Here are 91 books that Skyscraper Dreams fans have personally recommended if you like
Skyscraper Dreams.
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As an economics professor, I’ve spent the past twenty years researching why cities build upward. Though I mostly look at cities through the lens of statistics and data, every building has a personal and dramatic story that exists behind the numbers. And no matter where you go in the world, great cities with their towering skyscrapers all owe a debt to New York—every city wants its own version of the Empire State Building to signal its economic might. New York is the world’s metropolis. As the (now cliché) song line goes, “If I can make there, I’ll make it anywhere,” is a true today as a century ago.
The Empire State Building is not only the world’s most iconic skyscraper but is also my personal favorite. No other building captures the spirit of New York in quite the same way. During the Roaring Twenties, it was built from a cocktail of profit and ego.
The developers engaged in a height competition against Walter Chrysler and his skyscraper. It is a better building because of the competition rather than despite it. Tauranac provides a fascinating account of how Al Smith, former governor of New York, and John Raskob, former General Motors executive, decided to enter the Manhattan real estate game in the hopes of making themselves the skyscraper kings of New York. In the process, they changed New York and world history.
The Empire State Building is the landmark book on one of the world's most notable landmarks. Since its publication in 1995, John Tauranac's book, focused on the inception and construction of the building, has stood as the most comprehensive account of the structure. Moreover, it is far more than a work in architectural history; Tauranac tells a larger story of the politics of urban development in and through the interwar years. In a new epilogue to the Cornell edition, Tauranac highlights the continuing resonance and influence of the Empire State Building in the rapidly changing post-9/11 cityscape.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As an economics professor, I’ve spent the past twenty years researching why cities build upward. Though I mostly look at cities through the lens of statistics and data, every building has a personal and dramatic story that exists behind the numbers. And no matter where you go in the world, great cities with their towering skyscrapers all owe a debt to New York—every city wants its own version of the Empire State Building to signal its economic might. New York is the world’s metropolis. As the (now cliché) song line goes, “If I can make there, I’ll make it anywhere,” is a true today as a century ago.
If you stroll through Central Park, as I frequently do, you can’t help but notice the string of supertall, superslim towers lording over Central Park South. Many New Yorkers decry them as creating excessive shadows and driving gentrification. However, viewing them from the park, you can see how they naturally fit into the Manhattan skyline—the skyline that created the world’s greatest city.
Katherine Clarke’s book chronicles the developers who brought forth these ultraluxury towers. It dramatically highlights the game of 3D chess these New York titans must play to realize their skyscraper dreams. Some win, and some lose—but that’s the striver’s tale in Gotham.
A “thrilling” (Financial Times) fly-on-the-wall account of the ferocious ambition, greed, and one-upmanship behind the most expensive real estate in the world: the new Manhattan megatowers known as Billionaires’ Row—from a staff reporter at The Wall Street Journal
“Deeply informative, delightfully entertaining, and addictively readable.”—Diana B. Henriques, bestselling author of The Wizard of Lies
A CEO Magazine Best Book of the Year • Longlisted for the Financial Times and Schroders Business Book of the Year Award
To look south and skyward from Central Park these days is to gaze upon a physical manifestation of tens of billions of dollars in…
As an economics professor, I’ve spent the past twenty years researching why cities build upward. Though I mostly look at cities through the lens of statistics and data, every building has a personal and dramatic story that exists behind the numbers. And no matter where you go in the world, great cities with their towering skyscrapers all owe a debt to New York—every city wants its own version of the Empire State Building to signal its economic might. New York is the world’s metropolis. As the (now cliché) song line goes, “If I can make there, I’ll make it anywhere,” is a true today as a century ago.
From 2000 to 2001, I worked two blocks south of the Twin Towers. During my lunch breaks, I would grab take-out lunches and sit in the plaza of the World Trade Center, with the towers keeping me company. When completed, the Twin Towers generated immense controversy because they were “slum clearance” projects, and a government agency was erecting record-breaking buildings to compete with the private sector.
Gillespie’s book chronicles the creation of the Twin Towers and how the Port Authority of New York and New Jersey, a port and transportation agency, suddenly found itself as a real estate titan. The book captures a moment in post-World War II New York that will likely never be replicated. It remains a key history in our post-9/11 world.
A readable account of both the history of the construction of the Twin Towers and the life of the people who work there.
The Twin Towers of the World Trade Center are more than office buildings. They are symbols of America, just as the Eiffel Tower and Big Ben represent their countries. Commissioned in 1962 and completed in 1976, these edifices are still the tallest man-made structures in New York City. Indeed, the builders intended the towers to make a statement about the importance of the Port of New York and New Jersey. The complex rises like Emerald City, with…
Former model Kira McGovern picks up the paint brushes of her youth and through an unexpected epiphany she decides to mix ashes of the deceased with her paints to produce tributes for grieving families.
