Here are 100 books that Here We Are fans have personally recommended if you like
Here We Are.
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I came to the U.S. in my early twenties to pursue a PhD, trading the familiar for the unknown. I am a scientist, an immigrant, and a daughter whose life was irrevocably fractured when my mother passed away in India while I was navigating the demands of graduate school. Grappling with grief, identity, and belonging in a foreign land shaped me to my core. The books on this list, centered on themes of family, loss, and the search for home, resonated with my experiences in profound ways. They offered me hope and a vital sense of connection, and I hope they speak to you just as powerfully.
I loved What We Carry for the intricate, nuanced relationship between Maya and her mother.
The woman she thought she knew gradually revealed herself in unexpected ways, leaving Maya—and me—grappling with confusion, longing, and a sense of loss. Witnessing Maya come to terms with her mother’s complexities and her own understanding of what it means to be a mother was both heartbreaking and uplifting.
The book pulled me with its honesty and vulnerability and stayed with me long after the last page. I have re-read this book a couple of times.
“A gorgeous memoir about mothers, daughters, and the tenacity of the love that grows between what is said and what is left unspoken.”—Mira Jacob, author of Good Talk
If our family stories shape us, what happens when we learn those stories were never true? Who do we become when we shed our illusions about the past?
Maya Shanbhag Lang grew up idolizing her brilliant mother, an accomplished physician who immigrated to the United States from India and completed her residency all while raising her children and keeping a traditional Indian home. Maya’s mother had always been a source of support—until…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I write, coach, and lead at the intersection of identity, healing, and leadership, especially for women navigating cultural complexity. As a South Asian woman raised in the U.S., I spent years unpacking inherited narratives about devotion, obedience, and silence. This list reflects books that helped me reclaim power, soften shame, and lead from a place of alignment rather than survival. Each title here offered me tools, language, or perspective that shaped not just how I show up in the world, but how I guide others to do the same.
I saw myself in this book in ways I didn’t expect.
Stephanie Foo’s story of complex trauma, the gaslighting she endured, and her drive to overachieve just to feel worthy hit close to home. Like her, I turned to spiritual practices seeking peace, and like her, I often felt alone in that process.
This book reminded me that my thoughts and feelings are not only valid, but worthy of compassion. The therapy sessions toward the end were especially powerful. I felt like her therapist was speaking directly to me, and something in me softened.
If you're breaking intergenerational patterns, this book offers deep healing, insight, and a sense of being profoundly understood.
NEW YORK TIMES BESTSELLER • A searing memoir of reckoning and healing by acclaimed journalist Stephanie Foo, investigating the little-understood science behind complex PTSD and how it has shaped her life
“Achingly exquisite . . . providing real hope for those who long to heal.”—Lori Gottlieb, New York Times bestselling author of Maybe You Should Talk to Someone
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, Cosmopolitan, NPR, Mashable, She Reads, Publishers Weekly
By age thirty, Stephanie Foo was successful on paper: She had her dream job as an award-winning radio producer at This American Life and…
I write, coach, and lead at the intersection of identity, healing, and leadership, especially for women navigating cultural complexity. As a South Asian woman raised in the U.S., I spent years unpacking inherited narratives about devotion, obedience, and silence. This list reflects books that helped me reclaim power, soften shame, and lead from a place of alignment rather than survival. Each title here offered me tools, language, or perspective that shaped not just how I show up in the world, but how I guide others to do the same.
I was stunned by the similarities between the men in Gupta’s life and my own. This book laid bare the violence of the model minority myth and how it erases pain, demands silence, and turns belonging into a performance.
I saw so much of myself in her unraveling of that narrative. They Called Us Exceptional reminded me that telling the truth about our families isn't betrayal, it’s a form of generational care. Prachi writes with a kind of fierce compassion that made me feel seen, especially in the messiness.
If you've ever felt the pressure to be exceptional at the expense of being whole, this book is a balm, a reckoning, and a quiet act of rebellion.
“In this vulnerable and courageous memoir, Prachi Gupta takes the myth of the exceptional Indian American family to task. . . . [Her] resilience and her hope to be fully seen are an inspiration in both personal and political terms.”—The Washington Post
“I read it in one sitting. Wow. It aims right at the tender spot where racism, sexism, and family dynamics collide, and somehow manages to be both searingly honest and deeply compassionate.”—Celeste Ng, New York Times bestselling author of Little Fires Everywhere
A SHE READS BEST BOOK OF THE YEAR • ONE OF THE BEST BOOKS OF THE…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I write, coach, and lead at the intersection of identity, healing, and leadership, especially for women navigating cultural complexity. As a South Asian woman raised in the U.S., I spent years unpacking inherited narratives about devotion, obedience, and silence. This list reflects books that helped me reclaim power, soften shame, and lead from a place of alignment rather than survival. Each title here offered me tools, language, or perspective that shaped not just how I show up in the world, but how I guide others to do the same.
