Here are 100 books that Gita Press and the Making of Hindu India fans have personally recommended if you like
Gita Press and the Making of Hindu India.
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I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
This book left a deep impact on me because it exposed how Hindu nationalism did not just politicize religion; it rewired gender itself. Sarkar’s razor-sharp analysis of Bankimchandra’s novels, women’s memoirs, scandal, rumors, and popular press powerfully showed me how Hindu patriarchal norms were rewritten to shape dominant conceptions of womanhood, domesticity, wifeliness, and mothering.
What I found particularly enriching in the book was the stimulating use of vernacular sources to weave an everyday social history of Hindu cultural revivalism in the late nineteenth century. It is indeed a landmark work from one of the most creative and thinking historians of gender and Hindu histories in colonial times.
This text discusses the Hindu ideas and traditions that have shaped dominant conceptions of Indian women and the nation as a whole. It examines how these traditions are being subverted or transformed by fundamentalist forms of Hinduism. The concepts of Indian "womanhood", "domesticity", "wifeliness", "mothering", and India as a Hindu nation are examined through the literary and social traditions, popular culture and rhetoric, which have shaped the reality of modern India. This book is a critique of many of the dominating concepts by which some Indians live today.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
I loved this book because it nuanced my understanding of how modern Hindu identity was manufactured through Hindi literature in the literary salons and polemics of nineteenth-century Banaras. Dalmia’s intricate study of the life and writings of Bharatendu Harischandra, a colorful and creative personality and often called the Father of Modern Hindi, impacted me strongly.
Here was a writer, playwright, publisher, and polemicist who played a critical role in the formation of Hindu modernity in North India. I also find the book interesting for its description of social history, rooted in the ancient city of Banaras.
This volume studies how a dominant strand of Hinduism in north India--the tradition which uses and misuses the slogan "Hindi-Hindu-Hindustan"--came into being in the late nineteenth century. It examines the life and writings of one major Hindi writer of the nineteenth century--the playwright, journalist, and polemicist Bharatendu Harishchandra (often called the "Father of Modern Hindi")--as its focal point for an analysis of some of the vital cultural processes through which modern north India came to be formed.
I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
I really enjoyed reading this book because it offers a deeply original perspective on Hindu nationalism by shifting the focus away from the usual Hindu Right organizations and instead examining how its idioms infiltrated the Congress party in the United Provinces.
Gould’s analysis is important because it reveals how Hindu nationalist ideas operated beneath the surface of a party officially committed to secularism. This covert influence, as he shows, played a key role in alienating Muslim communities and complicating the communal landscape in the run-up to Partition.
I appreciate how the book draws on a rich variety of historical sources to unpack these dynamics, making it a significant contribution to our understanding of how political language shapes ideological outcomes.
In this book William Gould explores what is arguably one of the most important and controversial themes in twentieth-century Indian history and politics: the nature of Hindu nationalism as an ideology and political language. Rather than concentrating on the main institutions of the Hindu Right in India as other studies have done, the author uses a variety of historical sources to analyse how Hindu nationalism affected the supposedly secularist Congress in the key state of Uttar Pradesh. In this way, the author offers an alternative assessment of how these languages and ideologies transformed the relationship between Congress and north Indian…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
This is the final book that I have included in my list. I read this book only recently and thought of it as an important intervention because it traces the roots of modern Hindu nationalism to the encounter between Hindu society and European missionaries under colonial rule, an angle often overlooked in mainstream scholarship.
Manu S. Pillai persuasively shows how colonial pressures led to a reimagining of Hinduism, not just as resistance but also as adaptation and appropriation. For me, the book showed how Hindu nationalism emerged from this complex process, shaped by both confrontation and mimicry.
Its rich cast of historical actors and lucid narrative style make it an important intervention, one that connects cultural anxieties, colonial power, and identity formation with striking clarity.
