70 Books Like High Rise

The Empire State Building is not only the world’s most iconic skyscraper but is also my personal favorite. No other building captures the spirit of New York in quite the same way. During the Roaring Twenties, it was built from a cocktail of profit and ego.

The developers engaged in a height competition against Walter Chrysler and his skyscraper. It is a better building because of the competition rather than despite it. Tauranac provides a fascinating account of how Al Smith, former governor of New York, and John Raskob, former General Motors executive, decided to enter the Manhattan real estate game in the hopes of making themselves the skyscraper kings of New York. In the process, they changed New York and world history.

If you stroll through Central Park, as I frequently do, you can’t help but notice the string of supertall, superslim towers lording over Central Park South. Many New Yorkers decry them as creating excessive shadows and driving gentrification. However, viewing them from the park, you can see how they naturally fit into the Manhattan skyline—the skyline that created the world’s greatest city.

Katherine Clarke’s book chronicles the developers who brought forth these ultraluxury towers. It dramatically highlights the game of 3D chess these New York titans must play to realize their skyscraper dreams. Some win, and some lose—but that’s the striver’s tale in Gotham.

From 2000 to 2001, I worked two blocks south of the Twin Towers. During my lunch breaks, I would grab take-out lunches and sit in the plaza of the World Trade Center, with the towers keeping me company. When completed, the Twin Towers generated immense controversy because they were “slum clearance” projects, and a government agency was erecting record-breaking buildings to compete with the private sector.

Gillespie’s book chronicles the creation of the Twin Towers and how the Port Authority of New York and New Jersey, a port and transportation agency, suddenly found itself as a real estate titan. The book captures a moment in post-World War II New York that will likely never be replicated. It remains a key history in our post-9/11 world.

When I walk through the streets of Manhattan, I’m constantly awed by the variety and density of its buildings. I wonder how such a city could have ever been built. New cities today lack the soul and character. But when you look at why these buildings exist, you see that they are there for a more mundane purpose: as shelter. The Garment District, for example, was created to house massive sweatshops to clothe America. Gotham’s apartment towers enclose the beds on which residents sleep. 

Many of these structures were built by a group of family-run development companies. The founders of these enterprises invariably began as immigrants trying to hustle their way up the economic ladder. They started as teenagers working in the sweatshops or hawking newspapers and, bit by bit, erected their own real estate empires. Tom Schactman’s book tells how entrepreneurial spirit, along with New York’s rapid economic growth,… show more.

This book is an amazingly detailed chronicle of the history of New York architecture and engineering that led to the birth and growth of the New York skyline. Carl Condit was one of the 20th century’s best scholars on the history of building technology, architecture, and transportation. Landau and Condit have deep-dived into archives and historical documents to uncover how the first skyscrapers were built.

A great account of the interaction between economics and architecture in the rise of the New York and Chicago skylines. Willis is the founder and director of the Skyscraper Museum in New York City. This book was one of the first that I read as I started to do research on the economics of skyscrapers. I was fascinated by Willis' account. Arguably, this book, more than any other, helped to define my 15 years of research on the topic.

Again, not a fantasy, but I still think it fits the category because it defies easy categorization.

What separates this from the standard noir thriller are the wacky characters and whip-smart plot – part Dashiell Hammet, part Carl Hiassen.

What elevates it is the author’s willingness to explore how his protagonist can stop evil without compromising his basic human values in the process. Another deeply weird, deeply satisfying read. 

With a range of strong personal essays by some of Basquiat’s closest friends, family, and business colleagues, this elegantly designed art book is a good balance of early Basquiat art, documentary photography, and attractive film stills.

It is extra special because it centers on and helps explain the ways Basquiat and his artist peers were influenced by the streets and hyperactive socio-cultural experiences of the late 1970s and early 1980s in New York City. This includes the rich and fascinating music, art, club, and gallery scenes.

The book features wonderful reproductions of some of Basquiat’s most stunning early works (both written and figurative). I enjoy having this book on my shelf due to its high-quality presentation, uniqueness, and historic appeal.

“I saw a little boy on the street today, and he cried so eloquently that I will never forget him.” Maeve Brennan wrote for the New Yorker’s Talk of the Town section as ‘The Long-Winded Lady’ from 1954 to 1968. She roamed the city’s streets, bars, and restaurants, eyes wide open, weaving stories of vivid emotional detail from the most seemingly mundane moments. None of these are too long – in the waiting room concentration can be fleeting – but each sketch engages. Her story of the crying boy ends this way: “He might have been the last bird in the world, except that if he had been the last bird there would have been no one to hear him.”

The true-life story of the ’70s and ’80s in New York City and the world of theatre—when the Great White Way was basically slated to become a parking lot—as it is saved by a colorful host of characters (and a boardroom coup!) is just begging for a musical of its own. Until that happens, we will have to be content with this page-turning book from a saucy and witty theatre columnist, which chronicles the entire amazing ride of how Broadway was reborn. 

Along the way, we get a thorough probing of Broadway history and the highs, lows, and everything in between including some scandal, gossip, and shocking reveals. See? How is this not a musical already?! Riedel is a dramatic and verbose writer who holds back nothing, thankfully. Recommendation: Don’t expect to be using a bookmark too often. I couldn’t put this book down.