Growing up, I absorbed mythology that glorified sacrifice and obedience in women. They were stories that shaped how I understood devotion, duty, and my own worth. This retelling gave Sita a voice that was both fierce and tender, and it helped me see that I can reimagine the stories I was raised on in a way that affirms my truth.
This book softened the part of me that had grown resistant to my culture after feeling betrayed by it. It reminded me that agency and reverence can coexist, and that rewriting inherited stories is a sacred act.
'One of the most strikingly lyrical voices writing about the lives of Indian women' -- Amitav Ghosh
'Chitra Banerjee Divakaruni turns the Ramayana around by telling it in the voice of Sita ... this inversion is a gift - it presents us a with a way to know an already well-known story better and to love an already beloved story more'
-- Arshia Sattar
'This inspired evocation of the goddess Sita is an epic song of strength and solidarity told with joy and intensity. It brings to life the personalities and predicaments of the Ramayana' -- Namita Gokhale
COVID killed my father early on during the pandemic. Every day, I blogged about him. First, when he was in the ICU and I was begging the universe to save him. Then, after he died, as I grieved in a world that seemed cold and lonely. I wrote about Dad, telling stories of happier times, to keep him alive through my memories and to share his life with others. Soon, friends started recommending books about grief. In reading, feeling, and absorbing the pain of others, I somehow felt less alone.
I loved this book because it was another daughter reminiscing about her relationship with her father following his death.
I could empathize with the emptiness Schultz felt in the midst of her father’s absence, but also feel the joy she experienced when remembering him. Also, I like reading books written by other lesbians, especially books about family.
In hard times, we rely on family to support us emotionally, and Schulz, through her relationship with her partner, demonstrated that beautifully.
'Extraordinary . . . a profound and beautiful book . . . a moving meditation on grief and loss, but also a sparky celebration of joy, wonder and the miracle of love . . . Witty, wise, beautifully structured and written in clear, singing prose' - Sunday Times
Longlisted for the 2022 National Book Award for Nonfiction
Eighteen months before Kathryn Schulz's beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery - from…
COVID killed my father early on during the pandemic. Every day, I blogged about him. First, when he was in the ICU and I was begging the universe to save him. Then, after he died, as I grieved in a world that seemed cold and lonely. I wrote about Dad, telling stories of happier times, to keep him alive through my memories and to share his life with others. Soon, friends started recommending books about grief. In reading, feeling, and absorbing the pain of others, I somehow felt less alone.
Even though Adichie’s father did not die from COVID, it happened during the pandemic when the world shut down. To this, I could relate all too well.
I spent the pandemic, and months afterward, grieving my father’s death, and I found comfort reading the stories of other daughters whose dads have died.
A personal and powerful essay on loss from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun.
'Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language'
On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria.
In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy's girl, remembers her beloved father.…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
“Where do you get your story ideas?” I’m often asked. The answer is, “I’m cursed.” As in the Chinese curse: May you live in interesting times. I was a serial wife and a single mom. I’ve been both poor and rich. I’ve travelled to far-flung places around the world. I’ve done extraordinary things, like the time I rode with the New York City Mounted Police in researching my novel, Trail of Secrets. I write what I know, about life with all its ups and downs, beauty and ugliness, magic and mystery.
I come from a dysfunctional family. Perhaps that’s why I’m drawn, like a rubbernecker to the scene of an accident, to novels about dysfunctional families.
To quote Tolstoy: “Happy families are all alike. Unhappy families are different, each in their own way.” To call the family that inhabits the house in We All Live Here unhappy is putting it mildly. They’re more like survivors of a shipwreck adrift at sea in a lifeboat, hoping to be rescued before they die or kill each other.
This novel is funny, wickedly so at times, with a lot of heart. And like the patriarch of its fictional family, a failed actor with substance abuse issues and a habit of stretching the truth when it suits him, never dull.
The #1 New York Times bestselling author, whose books so many love, brings us a fresh, contemporary story of a woman and her unruly blended family
“Nobody writes women the way Jojo Moyes does.” —Jodi Picoult
Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is . . . complicated. So when her real dad—a man she has barely seen since he ran off to Hollywood thirty-five years ago—suddenly…
A great book can supplant your consciousness and bring you into a new headspace of altered mood and perception. Good writing about elevated human experiences can elevate the reader, as the words on the page inspire the release of "feel-good" neurochemicals like endorphins, serotonin, and dopamine. These are the effects I seek to produce in my readers’ experience – I want them to feel the buzzes and the highs and lows my characters feel. In Death By Cannabis, by focusing on the legalization of weed in Canada, I sought to tap into the passionate subculture and complex emotions the emancipation of pot brought to the surface after simmering so long underground.
