Books like Hindu Nationalism and the Language of Politics in Late Colonial India

This book enriched my understanding of how Hindu nationalism framed India’s imagination, not just through politics but also through publishing. Mukul’s minute excavation of Gita Press’s empire enthralled me—how two Marwari businessmen set up a publication house to strengthen militant Hindu nationalism.

What particularly stunned me was the reach of this vernacular press and its publications and how many nationalists legitimized its project—their bylines sandwiched between caste orthodoxy and cow protection pamphlets.

The book powerfully showed to me how a ‘spiritual’ enterprise quietly standardized the grammar of Hindutva, making devotion quantifiable, nationalism religious, and majoritarianism sacred.

This book left a deep impact on me because it exposed how Hindu nationalism did not just politicize religion; it rewired gender itself. Sarkar’s razor-sharp analysis of Bankimchandra’s novels, women’s memoirs, scandal, rumors, and popular press powerfully showed me how Hindu patriarchal norms were rewritten to shape dominant conceptions of womanhood, domesticity, wifeliness, and mothering.

What I found particularly enriching in the book was the stimulating use of vernacular sources to weave an everyday social history of Hindu cultural revivalism in the late nineteenth century. It is indeed a landmark work from one of the most creative and thinking historians of gender and Hindu histories in colonial times. 

I loved this book because it nuanced my understanding of how modern Hindu identity was manufactured through Hindi literature in the literary salons and polemics of nineteenth-century Banaras. Dalmia’s intricate study of the life and writings of Bharatendu Harischandra, a colorful and creative personality and often called the Father of Modern Hindi, impacted me strongly.

Here was a writer, playwright, publisher, and polemicist who played a critical role in the formation of Hindu modernity in North India. I also find the book interesting for its description of social history, rooted in the ancient city of Banaras. 

This is the final book that I have included in my list. I read this book only recently and thought of it as an important intervention because it traces the roots of modern Hindu nationalism to the encounter between Hindu society and European missionaries under colonial rule, an angle often overlooked in mainstream scholarship.

Manu S. Pillai persuasively shows how colonial pressures led to a reimagining of Hinduism, not just as resistance but also as adaptation and appropriation. For me, the book showed how Hindu nationalism emerged from this complex process, shaped by both confrontation and mimicry.

Its rich cast of historical actors and lucid narrative style make it an important intervention, one that connects cultural anxieties, colonial power, and identity formation with striking clarity.

This book is misnamed Riot - A Love Story. But don’t be deceived. In fact it is the tale of an affair gone wrong: Page one starts with a news article about the death of an American student. Solving the puzzle sheds light on the Hindu-Muslim riots in India as well as the underpinning of Indian families and how they view foreign-born individuals.

The book is a murder mystery without a detective, or even a clear denouement. That put me, as the reader before a set of puzzle pieces, each from a different point of view, laid out unflinchingly to draw a picture of enormous betrayal. Murder Mystery readers expect a neat wrap-up at the end and a clean ending. Tharoor has none for us. Instead, murderers pray piously, wearing their religion with a self-righteous smirk. But no, I do not believe criminals go unpunished by the eternal eye,… show more.

A children’s book that adults will enjoy, The Night Diary is the story of twelve-year-old Nisha, half-Muslim, half-Hindu, and caught up in the tragedy of partition – where Pakistan and India separated in the aftermath of India’s independence from Britain.

Nisha is about to experience the disorientation and fear that comes when a family decides to flee for safety. Nisha’s story is told through a series of letters to her mother as she leaves what is now Pakistan, to find a home and an identity. Her predicament – that of a desperate search not just for physical safety but for hope - reminds me of that of Resi, the main character in Sigh For A Strange Land, who wants nothing more than to find that "'tomorrow' is not a threatening word."

If you already know a lot about India and are interested in an unusual insight into the role of temples in the history, culture, architecture, and myths of the subcontinent, then this is for you. It will also introduce you to thirteen writers who include journalists, academics, and authors. Each one was asked to write about one temple, recounting its origins and the mythology and history surrounding it. It’s beautifully illustrated by Mistunee Choudhury. You can enhance the experience by googling the locations. It has introduced me to some must-see places to go on my want to visit list. I visited the unforgettable temples of Khajuraho and they appear in my own book.

As much a love story as a traveller’s tale, the wonderful book is more about the relationship between Mark Shand and his trusty elephant, Tara, as it is about India. A truly heart-warming adventure sees the author buy Tara and ride her 600 miles across dusty back roads, through jungle paths, and along state highways, to the world’s biggest elephant fair in Sonepur. Tara, who found a home at Kipling Camp in Madhya Pradesh is still alive today, which is more than can be said for the poor author, Mark, who died in a freak accident stepping off a sidewalk in New York a few years ago. How strange life can be.

If God was a Banker is Ravi Subramanian’s debut book and my personal favorite among all his works. The story centers around a multinational bank in India and an array of exciting characters that make up its management cadre. A heady mix of aspirations, passions, jealousy, and alliances result in the characters pushing boundaries of convention and sometimes even legality. The twists and turns that consequently emerge make the book a gripping page-turner.

This book examines the function and representation of religion in Indian cinema and demonstrates that the interplay between the modern and the traditional in modern India is a natural aspect of daily existence. It discusses India's various cinemas while focusing on Bollywood, the Hindi film industry in Mumbai.

The devotional genre, which peaked during the height of the nationalist movement in the 1930s and 1940s, the mythological genre, which carries on India's long tradition of retelling Hindu myths and legends by drawing from sources like the national epics of the Mahabharata and the Ramayana, and Bombay-produced films that portray India's Islamicate culture, including historical, courtesan, and "Muslim social" genres, are all covered in Rachel Dwyer's engaging conversation.