Here are 90 books that Selected Letters of John Updike fans have personally recommended if you like
Selected Letters of John Updike.
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Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
If you trained to be a jazz musician as I once did, or if you love jazz, you’ll be fascinated by this story (both autobiography and oral history from those who knew Pepper).
It includes also journalistic and critical literary assessments of his music and life that Art and Laurie Pepper include, but mostly, I was fascinated by Art’s own testimony of the struggles of a musician in the 1950s and ‘60s.
By the 70s, Pepper was trying to go straight, off drugs, and his long struggle with that issue is documented by him, his wife, and his colleagues and friends. But he was indeed straight in a different sense—he played beautiful, lyrical, straight-ahead jazz, no free form self-indulgence. So I got a wide view of the man and music through the oral history and through the journalists and critics who wrote essays about him.
Art Pepper (1925-1982) was called the greatest alto saxophonist of the post-Charlie Parker generation. But his autobiography, Straight Life , is much more than a jazz book,it is one of the most explosive, yet one of the most lyrical, of all autobiographies. This edition is updated with an extensive afterword by Laurie Pepper covering Art Pepper's last years, and a complete and up-to-date discography by Todd Selbert.
Stories, essays & dialogues about art, imagination & the erotic life. A young man named Charles writes a series of erotic tales, and his bookish friend Lisa offers light-hearted critiques of them.
Some stories feel like erotic meditations or random erotic moments in a young man's life. Others start with…
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
Well, the title and subtitle say it all. Who wouldn’t be interested? I certainly was.
But it’s not just the 50s-the 70s that we see in this history of the newspaper; we are taken right up into the recent 2000s, and all the changes and permutations and personalities involved. The author herself worked for the Voice, so it is an inside story too.
Also, it is not just a biography of the major American voice in alternative journalism covering art, film, music, and literature. It is an autobiography of many of the writers and artists who tell their own stories during their time at the Voice in oral history fashion.
I knew I was getting the real, if sometimes conflicting, skinny on the personalities and evolutions of the paper. I found the whole thing engaging from start to finish because of this direct personal quality in the way the history/biography…
A rollicking history of America's most iconic weekly newspaper told through the voices of its legendary writers, editors, and photographers.
You either were there or you wanted to be. A defining New York City institution co-founded by Norman Mailer, The Village Voice was the first newspaper to cover hip-hop, the avant-garde art scene, and Off-Broadway with gravitas. It reported on the AIDS crisis with urgency and seriousness when other papers dismissed it as a gay disease. In 1979, the Voice’s Wayne Barrett uncovered Donald Trump as a corrupt con artist before anyone else was paying attention. It invented new forms…
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
Cowley was at the center of the Lost Generation in Paris and America, but he also was instrumental in championing such post-WWII authors as Kerouac and Kesey, among others.
This biography covers all his roles and interactions with such authors throughout his life. I found the book often felt to me like a fascinating lecture on the literary life of the 1920s-80s from your favorite English professor in college. So much detail is filled in on the lives and works of the writers of the period as they fit into Cowley’s own work and life.
To take one great example, the story of how Cowley was more responsible than anyone else for rejuvenating Faulkner’s career after his books went out of print, in part through Cowley’s The Portable Faulkner. After Cowley’s labors on Faulkner’s behalf, the obscure Faulkner went on to get all his books reprinted, taught in college…
A finalist for the 2026 Andrew Carnegie Medal for Excellence in Nonfiction • Named a Best Book of the Year by The New Yorker
A delightful and majestic reckoning with the ascent of American fiction in the twentieth century through the prism of the under-known man who had an astonishing amount to do with it
Malcolm Cowley is not a household name today, but the American literary canon would look very different without him. A prototypical “man of letters” of his generation—Harvard University, a volunteer in the French ambulance corps in World War I, a rite of passage in Paris…
Family Recipes is the story of Vinny Marciano, owner of the most fabulously successful Italian restaurant in all of Upstate New York. All is pretty much hunky dory at Marciano’s Mangia House until the safe in the restaurant's business office is breached and the Marciano family’s secret heirloom recipes are…
Well, I’ve devoted my life to literature (to a lesser extent, to music) as a critic, professor, and author of eleven books, from fiction to criticism to collected journalism to memoir and poetry. I’ve won several awards and fellowships for my own work. So, literary history and biography/autobiography are in my territory, so to speak. You can find more about me and my books at my website.
