Books like Hidden Wyndham — picked by fans

I love to read (full stop). And especially, I love to read Plato in English and in Greek, by myself and with others. I studied Plato for my doctorate in Philosophy at the University of Cambridge (in England) because in his dialogues, one finds all the dimensions of philosophy coming together. Why does thinking about how to live lead not only to ethics and political philosophy, but also epistemology (what we can know), aesthetics (what is beautiful), and metaphysics (what is the nature of reality)? Having read Plato with third graders, graduate students, business leaders, and retirees, I find that people of all kinds respond to his works. 

I came to genderqueer histories searching for a reflection of myself that I couldn’t find in my immediate environment (the rural American South). Early on, I thought I’d found it—historical figures, both real and fictional, who shared my gender identity. But as I’ve continued to research, I’ve realized that the reflections of history are less a mirror image, more a reflection in water—fluid and distorting. Genderqueer people throughout history use different language for their identities, navigate different social and family systems, and express their gender in different ways. In the space created by this difference, I’ve begun to understand my gender as a thing that changes, too, across space and time.

I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.

Because sometimes I think they go further than the formulas set by traditional publishing.  I love fantasy and similar genres because there are no limits for the imagination. The books I’ve chosen fulfill what I think is important – world-building, imagination, thought-provoking, intelligent, and wonderful characters on a mission of some kind.

I am an academic and a passionate reader of women’s fiction. My job title, Reader in Contemporary Women’s Writing, is also, fortunately, my hobby. I love to think about how women’s writing explores women’s lives today. I chose the theme of dystopian fiction because The Handmaid’s Tale has been so central to my work. Still, other potential topics that came to mind were motherhood, home and domestic labour, reproductive politics, and feminist protest. It strikes me now that each of the books on my list also cover these topics. This is the element of my work I love – drawing out the connections and political convictions that make today’s women’s writing so powerful.

I am passionate about words and reading, and I love books that examine and record the chaos and mayhem of human existence. When I think about why I don’t want to die, it’s mainly because I can't bear the thought of missing out on what happens next. I feel privileged to be alive during this strange, fraught time of epochal change and to be able to use my skills as a writer to record not just the facts of what happens but how it feels to witness it all, the sensibility of our time, the recording of which is, I believe, the essence of great literature.

As a teenager I loved the post-apocalyptic genre, especially John Wyndham and H G Wells, and as a scientist I’ve become increasingly aware of the threats to society, especially from climate change and pandemics. But it seems to me that any collapse will be gradual: yes, the weather will worsen, and the seas will rise; but those won’t happen overnight. We’re unlikely to see a pandemic that kills everyone, but we could well see a train of smaller ones. This is the world of Truth Sister: it’s changed, but we’ve had time to adapt. The books in my list have different takes on how a post-civilisation world might look. Enjoy!

With my degree in journalism, you’d think I would be firmly rooted in real-world dramas, but all my time in news did was push me deeper toward my love of fantasy and romance stories. A natural optimist and a bit of a dreamer, I have always been a voracious reader of the fantasy romance genre. I love a story that can take you away from the real world for a time with amazing heroes, end-of-world stakes, and of course, thick romantic tension. I have a special fondness for series’ where I can watch the characters grow in depth or where each story covers a different character's perspective or experience.

I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.

I grew up in a small community surrounded by mountains and vast public land. I learned to ride a horse before riding a bike, and my dad taught me about recreating in remote areas. I didn’t think of those lessons as survival training, but in my novels, the skills I learned as a kid often save the characters’ lives. All the books on this list feature ordinary people doing extraordinary things to survive and, in some cases, protecting those they love. I hope you enjoy the books on this list as much as I have!