Here are 100 books that Gita Press and the Making of Hindu India fans have personally recommended if you like
Gita Press and the Making of Hindu India.
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I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
This book left a deep impact on me because it exposed how Hindu nationalism did not just politicize religion; it rewired gender itself. Sarkar’s razor-sharp analysis of Bankimchandra’s novels, women’s memoirs, scandal, rumors, and popular press powerfully showed me how Hindu patriarchal norms were rewritten to shape dominant conceptions of womanhood, domesticity, wifeliness, and mothering.
What I found particularly enriching in the book was the stimulating use of vernacular sources to weave an everyday social history of Hindu cultural revivalism in the late nineteenth century. It is indeed a landmark work from one of the most creative and thinking historians of gender and Hindu histories in colonial times.
This text discusses the Hindu ideas and traditions that have shaped dominant conceptions of Indian women and the nation as a whole. It examines how these traditions are being subverted or transformed by fundamentalist forms of Hinduism. The concepts of Indian "womanhood", "domesticity", "wifeliness", "mothering", and India as a Hindu nation are examined through the literary and social traditions, popular culture and rhetoric, which have shaped the reality of modern India. This book is a critique of many of the dominating concepts by which some Indians live today.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
I loved this book because it nuanced my understanding of how modern Hindu identity was manufactured through Hindi literature in the literary salons and polemics of nineteenth-century Banaras. Dalmia’s intricate study of the life and writings of Bharatendu Harischandra, a colorful and creative personality and often called the Father of Modern Hindi, impacted me strongly.
Here was a writer, playwright, publisher, and polemicist who played a critical role in the formation of Hindu modernity in North India. I also find the book interesting for its description of social history, rooted in the ancient city of Banaras.
This volume studies how a dominant strand of Hinduism in north India--the tradition which uses and misuses the slogan "Hindi-Hindu-Hindustan"--came into being in the late nineteenth century. It examines the life and writings of one major Hindi writer of the nineteenth century--the playwright, journalist, and polemicist Bharatendu Harishchandra (often called the "Father of Modern Hindi")--as its focal point for an analysis of some of the vital cultural processes through which modern north India came to be formed.
I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
I really enjoyed reading this book because it offers a deeply original perspective on Hindu nationalism by shifting the focus away from the usual Hindu Right organizations and instead examining how its idioms infiltrated the Congress party in the United Provinces.
Gould’s analysis is important because it reveals how Hindu nationalist ideas operated beneath the surface of a party officially committed to secularism. This covert influence, as he shows, played a key role in alienating Muslim communities and complicating the communal landscape in the run-up to Partition.
I appreciate how the book draws on a rich variety of historical sources to unpack these dynamics, making it a significant contribution to our understanding of how political language shapes ideological outcomes.
In this book William Gould explores what is arguably one of the most important and controversial themes in twentieth-century Indian history and politics: the nature of Hindu nationalism as an ideology and political language. Rather than concentrating on the main institutions of the Hindu Right in India as other studies have done, the author uses a variety of historical sources to analyse how Hindu nationalism affected the supposedly secularist Congress in the key state of Uttar Pradesh. In this way, the author offers an alternative assessment of how these languages and ideologies transformed the relationship between Congress and north Indian…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
This is the final book that I have included in my list. I read this book only recently and thought of it as an important intervention because it traces the roots of modern Hindu nationalism to the encounter between Hindu society and European missionaries under colonial rule, an angle often overlooked in mainstream scholarship.
Manu S. Pillai persuasively shows how colonial pressures led to a reimagining of Hinduism, not just as resistance but also as adaptation and appropriation. For me, the book showed how Hindu nationalism emerged from this complex process, shaped by both confrontation and mimicry.
Its rich cast of historical actors and lucid narrative style make it an important intervention, one that connects cultural anxieties, colonial power, and identity formation with striking clarity.
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
This book is misnamed Riot - A Love Story. But don’t be deceived. In fact it is the tale of an affair gone wrong: Page one starts with a news article about the death of an American student. Solving the puzzle sheds light on the Hindu-Muslim riots in India as well as the underpinning of Indian families and how they view foreign-born individuals.
The book is a murder mystery without a detective, or even a clear denouement. That put me, as the reader before a set of puzzle pieces, each from a different point of view, laid out unflinchingly to draw a picture of enormous betrayal. Murder Mystery readers expect a neat wrap-up at the end and a clean ending. Tharoor has none for us. Instead, murderers pray piously, wearing their religion with a self-righteous smirk. But no, I do not believe criminals go unpunished by the eternal eye,…
Who killed twenty-four-year-old Priscilla Hart? This highly motivated, idealistic American student had come to India to volunteer in women's health programs, but had her work made a killer out of an enraged husband? Or was her death the result of a xenophobic attack? Had an indiscriminate love affair spun out of control? Had a disgruntled, deeply jealous colleague been pushed to the edge? Or was she simply the innocent victim of a riot that had exploded in that fateful year of 1989 between Hindus and Muslims? Experimenting masterfully with narrative form in this brilliant tour de force, internationally acclaimed novelist…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
A children’s book that adults will enjoy, The Night Diary is the story of twelve-year-old Nisha, half-Muslim, half-Hindu, and caught up in the tragedy of partition – where Pakistan and India separated in the aftermath of India’s independence from Britain.
