62 Books Like Hideaway

Long after I began studying Italian, I resisted reading Italy’s greatest poet. His classic book seemed too daunting, too distant, too dull. Then, an Italian teacher gave me the first adaptation of the La Divina Commedia that she had read as a girl: a vintage Italian Walt Disney comic book featuring Mickey Mouse (Topolino in Italian) as Dante with Minnie Mouse as his adored Beatrice.   

I was so intrigued that I bought an English translation of the Divine Comedy—several, although I’m partial to John Ciardi’s. My unanticipated reaction: Wow! Like modern readers ensnared by the wizardly world of Harry Potter, I skidded into a fully imagined alternate world. An action-packed, high-adrenalin, breath-taking, rip-roaring yarn leaped off the pages into vivid, writhing, pulsating life. If you love action-packed tales and also seek insights into the Italian soul, read The Inferno. Purgatorio and Paradiso are optional. 

I found this book to be a powerful allegory that made me think deeply about the purpose of life and how it can be either wasted or used to result in indescribable benefits for all eternity.

I have read it a couple of times, listened to it on audiobook, and look forward to reading it again—an indication that there is a lot in this book to think about.

It is a beautifully gruesome story about love, desire, and greed. Though I found it to be absolutely frightening, I also found it strangely comforting.

As a young gay man in the early 00s, as the AIDS epidemic was slowing down a bit, Barker's depiction of sexuality and openness was quite refreshing. I can only imagine what it must have been like reading this story for the first time as a gay man in the 1980s.

For insights into non-western afterlife theory, the Bardo Thodol offers a collection of texts covering aspects of death, reincarnation, and the ‘space’ in between. The work, which dates back to the 8th century, serves as a ‘guidebook’ on preparing the soul for its continuing journey, including advice on meditation, the six states of consciousness, death rituals, and the pursuit of karma. Over the centuries the Bardo Thodol has inspired numerous interpretations as well as literary works. Screenwriter Bruce Joel Rubin, who spent time secluded in a Buddhist monastery, describes his film Jacob’s Ladder as a modern take on the ancient text. 

This book spent five years on the New York Times bestseller list. Despite what some see as controversial claims that the author spent ninety minutes in heaven and then came back to life, only five of the eighteen chapters dwell on Piper’s “near-death experience.” The majority of the book chronicles his horrifically painful struggle to survive and then recover the use of his legs which were mangled in an accident. He often begged God to let him die. Instead, God brought people into his life to help him move past self-pity and find a renewed purpose.

Thinking about the hope of heaven kept my mental health positive while going through cancer treatments.

This book includes several near-death experiences of people all over the world who literally died for a moment and saw the afterlife. As a witness to the spiritual realm, they give us vivid descriptions of heaven and what they saw while their physical bodies were dead.

These amazing stories from people of different ages and religions point to the reality of a beautiful place that I can’t wait to experience after I die.

I read this book not long after reading Spook, and it scratched many of the same philosophical itches for me. I love its dreamlike quality and haunting sense of nostalgia. As far as I know, it's also unlike any other work of fiction in its approach to the question of life after death.

It blends two seemingly unrelated topics—historical disasters (e.g., the Hartford circus fire, the sinking of the Titanic)—and the science of near-death experiences in a striking, unique way. Although it is, in many ways, a deeply sad story, it ultimately feels hopeful. This is one of those novels that left a lasting impact on my psyche.   

This long-lost early book on near-death experiences was written around the same time as Raymond Moody’s classic Life After Life, but totally independent of any knowledge of that more famous work.

Hampe was a German philosopher, and while the book made a huge splash in Germany it’s practically unknown to the English-speaking world, even though an excellent translation was published in the 1970s (finally now reprinted).

Hampe is a deep thinker though has a very engaging style. Knowing that he had his own NDE makes the book poignant and moving to read. What I find most interesting about it is the very different approach he took compared to Moody.

Rather than looking at the phenomenon as a scientific puzzle and focusing on the possibility that NDEs are evidence for an afterlife, Hampe was interested in their metaphysical implications. 

This is the most comprehensive book on Native American afterlife beliefs ever written.

What makes it especially interesting is that the author focuses on myths and legends of afterlife journeys – what he called “Orpheus myths.” He looks at them from many perspectives – historical and cultural – but most importantly experiential.

Writing almost 20 years before the popularization of near-death experiences in the Western world, Hultkrantz identified NDEs as a different type of experience from dreams or shamanic visions – and found that indigenous people did, too.

He also suggested that such experiences contributed to afterlife beliefs – that is, that they weren’t simply culturally created “stories” or hallucinations. Readable and entertaining as well as scholarly, it’s wonderful that this book is back in print after languishing in obscurity for decades!

I devoured Elisabeth Kübler-Ross’s book, which deeply shaped my understanding of mortality. Like Eben Alexander, it is her steady, compassionate voice that earns my trust. There’s something profoundly grounding about someone who has spent a lifetime walking beside the dying. Her use of metaphor speaks directly to the soul, especially mine. She writes, “The death of the human body is identical to what happens when the butterfly emerges from its cocoon... it is only a house to live in for a while.”

That image—death not as an end, but a transformation—resonates deeply. It speaks to humanity’s universal longing to understand what lies beyond. The symbol of metamorphosis becomes a vision of continuity and emergence.

Her book is rich with case histories of real people, near-death experiences that transcend explanation yet carry a current of truth. For those living with the shadow of mortality, these stories are reassuring. They offer the… show more.