What I loved most about Night Boat to Tangier is the same thing I love about all of Kevin Barry’s books – the delivery.
Whether it’s City of Bohane, The Heart in Winter, Beatlebone, or this book, the best part of a Kevin Barry novel is always the writing and the voice. The story is almost secondary.
You might expect the story of a seasoned drug importer reuniting with his estranged daughter to be a spectacle, but what I loved about this book was the way many of the tendrils of the story were allowed to uncurl slowly, and some not at all.
I like to imagine Kevin Barry was at the ferry station one day and looked at a couple of aging, shaved-head, tattooed Irish thugs leaning against a wall waiting, and asked, “What’s their story?” Then he wrote it.
LONGLISTED FOR THE BOOKER PRIZE IRISH TIMES NUMBER ONE BESTSELLER SHORTLISTED FOR NOVEL OF THE YEAR AT THE IRISH BOOK AWARDS, THE DALKEY LITERARY AWARDS AND THE KERRY GROUP AWARDS A BOOK OF THE YEAR IN THE NEW YORK TIMES, NEW STATESMAN, TIMES LITERARY SUPPLEMENT, BIG ISSUE, i, THE ATLANTIC and LITERARY HUB
'A true wonder' Max Porter 'Beautifully written' Guardian
It's late one night at the Spanish port of Algeciras and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder - can…
I grew up in a family of readers who valued humor above all else. I’ve always sought out novels that weren’t full of themselves or too serious. For example, I don’t actually like literature for the most part (sacrilege?) As a result, I’ve veered toward upmarket genre books that amuse me. My list reflects what I discovered as I explored this realm. It also led me to write mysteries and thrillers that are infused with my version of humor, which I must admit will never match the authors on my list. These guys are amazing.
Fforde takes literary characters and brings them to life in a mystery format. Inside jokes about them and well-constructed absurd situations kept me amused. I admire the creativity and imagination a book like this requires. The plot is also ingenious, with unexpected twists and turns.
I’d say I never read a book like it, but I’ve read others by him, and he continues to create fun novels with literary and fairy tale characters. I recommend all of them.
Meet Thursday Next, literary detective without equal, fear or boyfriend
Jasper Fforde's beloved New York Times bestselling novel introduces literary detective Thursday Next and her alternate reality of literature-obsessed England-from the author of The Constant Rabbit
Fans of Douglas Adams and P. G. Wodehouse will love visiting Jasper Fforde's Great Britain, circa 1985, when time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously: it's a bibliophile's dream. England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
There is nothing quite like the thrill of discovery: both as a reader and writer. Stumbling upon books in bookstores, or chancing upon gems, is one of life’s greatest delights for me. There are so many works that never make it past the gatekeepers in a mainstream publishing market that has become increasingly narrower, drier, and scarcer of vision. There are indie publishers out there, doing what they can to support and showcase the written word, and Voice, and I feel grateful and enriched by the countless books and authors I’ve discovered through my curiouser and curiouser seeking. Listed below are some favorites I’ve encountered in my intrepid literary travels.
Katya Apekina’s debut novel, The Deeper the Water the Uglier the Fish, compelled me to do something that I have not done in a very long time: read an entire book, cover to cover, in a single night.
There are certain writers who excel at meting out their prose with deceptive flatness, or muted lucidity (Raymond Carver and Marguerite Duras being two prime examples), and it is this “awesome simplicity,” of which the jazz musician Charles Mingus raved, which Apekina deftly demonstrates in her rendering of a searing family drama and modern American gothic.
Subtly weaving together a tapestry of voices and shifting perspectives, the novel centers on two teenage daughters—Edith, sixteen, and Mae, fourteen—who go to live with their dad in New York, after their mother has been hospitalized for a suicide attempt and breakdown.
Their dad, about whom Mae has no memories and Edith has a scattered scarcity…
*2018 Los Angeles Times Book Prize Finalist *Longlisted for The Crook’s Corner Book Prize *Longlisted for the 2019 VCU Cabell First Novelist Award *Shortlisted for the 2020 William Saroyan International Prize for Writing for Fiction *A Best Book of 2018 —Kirkus Reviews, BuzzFeed News, Entropy, LitReactor, LitHub *35 Over 35 Award 2018 *One of the Most Anticipated Books of the Fall —Vulture, Harper's BAZAAR, BuzzFeed News, Publishers Weekly, The Millions, Bustle, Fast Company
It’s 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs,…