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
This book is misnamed Riot - A Love Story. But don’t be deceived. In fact it is the tale of an affair gone wrong: Page one starts with a news article about the death of an American student. Solving the puzzle sheds light on the Hindu-Muslim riots in India as well as the underpinning of Indian families and how they view foreign-born individuals.
The book is a murder mystery without a detective, or even a clear denouement. That put me, as the reader before a set of puzzle pieces, each from a different point of view, laid out unflinchingly to draw a picture of enormous betrayal. Murder Mystery readers expect a neat wrap-up at the end and a clean ending. Tharoor has none for us. Instead, murderers pray piously, wearing their religion with a self-righteous smirk. But no, I do not believe criminals go unpunished by the eternal eye,…
Who killed twenty-four-year-old Priscilla Hart? This highly motivated, idealistic American student had come to India to volunteer in women's health programs, but had her work made a killer out of an enraged husband? Or was her death the result of a xenophobic attack? Had an indiscriminate love affair spun out of control? Had a disgruntled, deeply jealous colleague been pushed to the edge? Or was she simply the innocent victim of a riot that had exploded in that fateful year of 1989 between Hindus and Muslims? Experimenting masterfully with narrative form in this brilliant tour de force, internationally acclaimed novelist…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
A children’s book that adults will enjoy, The Night Diary is the story of twelve-year-old Nisha, half-Muslim, half-Hindu, and caught up in the tragedy of partition – where Pakistan and India separated in the aftermath of India’s independence from Britain.
Nisha is about to experience the disorientation and fear that comes when a family decides to flee for safety. Nisha’s story is told through a series of letters to her mother as she leaves what is now Pakistan, to find a home and an identity. Her predicament – that of a desperate search not just for physical safety but for hope - reminds me of that of Resi, the main character in Sigh For A Strange Land, who wants nothing more than to find that "'tomorrow' is not a threatening word."
It's 1947, and India, newly independent of British rule, has been separated into two countries: Pakistan and India. The divide has created much tension between Hindus and Muslims, and hundreds of thousands are killed crossing borders.
Half-Muslim, half-Hindu twelve-year-old Nisha doesn't know where she belongs, or what her country is anymore. When Papa decides it's too dangerous to stay in what is now Pakistan, Nisha and her family become refugees and embark first by train but later on foot to reach her new home. The journey is long, difficult, and dangerous, and after losing her mother as a baby, Nisha…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I am a professional historian who came to the Indian world years ago through studies of epic, mythology, and gender. When I read the Mahabharata, I was surprised that its internal coherence was not apparent. I connected with authors such as Alf Hiltebeite, who saw things in the same way. By then, I found evidence that its author used different materials, including Greco-Roman. And that his work was set at the time—around the turn of the era—when Afro-Eurasia was united in a very intense network of relations, exchanging merchandise, ideas, and many other things (including viruses). I have been trying to find out things about this brilliant author since.
I liked this book very much because it is a brave book. It is becoming more and more difficult to accept that ancient Indian culture was influenced by outside influences, as is the case with all parts of the world.
But at the time, it was already a debated issue. This book advocated an open perspective on the Indian past and present. I was very pleased to see the author's lack of prejudice and wide knowledge. I enjoyed it very much.
My love of history began at the age of 9 with a book given to my older brother: Our Island Story. My history teacher at school introduced me to serious historical biography and studying for a Law degree taught me the value of accuracy. The chance discovery of a notebook detailing one strand of my mother's family tree led to my current project of writing about the imagined lives of my female ancestors beginning in 1299 with my 19 times-great-grandmother Marguerite of France and ending in 1942 with my mother. Twenty-one books mean a lot of history and a mountain of research. A very pleasant way to spend my retirement.
