loathing as an isolated and marginalized person.
I will say no more about that to avoid spoilers, but I loved how this book kept me guessing and entertained while it provided me with a new understanding and compassion.
This “disorienting, creepy, paranoia-inducing reimagining of the devil-made-me-do-it tale” (Paul Tremblay, author of The Cabin at the End of the World) follows the harrowing downfall of a tortured graduate student arrested for murder.
Grayson Hale, the most infamous murderer in Scotland, is better known by a different name: the Devil’s Advocate. The twenty-five-year-old American grad student rose to instant notoriety when he confessed to the slaughter of his classmate Liam Stewart, claiming the Devil made him do it.
When Hale is found hanged in his prison cell, officers uncover a handwritten manuscript that promises to answer the question that’s haunted…
I grew up without a TV (well, we had a monitor for movies), so we spent a lot of time as a family reading. And the novels that I gravitated more and more towards were ones with psychological themes. It didn’t matter if they were modern or ancient; if they got at something unexplainable (or even explainable) about the human psyche, about what motivates us to behave in the ways that we do—especially if those behaviors are self-destructive—I wanted to read them. And I still do.
It’s rare that I find a book that plunges me so deeply into the psychology of a character.
Grace is the protagonist of Alias Grace. She’s cunning. She’s bold. She’s possibly a murderess. The most fascinating aspect of Grace to me is that she is based on a real-life character from Canada in the mid-1800s.
Throughout the whole book, I kept wondering about her—not just the fictional character, but the real one too—was this what she was really thinking? Was this how she really behaved?
I found her voice in the novel to be absolutely undeniable. You want to believe everything she says, but at the same time, you mistrust her...
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
The main character, Bruce Robertson, is repulsive. But there’s something deeply funny about a pathologically miserable bastard.
Bruce does and says terrible things, he believes terrible things, he plays sadistic tricks against coworkers (he’s a detective sergeant in Edinburgh). But the thing that really makes me squirm about Bruce is the food he eats and how he goes about eating it. Despite Bruce’s repellent nature, Welsh’s approach to the character is magical.
I was locked in from the first page—I couldn’t look away—and the glints and glimmers of Bruce’s humanity ultimately made my heart break.
With the Christmas season upon him, Detective Sergeant Bruce Robertson of Edinburgh's finest is gearing up socially—kicking things off with a week of sex and drugs in Amsterdam.
There are some sizable flies in the ointment, though: a missing wife and child, a nagging cocaine habit, some painful below-the-belt eczema, and a string of demanding extramarital affairs. The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for…
At twelve, my favorite thing to read were the tattered, dog-eared Ellery Queen, or Alfred Hitchcock Mystery magazines my aunt let me borrow. From there I read every Agatha Christie novel available, and so began a lifetime of reading British authors. I love suspense these days, and of course, every British detective series I can find to stream. To research my books I’ve traveled to Britain, and have visited with my cousins, my family never lost touch with, in Scotland and in Yorkshire. You’ve heard “write what you know”. I love to write what I love. That’s why I wrote Deadly Thyme set in Cornwall, England.
In this book, the author uses a new character Elvira (her character reappears in subsequent books) who leads the reader forward in the first person, a breakaway from the usual (close) third person in the other books in the series. Her voice is so clear, you can’t help but fall in love with her strange quirks. She is a medical student and trained in body combat. Elvira’s sister has been missing for 59 days and she can’t get the police interested enough to take her seriously. Her sister was an adult after all and left with a packed bag. Anderson and Costello eventually do get involved as more and more young women disappear.
The action in this novel is fast and furious. It left me breathless at times. I had to put the book down and walk away a few times near the end it was that intense.
Elvie McCulloch's sister Sophie has been missing for 57 days. She went out for a run - and never came home. Several young woman in the area have disappeared in similar circumstances, and Elvie's family fears the worst.
As Elvie is driving to her new job late at night, the naked, emaciated body of a young woman crashes from high above onto an oncoming car. Elvie recognises her as Lorna Lennox, who has been missing for weeks. But why was she up there? Where had she been all this time? And why was she running for her life?
I’ve loved mysteries since I was a kid and became hooked on the Fear Street books by RL Stine. In college, I took a class on suspense and mystery and was introduced to the greats: Chandler, Hammett, Collins, Christie, Doyle… I could go on and on. As I consumed more, I became enamored with mysteries that were more than just stories about victims but also used crime as a vehicle to comment on the region’s social and economic issues. My favorite mysteries are more than the sum of its body parts. They also scrutinize the worlds where these heinous crimes were allowed to occur.
I loved visiting the Shetland isles with world-weary police inspector Jimmy Perez. The islands, the unique culture, weather, and the remoteness were such compelling components of the story. I loved how Ms. Cleeves used Scotland as one of her characters. She created this lush and detailed world that’s eerie and uncomfortable, the perfect setting for a murder mystery.
I’m also a sucker for a grumpy detective, and Jimmy Perez is such an understandably jaded character, but he still has a kind, warm heart under his crusty exterior that comes out when he’s interacting with his more novice colleagues and members of the community.
Introducing Inspector Jimmy Perez. Raven Black is the first book in Ann Cleeves' bestselling Shetland series - now a major BBC One drama, starring Douglas Henshal.
A remote community with a killer in their midst . . .
On New Year's Day, Shetland lies buried beneath a deep layer of snow. Trudging home, Fran Hunter's eye is drawn to a vivid splash of colour on the white ground, ravens circling above. It is the strangled body of her teenage neighbour. As Fran opens her mouth to scream, the ravens continue their deadly dance . . .
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
An experienced genealogist, I became fascinated by true historical crime reports when I found murderers in my family tree. Since then, I have written ten historical mystery books featuring true unsolved crimes. My novels re-imagine what might have happened had the killers been brought to justice. My background in genealogy and vast experience trawling through historical newspaper reports has given me a passion for the past and a desire to resolve the unknown.
This book is close to my heart as it started my writing career. The Death of Lucy Kyte is the fifth book in the Josephine Tey mystery novels based on a true Suffolk crime dubbed The Red Barn murders. I loved the way the book weaved between past and present, and the skill employed by the author in creating a fictional work from an actual historical crime. Not only did it offer me a series of mystery books, which I loved, but it set me on the path to penning my own novels in a similar genre.
A house that can't rest A crime that won't fade...
When crime writer Josephine Tey inherited a remote Suffolk cottage from her godmother, it came full of secrets. Sorting through the artefacts of her godmother's life, Josephine is intrigued by an infamous murder committed near the cottage a century before. Yet this old crime - dubbed the Red barn murder - still seems to haunt the tight-knit village and its remote inhabitants.
As Josephine settles into the house, she knows that something dark has a tight hold on the heart of this small community. Is it just the ghosts of…
