Here are 30 books that Filth fans have personally recommended if you like
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I‘ve been thinking about the forces that drive humanity together and pull us apart at the same time since my late teens; back then, I started reading the classical dystopian tales. The (perceived) end of time always speaks to me, because I think it‘s in those moments of existential dread that we learn who we really are. That‘s why I like reading (and reviewing) books, and also why those topics are an undertone in my own writings. I do hope you enjoy these 5 books as much as I have.
This was probably one of the most intense experiences with non-linear storytelling I ever had, and that did something to me I could not have predicted.
In fact, while reading this book, I started to turn the story into something of a philosophical discourse in my head.
I really like how this book is at the same time utterly insane in parts—and I do say that with the greatest respect, it‘s the good kind of insane—while at the same time, it explores themes of dealing with earth-shattering events on a very individual level.
For me, the icing on the cake is that Kurt Vonnegut manages to even mix in a little history lesson there, because that bombing of the prisoners in Dresden? That did happen. And I didn‘t even learn about it in school—I learned it from this novel!
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
I read this novel when I was twenty-two years old.
I remember exactly where I was (in the kitchen of a dilapidated apartment I loved) and what time of day I read it (early afternoon until early evening). I cackled and sobbed (I am not a sobber), and afterward, I couldn’t get the main character’s voice out of my head for days. He narrated everywhere I went and everything I did.
Before then, I’d always written casual nonsense for my own entertainment, but I knew afterward I wanted to do that—I wanted to make people laugh, horrify them, and put their hearts through the wringer.
Set in Ireland, this book tells the story of teenage hero Francie Brady. Things begin to fall apart after his mother's suicide - when he is consumed with fury and commits a horrible crime. Committed to an asylum, it is only here that he finally achieves peace. Shortlisted for the 1992 Booker Prize.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.
The first time I finished reading this book, I felt ambushed. The description is breathtaking and the dialogue is hilarious.
So much of the book is surreal: The main character hunts for a runaway girlfriend who’s absconded with his electric razor (which is useless; it has no cord). A woman at a bar blows smoke rings without a cigarette. A guy known only as “airplane man” winds up nabbed, with a large plush bear, by the FBI—and the main character’s major epiphany is sparked by a horse fart. Then, suddenly, near the end, I cried so hard the words blurred. And the final scene is perfection.
Funny, heartbreaking, absurd, and poignant at once.
A contemporary classic from a major writer of the Native American renaissance — "Brilliant, brutal and, in my opinion, Welch's best work." —Tommy Orange, The Washington Post
During his life, James Welch came to be regarded as a master of American prose, and his first novel, Winter in the Blood, is one of his most enduring works. The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by…
At twelve, my favorite thing to read were the tattered, dog-eared Ellery Queen, or Alfred Hitchcock Mystery magazines my aunt let me borrow. From there I read every Agatha Christie novel available, and so began a lifetime of reading British authors. I love suspense these days, and of course, every British detective series I can find to stream. To research my books I’ve traveled to Britain, and have visited with my cousins, my family never lost touch with, in Scotland and in Yorkshire. You’ve heard “write what you know”. I love to write what I love. That’s why I wrote Deadly Thyme set in Cornwall, England.
In this book, the author uses a new character Elvira (her character reappears in subsequent books) who leads the reader forward in the first person, a breakaway from the usual (close) third person in the other books in the series. Her voice is so clear, you can’t help but fall in love with her strange quirks. She is a medical student and trained in body combat. Elvira’s sister has been missing for 59 days and she can’t get the police interested enough to take her seriously. Her sister was an adult after all and left with a packed bag. Anderson and Costello eventually do get involved as more and more young women disappear.
The action in this novel is fast and furious. It left me breathless at times. I had to put the book down and walk away a few times near the end it was that intense.
Elvie McCulloch's sister Sophie has been missing for 57 days. She went out for a run - and never came home. Several young woman in the area have disappeared in similar circumstances, and Elvie's family fears the worst.
As Elvie is driving to her new job late at night, the naked, emaciated body of a young woman crashes from high above onto an oncoming car. Elvie recognises her as Lorna Lennox, who has been missing for weeks. But why was she up there? Where had she been all this time? And why was she running for her life?
I’ve loved mysteries since I was a kid and became hooked on the Fear Street books by RL Stine. In college, I took a class on suspense and mystery and was introduced to the greats: Chandler, Hammett, Collins, Christie, Doyle… I could go on and on. As I consumed more, I became enamored with mysteries that were more than just stories about victims but also used crime as a vehicle to comment on the region’s social and economic issues. My favorite mysteries are more than the sum of its body parts. They also scrutinize the worlds where these heinous crimes were allowed to occur.
I loved visiting the Shetland isles with world-weary police inspector Jimmy Perez. The islands, the unique culture, weather, and the remoteness were such compelling components of the story. I loved how Ms. Cleeves used Scotland as one of her characters. She created this lush and detailed world that’s eerie and uncomfortable, the perfect setting for a murder mystery.
I’m also a sucker for a grumpy detective, and Jimmy Perez is such an understandably jaded character, but he still has a kind, warm heart under his crusty exterior that comes out when he’s interacting with his more novice colleagues and members of the community.
Introducing Inspector Jimmy Perez. Raven Black is the first book in Ann Cleeves' bestselling Shetland series - now a major BBC One drama, starring Douglas Henshal.
A remote community with a killer in their midst . . .
On New Year's Day, Shetland lies buried beneath a deep layer of snow. Trudging home, Fran Hunter's eye is drawn to a vivid splash of colour on the white ground, ravens circling above. It is the strangled body of her teenage neighbour. As Fran opens her mouth to scream, the ravens continue their deadly dance . . .