Unexpectedly this leads to visions and images of the subjects of her work and terrifying changes…
As an economics professor, I’ve spent the past twenty years researching why cities build upward. Though I mostly look at cities through the lens of statistics and data, every building has a personal and dramatic story that exists behind the numbers. And no matter where you go in the world, great cities with their towering skyscrapers all owe a debt to New York—every city wants its own version of the Empire State Building to signal its economic might. New York is the world’s metropolis. As the (now cliché) song line goes, “If I can make there, I’ll make it anywhere,” is a true today as a century ago.
I came of age in the 1980s. It was the time when I first discovered my love of New York. It was also a time when America was in the heady throws—partially fueled by cocaine—of an economic and real estate boom. More skyscrapers were erected in Gotham than in any other period, even more than during the Roaring Twenties. It was a time when every developer thought that if they bought a well-located lot, they could turn dirt into gold by building a skyscraper—a post-modernist one at that.
Jerry Adler’s book follows the up and down fortunes of the young and ambitious New York developer Ian Bruce Eichner as he painstakingly assembled a large lot, raised financing, and erected a skyscraper on Broadway in Times Square. And then, just when he thought he had achieved his greatest glory, the real estate market tanked, and his crowning achievement became a ghost…
As a cozy-style mystery writer, I get to live in a world where I know that everything will work out as it should in the end. I look for this in the books that I read and recommend. Do they give the reader something interesting to ponder as they go along with the sleuth (amateur or “real detective)? My father was a police captain, and I grew up looking at things through the eyes of “the law”, I admit. Most people find comfort reading about a small town where nothing will go too wrong. The bad stuff and the bad people are kept at arm’s length, and all is well.
I was late coming to this author, but once I discovered her I knew I’d go back to her earlier books in the Lady Eleanor Swift series.
In this book, Lady Swift leaves England to see what Manhattan is all about. With her butler, Clifford, (and her dog Gladstone) in tow, she is soon ensconced in a high-end apartment and is giving and attending all of the parties with the rich and famous. But her society status is put on hold when she witnesses the doorman of her building killed in a hit and run.
This is soon followed by another murder connected to the doorman. She, of course, gets involved and is determined to right the wrong. The book is a perfect bit of escapism, written with humor.
Glitzy parties, sightseeing at the Statue of Liberty and strolls through Central Park with Gladstone the bulldog… Lady Eleanor Swift is loving her first trip to the city that never sleeps, until she witnesses a murder!
After crossing from England on the SS Celestiana, Lady Eleanor Swift sets up her home-away-from-home in a lavish apartment in New York City. She is soon the toast of the town, with no high-class soirée complete without her presence. Of course, she drags her butler Clifford and Gladstone the bulldog along to every party too.
But when she witnesses the charming doorman of her…
As someone who’s been born and raised in and around the suburbs of Manhattan, I have a love-hate relationship with the city. I crave the excitement it offers but then gets frustrated by its drawbacks- the crowds, the dirt, the noise, the expense, the pressure. But then you crack open the pages of a romance story, and the allure of Manhattan and the surrounding boroughs is undeniable. Anything is possible in New York City.
The night before September 11, 2001, I was in New York City, and my now-husband proposed to me. We woke up the next morning to a whole new world. Any book set in Manhattan that relates to September 11th instantly speaks to me. This romance story is one you will never see coming, and I can’t recommend it more highly.
NEW YORK TIMES BESTSELLER • In this irresistible novel from the author of All We Ever Wanted and Something Borrowed, a young woman falls hard for an impossibly perfect man before he disappears without a trace. . . .
It’s 2 A.M. on a Saturday night in the spring of 2001, and twenty-eight-year-old Cecily Gardner sits alone in a dive bar in New York’s East Village, questioning her life. Feeling lonesome and homesick for the Midwest, she wonders if she’ll ever make it as a reporter in the big city—and whether she made a terrible mistake in breaking up with…
Rusty Allen is an Iraqi War veteran with PTSD. He moves to his grandfather's cabin in the mountains to find some peace and go back to wilderness training.
He gets wrapped up in a kidnapping first, as a suspect and then as a guide. He tolerates the sheriff's deputy with…
I have a PhD in history and used to be a college professor. I decided to write historical fiction novels so that I could reach a larger audience than college students and share incredible stories from history with more people. The reason I created this list of books about women is because the farther back in history we look, the more invisible women seem to become. That’s why I wanted to tell Theodora’s story—it’s an amazing tale, first, but it also allowed me to share how different conditions were for women in the past. The other books I’ve recommended do the same.
