Here are 100 books that Expelling the Poor fans have personally recommended if you like
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I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
The “coffin ship” is a haunting metaphor for the catastrophe that struck Ireland in the 1840s and 1850s, when more than 1 million people died of starvation and disease and another 2 million people emigrated.
In this deeply researched and beautifully written book, Cian McMahon accomplishes two main goals. First, he disentangles the myth of the “coffin ship” from the reality. Shipboard mortality, he finds, was generally low, yet on some fully one-quarter of the passengers perishing in the worst cases.
Second, McMahon fills in a huge gap in emigration history—which usually explains why people leave home and then takes up the story again when they arrive in America—by showing how emigrants grappled with life and death on board ships and built community in the process.
Honorable Mention, Theodore Saloutos Book Award, given by the Immigration and Ethnic History Society
A vivid, new portrait of Irish migration through the letters and diaries of those who fled their homeland during the Great Famine
The standard story of the exodus during Ireland's Great Famine is one of tired cliches, half-truths, and dry statistics. In The Coffin Ship, a groundbreaking work of transnational history, Cian T. McMahon offers a vibrant, fresh perspective on an oft-ignored but vital component of the migration experience: the journey itself.
Between 1845 and 1855, over two million people fled Ireland to escape the Great…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
In Hereafter, Vona Groarke accomplishes what most historians can never hope to do.
Filling in the gaps and silences in the historical record with poetry, prose, and imagery, she recreates the interior world of an Irish domestic servant in the United States at the turn of the twentieth century—her transatlantic migration, her back-and-forth journeys to Ireland, her working conditions and family life, and her hopes, dreams, and frustrations.
A work of great imaginative power and empathy, Hereafter is also a profound meditation on the historian’s craft.
A lyrical portrait of a young Irish woman reinventing herself at the turn of the twentieth century in America
Ellen O'Hara was a young immigrant from Ireland at the end of the nineteenth century who, with courage and resilience, made a life for herself in New York while financially supporting those at home. Hereafter is her story, told by Vona Groarke, her descendant, in a beautiful blend of poetry, prose, and history.
In July 1882, Ellen O'Hara stepped off a ship from the West of Ireland to begin a new life in New York. What she encountered was a world…
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
Irish men and women in the United States launched a movement to liberate their homeland from British rule.
David Brundage’s Irish Nationalists in America, the first history of this movement as a whole, ranges across the nineteenth and twentieth centuries, covering the full range of ideological positions—from peaceful constitutional change to an Irish republic achieved through violent means—and exploring how Irish-American nationalism intersected with movements for labor reform, racial equality, and women’s rights in the United States.
A skilled social and political historian, Brundage tells a vivid story about how ordinary immigrants built an extraordinary movement.
In this important work of deep learning and insight, David Brundage gives us the first full-scale history of Irish nationalists in the United States. Beginning with the brief exile of Theobald Wolfe Tone, founder of Irish republican nationalism, in Philadelphia on the eve of the bloody 1798 Irish rebellion, and concluding with the role of Bill Clinton's White House in the historic 1998 Good Friday Agreement in Northern Ireland, Brundage tells a story of more than two hundred years of Irish American (and American) activism in the cause of Ireland.
The book, though, is far more than a narrative history…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House, an interdisciplinary center devoted to the study of Irish history and culture. The key themes in my work—migration and diaspora—have been as central to my life journey as to my research and teaching.
To understand the history of Irish immigrants in America, you first need to study the country they left.
Breandán Mac Suibhne’s The End of Outrage examines traditions of rural violent protest in nineteenth-century Donegal, the county where many of the Molly Maguires of Pennsylvania originated. Intriguingly, MacSuibhne also uncovers a significant degree of reverse migration and cultural influence from Pennsylvania to Ireland.
His title contains a triple pun: the word “end” refers to the goal of Irish agrarian protest, the termination of that tradition by the famine and mass emigration, and the failure of subsequent generations to acknowledge what happened.