Nisha is about to experience the disorientation and fear that comes when a family decides to flee for safety. Nisha’s story is told through a series of letters to her mother as she leaves what is now Pakistan, to find a home and an identity. Her predicament – that of a desperate search not just for physical safety but for hope - reminds me of that of Resi, the main character in Sigh For A Strange Land, who wants nothing more than to find that "'tomorrow' is not a threatening word."
It's 1947, and India, newly independent of British rule, has been separated into two countries: Pakistan and India. The divide has created much tension between Hindus and Muslims, and hundreds of thousands are killed crossing borders.
Half-Muslim, half-Hindu twelve-year-old Nisha doesn't know where she belongs, or what her country is anymore. When Papa decides it's too dangerous to stay in what is now Pakistan, Nisha and her family become refugees and embark first by train but later on foot to reach her new home. The journey is long, difficult, and dangerous, and after losing her mother as a baby, Nisha…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
It takes a lot from a lot of different stakeholders for a democracy to thrive. It requires unbiased institutions that ensure a level playing field for all political parties and candidates, and one of the primary institutions that keep democracy alive is the media. A vote is only an informed decision when voters have accurate information to base their decision on. The responsibility of making this information accessible rests with a nation’s media. For this reason, it is also one of the first institutions that is targeted by any politician wanting to consolidate power. This book, written by one of India’s leading journalists details how media institutions can be transformed from sources of accurate information to drivers of fear, and how that damages democracy.
'This brave and timely book should be required reading for every Indian.'--Nayantara Sahgal
In this revised paperback edition of his best-selling book, Ravish Kumar, one of our bravest and most mature public voices, examines why debate and dialogue have given way to hate and intolerance in India, how elected representatives, the media and other institutions are failing us, and looks at ways to repair the damage to our democracy.
A new introduction and two additional essays examine developments since the election results of May 2019.
I’ve lived in small towns and capital cities and gone to school on four continents, so I love books in which the location is practically a character in the story. When moving, I struggle to put down roots and feel legitimate in my new home. Writing about old homes helps. While living in New England, I wrote my Jana Bibi trilogy, set in India. Now in New York state, I’m setting a new novel in my native New Hampshire. I’ve been a Jill of all Trades: teaching, software, editing, fact-checking, social science research, and, most happily, fiction-writing. I’m also an amateur musician and an avid foreign language buff.
I love Rumer Godden’s novels, but I’m even fonder of her memoirs, especially this one. Writing with her sister, Jon, she describes life in Naryangang (then in British India, now in Bangla Desh) during and shortly after World War 1. The large household, the bazaar, the diversity of people, the bright sun and the monsoon rains, the wealth and the poverty, the danger of rabid dogs, the holidays in hill stations…I grew up in India forty years after Jon and Rumer Godden, but in many ways, their experiences bring back my own childhood.
There’s a surging Western school of thought which claims that there’s no Asia. Really? Just look at my personal cultural connections with all corners of Asia. As a Hindu Sindhi Singaporean, I can relate directly to India and Southeast Asia, which has an Indic base. My name, “Mahbubani”, has Arabic/Persian roots. “Mahbub” means “beloved”. My mother took me to Buddhist temples when I was a boy, too, giving me an intimate connection with China, Japan, and Korea. In short, Asia is intimately connected. The goal of my ten books has been to give voice to the larger Asian story in a world imprisoned by Western perspectives.
Not all the struggles of Asians are with Western societies. There are also divisions and rivalries within Asia, including, sadly, between the two Asian giants: India and China. Kanti Bajpai’s book explains the complex, neurotic relationship between the two Asian powers well. Former Indian PM Manmohan Singh once wisely observed, “The world is large enough to accommodate the growth ambitions of both India and China.”
A decade after he said that China and India clashed again in the Himalayas in June 2020, plunging relations to a new low. The Asian century will be seriously crippled if China and India don’t find a long-term modus vivendi. Bajpai’s book will help both sides understand each other better.
"Why have relations between India and China, which comprise nearly forty per cent of the world’s population, been troubled for over sixty years? A war in 1962 was followed by decades of uneasy peace, but in recent years a rising number of serious military confrontations has underlined their huge and growing differences. This book examines these differences in four crucial areas: their perceptions and prejudices about each other; their continuing disagreements over the border; their changing partnerships with America and Russia; and the growing power asymmetry between them, which affects all aspects of their relationship. China demands deference as a…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
I am a professional historian who came to the Indian world years ago through studies of epic, mythology, and gender. When I read the Mahabharata, I was surprised that its internal coherence was not apparent. I connected with authors such as Alf Hiltebeite, who saw things in the same way. By then, I found evidence that its author used different materials, including Greco-Roman. And that his work was set at the time—around the turn of the era—when Afro-Eurasia was united in a very intense network of relations, exchanging merchandise, ideas, and many other things (including viruses). I have been trying to find out things about this brilliant author since.
I liked this book very much because it is a brave book. It is becoming more and more difficult to accept that ancient Indian culture was influenced by outside influences, as is the case with all parts of the world.
But at the time, it was already a debated issue. This book advocated an open perspective on the Indian past and present. I was very pleased to see the author's lack of prejudice and wide knowledge. I enjoyed it very much.