An exciting, richly layered adventure story of the "long learning of love" set against the backdrop of the rule of the British Raj and the first rumblings of the 1857 Indian Mutiny. I lent the book to a friend and thought I'd lost it forever until I discovered it in her spare bedroom! Our narrator, Laura, has to watch as her cousin marries Charles, the man Laura loves, and is then forced to accompany the young couple on their honeymoon. Not something to be recommended! Their destination is the Kingdom of Oudh and the vast Zemindari estate of Charles's unknown brother, Oliver Erskine. I don't recommend Zemindar because it has won a host of prestigious prizes but because it is a great read.
An international bestseller and winner of the 1981 Georgette Heyer Historical Novel Prize, Zemindar is a magnificent, twisting love story, all unfolding against the tempestuous backdrop of the Indian Rebellion.
Englishwoman Laura Hewitt accompanies her newly engaged cousin to India, first to Calcutta and then to the fabled fiefdom of Oliver Erskine, Zemindar - or hereditary ruler - of a private kingdom with its own army. But India is on the verge of the Mutiny, which will sweep them all up in its chaos...
Praise for Zemindar:
'If you loved The Far Pavilions - and who didn't - this will…
I am a journalist who has strayed into book writing with a particular interest in the history of post-independent and contemporary India. My interest in this subject developed as an offshoot of reporting on landmark changes during the period of economic liberalization in the 1990s. One of the astounding stories of this period was the rise of the technology industry and the outsourcing business. A deeper study of this took me back to the period of independence in 1947 and decades before it.
India is an enigma to many people – a developing country beset with a number of problems yet a resounding democracy; a nuclear and space power yet grappling with poverty, malnutrition, and illiteracy; a source of great talent for global corporations and a nation of innovators yet experiencing violence and acrimony based on caste and religion. India After Gandhi is a comprehensive guide to understand these apparent contradictions and make sense of modern India. It is history told in an accessible, evidence-based fashion, and free from biases.
From one of the subcontinent’s most important and controversial writers comes this definitive history of post-Partition India, published on the 60th anniversary of Independence
Told in lucid and beautiful prose, the story of India’s wild ride toward and since Independence is a riveting one. Taking full advantage of the dramatic details of the protests and conflicts that helped shape the nation, politically, socially, and economically, Guha writes of the factors and processes that have kept the country together, and kept it democratic, defying the numerous prophets of doom.
Moving between history and biography, this story provides fresh insights into the…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’m a closet historian who’s always been fascinated by the power of novels to enable readers to travel in time and space and stand in the shoes of historical characters–blending imagination and enlightenment. As a scholar, I’ve worked to uncover women’s unknown and secret histories–histories of subversion, disruption, and humor. As a South African who grew up under apartheid, I passionately believe that if we don’t confront history, we’re doomed to repeat its nastier passages. As a writer, I’ve published a sequel to Jane Austen’s Pride & Prejudice that showed me how immersion in another historical era can enable us to grapple with truths about our current societies.
Few know that thousands of villagers from India were shipped to various colonies as indentured laborers after slavery ended in Britain’s territories.
Lured by promises of rich earnings they could send home, they replaced slaves and worked in similar conditions of hardship. In South Africa’s Colony of Natal, Indian indentured laborers did backbreaking work on sugar plantations, and their stories have seldom been told. In particular, no one has revealed the hidden stories of women plantation workers. In this heartbreaking yet lyrical novel, Joanne Joseph (tracing her own grandmother’s history) breaks the mold with her story of Shanti, who runs away from an arranged marriage and finds herself apparently powerless in a foreign land. How she indeed exercises her will, forges friendships, and finds love and peace makes for a riveting story.
Vividly set against the backdrop of 19th century India and the British-owned sugarcane plantations of Natal, written with great tenderness and lyricism, Children of Sugarcane paints an intimate and wrenching picture of indenture told from a woman's perspective.
Shanti, a bright teenager stifled by life in rural India and facing an arranged marriage, dreams that South Africa is an opportunity to start afresh. The Colony of Natal is where Shanti believes she can escape the poverty, caste, and the traumatic fate of young girls in her village. Months later, after a harrowing sea voyage, she arrives in Natal and realises…