From the time that the blight first came on the potatoes in 1845, armed and masked men dubbed Molly Maguires had been raiding the houses of people deemed to be taking advantage of the rural poor. On some occasions, they represented themselves as 'Molly's Sons', sent by their mother, to carry out justice; on others, a man attired as a woman, introducing 'herself' as Molly Maguire, demanding redress for wrongs inflicted on her children. The raiders might stipulate the maximum price at which provisions were to be sold, warn against the eviction of tenants, or…
I write and teach about nineteenth-century US history, and I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House. The key themes in my work—migration, diaspora, and empire—have been as central to my life journey as to my research and teaching.
Moral Contagion tells the shocking story of the Seamen Acts, under which free Black sailors were imprisoned during their stay in southern ports during the antebellum era.
At least 20,000 free Black maritime workers, mostly from Britain and northern US states, were confined—and an unknown number, abandoned by their captains, were sold into slavery. The presence of free Black people in the South—widely feared as a source of “moral contagion”—contradicted the logic of slavery and threatened the very survival of that institution.
Why do I include this book on a list about US immigration history in the nineteenth century? Because, as Michael Schoeppner powerfully demonstrates, that history cannot be understood without considering the laws and policies controlling the movement of Black people in a slaveholding republic.
Between 1822 and 1857, eight Southern states barred the ingress of all free black maritime workers. According to lawmakers, they carried a 'moral contagion' of abolitionism and black autonomy that could be transmitted to local slaves. Those seamen who arrived in Southern ports in violation of the laws faced incarceration, corporal punishment, an incipient form of convict leasing, and even punitive enslavement. The sailors, their captains, abolitionists, and British diplomatic agents protested this treatment. They wrote letters, published tracts, cajoled elected officials, pleaded with Southern officials, and litigated in state and federal courts. By deploying a progressive and sweeping notion…
I write and teach about nineteenth-century US history, and I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House. The key themes in my work—migration, diaspora, and empire—have been as central to my life journey as to my research and teaching.
Why did anti-Chinese violence continue to rise even after the Chinese Exclusion Act of 1882, reaching a terrible peak in 1885 and 1886?
In a powerful reinterpretation of Chinese exclusion, Beth Lew-Williams reveals how the 1882 act was deliberately limited in scope, poorly funded, and loosely enforced—because immigration policy at this time was still governed by diplomacy. Only in the late 1880s, with China perceived as weak, did the US unilaterally abrogate its treaty obligations and move toward outright exclusion.
The chronology really matters here: for Chinese immigrants it was a question not just of entry or exclusion, but of life and death. Deftly situating anti-Chinese violence in overlapping regional, national, and international contexts, Lew Williams shows how the idea of the immigrant “alien” emerged in tandem with national citizenship during the era of the Civil War and Reconstruction.
Winner of the Ray Allen Billington Prize Winner of the Ellis W. Hawley Prize Winner of the Sally and Ken Owens Award Winner of the Vincent P. DeSantis Book Prize Winner of the Caroline Bancroft History Prize
"A powerful argument about racial violence that could not be more timely." -Richard White
"A riveting, beautifully written account...that foregrounds Chinese voices and experiences. A timely and important contribution to our understanding of immigration and the border." -Karl Jacoby, author of Shadows at Dawn
In 1885, following the massacre of Chinese miners in Wyoming Territory, communities throughout California and the Pacific Northwest harassed,…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Aged twelve, I stood just a few feet from President John F. Kennedy as he passed slowly by in June 1963. Waving and smiling from an open-top car, he was going to meet Ireland’s president in Dublin. His visit was a triumph for Irish-America. I have long enjoyed the variety of Irish-America. As an Irish student, I was one of the first foreigners to benefit from the J-1 visa program. I went to New Hampshire for the summers of 1970 and ’72 to work in an old resort hotel. On a visit to Boston then, I met a distant relative who, for decades, had worked as a domestic servant there.
I am related by ancestry to Fr John O’Sullivan, the parish priest of Kenmare, Co. Kerry, who worked hard during the Great Irish Famine to save the lives of his parishioners. Many of his flock died or felt obliged to flee to America on flimsy vessels, so-called “coffin-ships”. That is why I find this book so interesting.
Its gripping factual account of the multicultural nature of immigration in nineteenth-century New York makes it clearer to me what happened to those who fled famine in Ireland. Anbinder points out that Five Points in Manhattan was a principal destination for migrants from around Kenmare.
