Books like Here Lies a Vengeful Bitch — picked by fans

I’m going even further back with this one. Unusual pick certainly, a YA novel from 1989 that I stole off my sister’s shelf circa 1994.

I was ten and ready for something darker than The Baby-Sitters Club. This was one of those early reads that made me want to write in the first place. The first real suspense book that had me staying up late, wondering how does one create a story like this? I still have that book, tattered and sitting on my shelf as a reminder of that first spark.

Christopher Pike is able to write stories to young readers in a timeless way. The nostalgia and sheer thrill from this story about a young woman who finds herself dead after falling four stories will bring you back to nights with covers over your head. Did she jump or was something more sinister behind her death? Only her… show more.

In an old mansion that has become a school for wayward girls, a series of troublesome deaths occur. The school is reminiscent of the horrible Lowood School in Jane Eyre, one of my all-time favorite books. The story unfolds across multiple timelines—I enjoyed the 1950s story the most. The crimes are solved in the present day by a determined heroine, and the supernatural element is well integrated into the plot.  

As a writer of crime thrillers, I also read a TON of crime thrillers. I also work in national security and law enforcement, and so finding a crime thriller that rings true is one of my great joys.

Don Winslow is an acknowledged master of crime fiction, one of the greatest of all time. But this book flies under the radar because it’s not a standalone novel or a chapter in one of his longer crime saga series. Rather, it’s a collection of six knock-down, drag-out crime novellas. Some of the stories follow familiar Winslow characters or take place in settings he’s already explored, but through a new lens. Every story is different, with characters and settings I loved, all imbued with Winslow’s gift for verisimilitude and wry turns of phrase. 

It’s a can’t-miss.

Unwed, broke, and over thirty, Mississippi native Sarah Booth Delaney may live on the family plantation, but take it from me; she’s no Scarlett O’Hara. And if the not-so-Southern Belle didn’t already have enough to contend with, she’s being haunted by the wise-cracking ghost of her great-great-grandmother’s nanny, who never misses an opportunity to remind her of the mess her life has become.

I burst out laughing when the irreverent ghost scolded Sarah Booth, saying her biological clock was ticking and she better start birthing babies before her eggs got too old and dried up! If you’re like me and love a sassy ghost poking fun at an unladylike sleuth, then this is the book for you.

This may be one of my favorite mysteries; I could barely put the book down. Granted, this title is not full of examples of faith precisely, but Agatha Christy was a devout Anglican (like C.S. Lewis). If one is going to write mysteries, one must appreciate Agatha Christy. She was an incredibly prolific author of some truly high-quality fiction. 

This was the first title I read of hers, and it set me on a path to begin collecting her books. This tale has so many elements that build tension and create a great mystery—from the isolation of the setting to suspicion and general confusion. It is a masterpiece of a whodunit.

I LOVE anti-heroes, and Okiku, as a vengeful ghost who horrifically kills child murderers, is perfect.

A lot of books end with a character’s trauma as if surviving is the only important part of the story. But Okiku didn’t survive her trauma-—and she is furious, taking out all her pain and rage on people who prey on the weak. When Okiku makes a connection with a lonely, cursed boy, she starts to wonder if she can help prevent tragedy instead of cleaning up after it. Through an unlikely friendship, Okiku and Tark come together and show that it’s never too late to heal.

If I’m making it sound like this is a sweet story of friendship and redemption, be warned—this book is terrifying.

A short and quick read set in the real world, this book pits a belief in science against an unexplainable supernatural element. We learn about photography and 1870s New York City while getting lost in a haunting ghost story.

Unlike many fantasies, this main character, Horace, fights a long time before he gives in to the possibility of a spirit realm. I enjoyed his battle with himself as he reasoned through it.

This book transported me to 1930s Singapore, a setting so vivid and immersive that I could almost feel the humidity and smell the frangipani trees. I was completely captivated by Su Lin, a young woman who is determined to carve her own path despite the barriers in her way.

The mystery was gripping, but what really made me love this book was Su Lin’s intelligence, resilience, and charm. Her story stayed with me long after I turned the last page.

I love a story that fills a space on the shelf that no one else has thought to create. Props to Lina Chern for giving this reader Katie True.

From the moment I met Katie, working at a decidedly unglamorous suburban mall shop while wondering why her life is...well, her life (and looking to Tarot cards among other places for answers), I knew this wasn’t another off-the-shelf mystery protagonist.

This book not only serves up a clever plot with offbeat supporting players in a unique yet oh-so-familiar setting; it reveals an everyday struggling young woman as a cool and quirky individual who is just trying to make her life into something meaningful.

I should mention, along the way, she solves a murder, proving her street smarts aren’t to be underestimated.

A Japanese ghost story, set in an imaginary, contemporary, Japanese town by a Singaporean first novelist.

I picked this out at Brighton Library because I liked the cover, but Clarissa Goenawan's Rainbirds has survived the goodreads treatment, so hopefully she's a writer to watch (I mean, there will be more of these).

Readers have recalled Haruki Murakami, because it's allegedly Japanese, and a bit off-kilter, but to me this dreamlike narrative seemed fresh and floating: ungrounded, not alienated. I thought of another Japanese writer, Kazuo Ishiguro, & The Buried Giant: a misty, off-kilter take on Arthurian Britain, in which everyone seems either asleep, or else making the journey the dead make to wherever they go, while dreaming the novel's action...

No, I give up, I can't explain the charm, you'd have to try it and see, & yes, those are goldfish, not any kind of birds on the cover, and… show more.