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I grew up binge-reading murder mysteries and promised myself that some day, I would write one too. A Long Shadow is the first book in my Chief Inspector Shadow series set in York. Luckily, living in a city so full of history, dark corners, and hidden snickelways, I am never short of inspiration. When I’m not coming up with new ways to bump people off, I enjoy red wine, dark chocolate, and blue cheese—not necessarily together!
This is another murder mystery set in a quintessential English village and where we meet detective Adam Dalgleish for the first time. The day after the church fete, Sally Jupp is found dead in her bedroom, the door locked from the inside. I loved the way tension gradually builds through the story and how expertly each character is drawn. Nobody is who they seem, including the victim.
The first in the series of scintillating mysteries to feature cunning Scotland Yard detective, Adam Dalgliesh from P.D. James, the bestselling author hailed by People magazine as “the greatest living mystery writer.”
Sally Jupp was a sly and sensuous young woman who used her body and her brains to make her way up the social ladder. Now she lies across her bed with dark bruises from a strangler’s fingers forever marring her lily-white throat. Someone has decided that the wages of sin should be death...and it is up to Chief Inspector Adam Dalgliesh to find who that someone is.
I’m a keen follower of Scottish crime fiction, a genre that has really come to the fore in recent years, spawning dedicated book festivals and many TV and film adaptations. The great thing about many of these books is that they don’t always follow the usual narrative of cops and baddies but have varied and diverse storylines, often concentrating on characters in unusual or extreme situations and not involving the police–something I attempted in my own book. My picks on this list hopefully illustrate just how diverse Scottish crime writing can be and encourage more readers to seek it out.
I love books with unusual structures, and this one certainly fits the bill. The story concerns the violent murder of three crofters (farmers) in a remote Scottish Highland community in 1869.
When reading the book and the way it is presented, you are never sure if you are reading true witness testimonies, contemporaneous court reports and medical statements, or the confession of the actual murderer himself. Unreliable narrators can sometimes be frustrating, but in this case, how sure are we that any of what we are reading is actually true?
The book delivers a sort of courtroom drama in which the reader is left to piece together to draw their own conclusion.
NAMED A BEST BOOK OF 2016 BY NEWSWEEK, NPR, THE GUARDIAN, THE TELEGRAPH, AND THE SUNDAY TIMES
A NEW YORK TIMES EDITORS' CHOICE
"THOUGHT PROVOKING FICTION"-THE NEW YORK TIMES BOOK REVIEW
A brutal triple murder in a remote Scottish farming community in 1869 leads to the arrest of seventeen-year-old Roderick Macrae. There is no question that Macrae committed this terrible act. What would lead such a shy and intelligent boy down this bloody path? And will he hang for his crime?
Presented as a collection of documents discovered by the…
I write horror and crime thrillers grounded in my unusual lived experience as an author and attorney who has also overcome poverty, incarceration, and violent crime. I feel most fulfilled when I read a book that both entertains and expands me in meaningful ways, immersing me in lives, cultures, and history I might not otherwise know. So I love Social Horror novels, which feature characters who face significant human adversity beyond my own experience and leave me questioning what was worse, the human or the supernatural.
Grayson Hale claims that the devil made him commit a gruesome murder. This brilliant page-turner kept me guessing whether the blame should fall on the devil or untreated mental illness, given Grayson’s upbringing within a fundamentalist Christian household where he was viewed as evil.
I love psychological horror, so this book was right up my alley as I turned the pages to see whether the murder had a human or supernatural cause. The book beautifully unfolds the story of Grayson’s trauma, shame, and self-loathing as an isolated and marginalized person.
I will say no more about that to avoid spoilers, but I loved how this book kept me guessing and entertained while it provided me with a new understanding and compassion.
This “disorienting, creepy, paranoia-inducing reimagining of the devil-made-me-do-it tale” (Paul Tremblay, author of The Cabin at the End of the World) follows the harrowing downfall of a tortured graduate student arrested for murder.
Grayson Hale, the most infamous murderer in Scotland, is better known by a different name: the Devil’s Advocate. The twenty-five-year-old American grad student rose to instant notoriety when he confessed to the slaughter of his classmate Liam Stewart, claiming the Devil made him do it.
When Hale is found hanged in his prison cell, officers uncover a handwritten manuscript that promises to answer the question that’s haunted…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I was born on Halloween, so I’m officially a card-carrying member of all things creepy, right? However, I’m definitely drawn to books with mood and atmosphere over outright horror and gore. I find the subtle aspects of fear so much more interesting—how is it that one person’s reality can be so different than another’s? I write domestic suspense because I think the people we are closest to and the places we think are safest are often the ones that can hurt us the most. Where a story takes place is so very important. I need to know the geography, the feel, the history of a place—then I can put people in it and make bad things happen.
Ever been to a bad dinner party? I can bet it wasn’t as bad as the one in this book! I adored the spooky small-town insular setting in this book, and the mood contributes to the claustrophobic feel of the plot. As you read to try to figure out who did it, you realize that everyone has secrets—and no one can be trusted.
Who do you turn to, when everyone's a stranger and you stop believing what your own eyes see?
Finnie Doyle and Paddy Lamb are leaving city life in Edinburgh behind them and moving to the little town of Simmerton. Paddy has landed a partnership in a local solicitors and Finnie's snagged a job as a church deacon. Their rented cottage is quaint; their new colleagues are charming, and they can't believe their luck.
But witnessing the bloody aftermath of a brutal murder changes everything. They've each been keeping secrets about their pasts. And they both know their precious new start…