All but forgotten today, the Five Points neighborhood in Lower Manhattan was once renowned the world over. From Jacob Riis to Abraham Lincoln, Davy Crockett to Charles Dickens, Five Points both horrified and inspired everyone who saw it. While it comprised only a handful of streets, many of America’s most impoverished African Americans and Irish, Jewish, German, and Italian immigrants sweated out their existence there. Located in today’s Chinatown, Five Points witnessed more riots, scams, prostitution, and drunkenness than any other neighborhood in America. But at the same time it was a font of creative energy, crammed full of cheap…
I write and teach about nineteenth-century US history, and I am interested in immigration for both personal and professional reasons. A native of Dublin, Ireland, I did my undergraduate work in Edinburgh, Scotland, completed my graduate degree in New York City, moved to Austin, Texas for my first academic job and to Boston for my second job, and then returned to New City York to take up my current position at NYU, where I teach US immigration history and run Glucksman Ireland House. The key themes in my work—migration, diaspora, and empire—have been as central to my life journey as to my research and teaching.
Bridging the nineteenth and twentieth centuries in a sweeping, transnational history, Alien Nation provides a compelling account of Chinese migration to the Americas from the 1840s through World War II.
In vivid prose, Young tells the story of how Chinese laborers mined gold, built railroads, and harvested sugar cane; how anti-Chinese restrictionists demonized these workers as “coolies”; and how nationalist movements throughout the Americas enflamed anti-Chinese sentiment.
Alien Nation explains how different national governments borrowed from one other in crafting policies regulating and controlling Chinese immigration, but also how these policies clashed and diverged. Within this transnational framework, Elliott Young recovers the agency of Chinese migrants, facing exclusion, deportation, and segregation, who circumvented government policies to form vibrant communities that transcended national borders.
In this sweeping work, Elliott Young traces the pivotal century of Chinese migration to the Americas, beginning with the 1840s at the start of the "coolie" trade and ending during World War II. The Chinese came as laborers, streaming across borders legally and illegally and working jobs few others wanted, from constructing railroads in California to harvesting sugar cane in Cuba. Though nations were built in part from their labor, Young argues that they were the first group of migrants to bear the stigma of being "alien." Being neither black nor white and existing outside of the nineteenth century Western…
My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.
Let The Great World Spinorbits around Philip Petit’s high-wire walk between the Twin Towers in New York in 1974; an amazing feat that has, of course, only become more charged and potent with time. The novel creates a kaleidoscope of lives touched by that breathtaking act, as well as capturing, in heartstopping prose, the magnitude of the act itself.
NATIONAL BOOK AWARD WINNER • Colum McCann’s beloved novel inspired by Philippe Petit’s daring high-wire stunt, which is also depicted in the film The Walk starring Joseph Gordon-Levitt
In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
There is still so much to know about Irish girls’ and women’s lives, and I think that’s why I’ve always been drawn to books that explore these themes, whether in fiction or nonfiction. I work as a historian and professor of Irish History at Queen’s University Belfast. I love archival research and often find it really exciting to order a file or box in the archives or pull up a newspaper, not knowing what story it is going to tell or what insight I am going to get of an individual’s world in the written records left behind. I hope that you like my choices!
I don’t know how much I knew of nineteenth-century Ireland when I first read this book as a child, but I certainly wanted to know a whole lot more after reading it. And after years of researching and teaching nineteenth-century Irish history, I still love this book!
This is a wonderfully written and extremely moving account of Irish emigration to the US in the nineteenth century, as told by (fictional) teenager Peggy O’Driscoll. It is the second in a trilogy, which includes the more well-known Under the Hawthorn Tree about the Great Irish Famine. I love them all, but this one was always my favorite, following the challenges and adventures that Peggy had in the ‘new world.’
At seven, Peggy made a terrifying journey through famine-stricken Ireland. Now thirteen, and determined to make a new life for herself, she sets off alone across the Atlantic to America. Will she ever see her family again?
An extraordinary story of courage, independence and adventure
The other books in the Famine trilogy are Under the Hawthorn Tree and Fields of Home.