Books like Hereafter — picked by fans

The “coffin ship” is a haunting metaphor for the catastrophe that struck Ireland in the 1840s and 1850s, when more than 1 million people died of starvation and disease and another 2 million people emigrated.

In this deeply researched and beautifully written book, Cian McMahon accomplishes two main goals. First, he disentangles the myth of the “coffin ship” from the reality. Shipboard mortality, he finds, was generally low, yet on some fully one-quarter of the passengers perishing in the worst cases.

Second, McMahon fills in a huge gap in emigration history—which usually explains why people leave home and then takes up the story again when they arrive in America—by showing how emigrants grappled with life and death on board ships and built community in the process.

Thoroughly researched, elegantly written, and deeply humane, Expelling the Poor shows how poverty—and Irish poverty in particular—shaped American immigration policy.

Until the late nineteenth century, Hidetaka Hirota demonstrates, individual states and cities controlled their own borders. They regulated, taxed, excluded, and removed the Irish poor, thereby laying the groundwork for the national policy that emerged in the 1880s.

By examining the impact of nativist sentiment, Hirota reveals how policies directed at the Irish-born poor, alongside the exclusion of Chinese laborers, explain the origins of immigration policy in the United States.

Irish men and women in the United States launched a movement to liberate their homeland from British rule.

David Brundage’s Irish Nationalists in America, the first history of this movement as a whole, ranges across the nineteenth and twentieth centuries, covering the full range of ideological positions—from peaceful constitutional change to an Irish republic achieved through violent means—and exploring how Irish-American nationalism intersected with movements for labor reform, racial equality, and women’s rights in the United States.

A skilled social and political historian, Brundage tells a vivid story about how ordinary immigrants built an extraordinary movement.

To understand the history of Irish immigrants in America, you first need to study the country they left.

Breandán Mac Suibhne’s The End of Outrage examines traditions of rural violent protest in nineteenth-century Donegal, the county where many of the Molly Maguires of Pennsylvania originated. Intriguingly, MacSuibhne also uncovers a significant degree of reverse migration and cultural influence from Pennsylvania to Ireland.

His title contains a triple pun: the word “end” refers to the goal of Irish agrarian protest, the termination of that tradition by the famine and mass emigration, and the failure of subsequent generations to acknowledge what happened.

This is a book for members of the Irish diaspora. It tells of the experiences of your ancestors as they fled the conditions prevailing in their homeland.

Often single members of families whose objective was to earn money they could send back to Ireland in order to enable those family members left behind to follow. Too often the welcome they found, after travelling in appalling conditions as human cargo in ships unsuitable for the purpose, was not as warm as they had expected.

A story relevant today as we grapple with the problems created by modern migration from war- and/or famine-ravaged areas of the modern world, often still undertaken in unsuitable boats.

I love novels that reveal the hidden connections between strangers, and this one does it beautifully.

As I read it, I felt as if I were moving through New York alongside a remarkable range of characters whose lives unexpectedly intersect. It left me with the sense that the city itself is a living spidery web of stories—immigrants, artists, judges, mothers, and priests all sharing the same urban space.

The novel reminded me how powerful fiction can be when it allows many voices to exist side by side and slowly reveals the threads that bind them together.

The main character Ellie is strong and resilient. I loved that she went to America to make money for her injured husband’s sake, was flung into a world in New York City that was so unlike rural Ireland, met with temptations, and found her way out. Ultimately, it’s a love story (not romance per se) and I found myself rooting for Ellie throughout the whole book.

I fell in love with this series and its intrepid heroine Molly Murphy on page one. A young, penniless woman who has to rely on her own wits to make her way to America at the end of the 19th century, and a sea voyage that ends well enough until she becomes a murder suspect as soon as she arrives in Ellis Island - this impeccably researched historical mystery has all the ingredients I could want. It’s a satisfying mystery and a scathing social commentary, the tone of voice is clever and funny, and I didn’t just want to follow Molly on every step of her journey, I wanted to be her. 

I’m not a feminist and I don’t feel oppressed as a woman. But after reading this book, I’m glad that Elizabeth Cady Stanton hosted the first Women’s Rights Convention in 1858. The young protagonist, Bridie, has experienced some of the wrongs that Mrs. Stanton tries to put right. I enjoyed getting to know the famous activist through Bridie’s eyes. Bridie flees from a cruel master and finds work with “the strangest lady she’s ever met”. Mrs. Stanton comes across as a down-to-earth woman, not the crusader type at all. I laughed at the detail of the two young Stanton boys romping through the cabbages. Kudos to the author for including other events and issues for context—the Irish potato famine, poorhouses, the Free Soil Party, the Erie Canal, and the Underground Railroad. Young ladies will appreciate their privileges after reading this novel.

I don’t know how much I knew of nineteenth-century Ireland when I first read this book as a child, but I certainly wanted to know a whole lot more after reading it. And after years of researching and teaching nineteenth-century Irish history, I still love this book!

This is a wonderfully written and extremely moving account of Irish emigration to the US in the nineteenth century, as told by (fictional) teenager Peggy O’Driscoll. It is the second in a trilogy, which includes the more well-known Under the Hawthorn Tree about the Great Irish Famine. I love them all, but this one was always my favorite, following the challenges and adventures that Peggy had in the ‘new world.’