Books like Climate Wars — picked by fans

I’ve read this book twice and cried buckets both times.

It is a masterpiece – brutal and unflinching but also maintaining a kernel of hope as the man crosses a devastated landscape with his son, trying to keep him alive against the odds. The prose is stunning and piercing. There are some very disturbing parts of the story, but what shines through for me is human resilience, determination, and love.

I will absolutely read The Road again, but I have to leave a recovery gap between reads!

Propaganda is truth; truth is propaganda. We live in an Orwellian world, the world of “alternative narratives” – blatant untruths that are like a twisted mantra tormenting objectivity until it is beaten into submission.

When I first read 1984, I knew Orwell was not predicting the future but describing the past and the betrayal of a socialist revolution by Stalin. But the hideous truth is that Orwell’s depiction of the "evil Soviet empire" is now the new reality, east and west, where tyranny and authoritarianism distort reality to the point where people feel powerless to oppose.

Resist, and the system will get you. Accept, and you will live a life of a deluded soulless husk. You choose!

For me, this book stimulates analysis of the relationship between technology and human flourishing, as well as the state’s role in using technology to promote the public good.

I first read Brave New World because it was assigned in a high school English class. I later asked students to read it when I was teaching biomedical ethics at a university.

Whereas Dr. Frankenstein’s creation is the single product of a “mad genius” in an otherwise “normal” world, the brave new world is an entire civilization transformed by technology. Because of this vision of a civilization dominated by technology and a totalitarian government, I recently returned to Brave New World.

The novel provoked me to consider the reasons we even develop new technologies—what do and should they provide us?  

The Settlement describes a dystopian world set not in the future, but in the past. The 1830s, to be precise.

The misguided evangelist George Augustus Robinson sets himself the task of rounding up the last remaining original inhabitants of Van Diemen’s Land, now known as Tasmania, to save them from slaughter. Under his care, they are convinced to surrender and are relocated to desolate Flinders Island in the Bass Strait.

This is a finely-wrought historical novel of great compassion that brings to life the extinction of a race.

Set in a world where there’s water everywhere from the rising sea levels, but fresh water is a much-needed commodity, I loved that this story was about family. There’s a lovely mix of characters who are still kind – still human – and those that are out for survival and control, which kept me wanting to read to see if the main character, Baz, would find his family again. And I loved that there were places I recognised – it’s always nice to have those ‘I’ve been there!’ moments. 

Yoko Ogawa’s dystopian, magical realist novel delves into the darkness underneath our pursuit of—if not the normal—the routine. We witness a protagonist’s world shrink day by day through legally enforced forgetting. As the situation on the isolated island in which the protagonist lives deteriorates, perhaps the most terrifying part is that she finds herself complicit in her own isolation and near-total lack of agency.

By chance, I stumbled upon the Chrestomanci series after exhausting all the books that were available on the Library Van.

Initially, I had been deterred by the covers of the novels. Victorian dresses on the cover didn’t appeal to me at the time, but the story became the gateway to Witch Week. This is set in an English boarding school, but unlike Malory Towers, it has magic in it.

It starts off in the ‘real’ world but gets going in the end. In this dimension witches get burned and when someone sends a note to say someone is a witch in class, well, we all know what happened in Salem…

This is actually a children’s novel that I first read at school, and it had a big impact on me. It’s not so well known, and there are other books called "The Guardians", so don’t get confused. This novel was written in 1970 and is set in the not-so-distant 2050.

The world that John Christopher created for this novel really captured my imagination, the difference between the overpopulated "Conurbs" (from conurbation) and the privileged "County" (a land of rolling hills and manor houses).

It’s not too far-fetched, and I think that’s why it spoke to me, as I could easily envisage the world of 13-year-old Rob Randall, who dreamed of escaping the state boarding school in the Conurbs to go to the County. Rob doesn’t fit in and digs a hole under the Barrier that separates the two worlds.

Do not read this series if you have Seasonal Affective Disorder (SAD). 

Coral is on vacation when her world lights up. It starts with a fire so intense that the ash entirely blocks out the sun, not for a season, but for years. The sky is perpetually grey, and her world goes seriously cold. She must survive the elements, but the real threat comes from the desperation of those left alive and fighting for their lives. This is a brutal world. 

As a paranoid survivalist, this book had me taking notes. Some books you read and forget, others teach you something. Most authors push a moral agenda, but this book teaches real-life skills, like how it’s a good idea to burrow into snow when it’s REALLY cold, or why hanging out in caves isn’t just for Neanderthals, and my personal favourite, how to spot a cannibal. 

I loved the detailed characterization of the main protagonists (including a cat) in this novel set in Gloucester. Comptom’s prose is a delight to read; it is clear, descriptive, and unobtrusive. It is rare to read about a homeless person and their struggles, especially from that time and the obvious mental illness that he suffers from. His dealings with the vending machine and the cat are humorous and touching.
The novel reminded me of the Beatles song ‘Eleanor Rigby,’ with a Father Mackenzie-type vicar and a lonely female journalist. It is sad, touching, real, and a good story. I read it in a couple of sittings.