I loved the originality of The Impossible Girl. Cora Lee is a resurrectionist—she steals bodies from cemeteries for medical dissection in 1850s New York City. This isn’t really a sympathetic activity, however. Would you love a grave robber? So, to add flavor, bodies with unusual physical traits bring in extra money, and Cora specializes in stealing these.
But she’s got a unique malady of her own—she has two hearts. And people want to kill her to cash in on herbody. Nowwe have a reason to cheer for her.
The story has many twists as Cora learns who she can (and can’t) trust. Add to that some romance, the vibrant setting of 1850s New York City, and some twisted characters, and this is a fun book.
Manhattan, 1850. Born out of wedlock to a wealthy socialite and a nameless immigrant, Cora Lee can mingle with the rich just as easily as she can slip unnoticed into the slums and graveyards of the city. As the only female resurrectionist in New York, she's carved out a niche procuring bodies afflicted with the strangest of anomalies. Anatomists will pay exorbitant sums for such specimens-dissecting and displaying them for the eager public.
Cora's specialty is not only profitable, it's a means to keep a finger on the pulse of those searching for her. She's…
I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
It’s 1764 on Manhattan Island, and a stranger from London arrives at a small town called New York. He expects to receive a thousand pounds. A cast of dynamic characters appear. There are intrigues and adventures. All writers try to be vibrant on the page—to write smart, vivid, witty descriptions and dialogue. And then you come upon a writer like Francis Spufford, who is able, somehow, do it a degree or two better than everyone else.
'Best book of the century' Richard Osman 'Just wonderful' Jan Morris 'Dazzlingly written' Sunday Times 'Every bit as superb as everyone says' Sarah Perry
Winner of the Costa First Novel Award 2016 Winner of the RSL Ondaatje Prize 2017 Winner of the Desmond Elliott Prize 2017 Shortlisted for the Walter Scott Prize for Historical Fiction 2017 Shortlisted for the Rathbones Folio Prize 2017 Shortlisted for the Authors' Club Best First Novel Award 2017 Shortlisted for the British Book Awards Debut Novel of the Year 2017
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
Born and raised in Los Angeles, I’ve been obsessed with the romance and “bygone world” of Manhattan in the 40s and 50s since I was a kid. Working in bookstores through high school and college, I quickly gravitated towards The New Yorker magazine which introduced me to John Cheever, Irwin Shaw, and many wonderful authors. Whether it was books or magazines, I couldn’t imagine a more interesting career than working in the New York publishing world - until I went there for job interviews and heard how little they paid. Back in Los Angeles, I figured out how to join from afar without having to live with six roommates on the Lower East Side.
Like Cheever, Shaw was a fellow New Yorker contributor but his work is grittier than Cheever’s and was best summed up in The New York Times: “[Shaw] has a primitive skill possessed by very few sophisticated men.” Winner of two O. Henry awards, I would say he is the “meat and potatoes” short story master - but it’s Prime USDA.
Featuring sixty-three stories spanning five decades, this superb collection-including "Girls in Their Summer Dresses," "Sailor Off the Bremen," and "The Eighty-Yard Run"-clearly illustrates why Shaw is considered one of America's finest short-story writers.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
As part of a multiethnic, multicultural family who has lived in multicultural and multiethnic cities on three continents, I am at ease in plural communities. It’s no surprise then that I’m fascinated by how different cultures intersect inside American communities. I’m especially drawn to novels that portray something broader: the shared civic spaces where immigrants from many backgrounds and longtime residents live side by side. As a novelist, I’m interested in how that chorus and multitude of voices intersect—sometimes clashing, sometimes connecting—and how ordinary encounters gradually shape a community. The books on this list stayed with me because they capture that living mosaic of cultures that continues to shape the American story.
I admire the quiet, contemplative intelligence of this novel.
Following the narrator, a psychiatrist, on his long walks through New York felt like wandering through a living archive of migration and memory. As he encounters strangers, fragments of stories surface from across the world.
What fascinated me most was how the novel reveals the invisible histories carried by people moving through the same city streets. Reading it reminded me that modern American life is shaped by countless journeys, each voice adding another layer to the cultural landscape.
The bestselling debut novel from a writer heralded as the twenty-first-century W. G. Sebald.
A haunting novel about national identity, race, liberty, loss and surrender, Open City follows a young Nigerian doctor as he wanders aimlessly along the streets of Manhattan. For Julius the walks are a release from the tight regulations of work, from the emotional fallout of a failed relationship, from lives past and present on either side of the Atlantic.
Isolated amid crowds of bustling strangers, Julius criss-crosses not just physical landscapes but social boundaries too, encountering people whose otherness sheds light on his own remarkable journey…