Have you been to Paris? If so, you’ll love this book as I did for the great photography, which is the whole point.
Photographs of the places still surviving where Hemingway himself and the characters in his novels visit. A long time ago in Paris, I tried something of the sort myself, finding and visiting the sites named in The Sun Also Rises and A Moveable Feast, with only moderate success.
Friends of mine last year took this book along on a private tour of Hemingway’s Paris and found the guide followed this book closely. Each powerful photograph (mostly what the book contains) is accompanied by a paragraph or so of the site and its connection to the Hem.
I’d call this a photographic biography of Hemingway in Paris. If you place it in front of you while reading the Paris books, you’ll have a whole new experience, as…
Walk through the Streets of Paris with Ernest Hemingway.
In gorgeous black and white images, Hemingway's Paris depicts a story of remarkable passion for a city, a woman, and a time. No other city in any of his travels was as significant, professionally or emotionally, as was Paris. And it remains there, all of the complexity, beauty, and intrigue that Hemingway described in the pages of so much of his work.
It is all still there for the reader and traveler to experience the history, the streets, and the city. Restaurants, hotels, homes, sites and favorite bars are all detailed…
What is it about women in their forties, fifties and beyond? What’s that you say? They feel invisible? A bit boring? Something about menopause? No, actually, I was going to say they’re absolutely bloody brilliant. That’s why (especially after entering my own fifth decade) I wondered where all the kickass midlife women were on TV and in literature. One editor admitted to me once that it was ‘safer’ to write about younger women, that people weren’t so drawn to the midlife heroine. But the more I thought about it, the more I realised how many great stories just weren’t being told.
Amy is a 40-year-old single parent to
teenagers, who is suddenly given a second chance (thanks to a returning husband
and her old friend Talia).
It’s a relatable read about untrodden paths, the
choices we make and how life can take us in unexpected directions. Who hasn’t
sometimes wondered, “what if?” Amy gets to find out.
"A laugh-out-loud funny, pitch-perfect novel that will have readers rooting for this unlikely, relatable, and totally lovable heroine, The Overdue Life of Amy Byler is the ultimate escape-and will leave moms everywhere questioning whether it isn't time for a #momspringa of their own." -New York Journal of Books
Overworked and underappreciated, single mom Amy Byler needs a break. So when the guilt-ridden husband who abandoned her shows up and offers to take care of their kids for the summer, she accepts his offer and escapes rural Pennsylvania for New York City.
Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusualpet.
You can’t help but root for thirteen-year-old social underdog and theater nerd Nate Foster as he sneaks away from his “boring” hometown of Jankburg, PA, and takes a bus to New York City to audition for the lead role in a Broadway production of E.T., the Musical. Of course, things don’t go according to plan, but Nate’s spunk, humor, and fearlessness somehow get him through his longshot adventure in the big city. Federle’s warm and vivid characterizations and witty writing style make this one a winner for the whole family. (One caveat: Parents bothered by gay themes in middle-grade books—even understated ones, as here—might want to skip this one. Your loss.) Followed by two more: Fix, Six, Seven, Nate! and Nate Expectations.
“The Nate series by Tim Federle is a wonderful evocation of what it’s like to be a theater kid. Highly recommended.” —Lin-Manuel Miranda, star and creator of the musical, Hamilton
A New York Times Notable Book of the Year A Publishers Weekly Best Book of the Year A Slate Favorite Book of the Year
A small-town boy hops a bus to New York City to crash an audition for E.T.: The Musical in this winning middle grade novel that The New York Times called “inspired and inspiring.”
I became a historian of the American Revolution back in the early 1970s and have been working on that subject ever since. Most of my writings pivot on national politics, the origins of the Constitution, and James Madison. But explaining why the Revolution occurred and why it took the course it did remain subjects that still fascinate me.
The story of how the Continental Army suffered bitterly through the winter of 1777-78 at Valley Forge has been the subject of many books and the inspiration for many a patriotic myth. In this well-researched history, Bodle dispels many of those myths and carefully explains why the army had to stay so close to Philadelphia, when normally it would have moved further to the interior of Pennsylvania and sent many of its troops home for the winter. He provides a sophisticated account of the relationship between military needs and civilian politics, one that broadens our understanding of the Revolution.
Of the many dramatic episodes of the American Revolution, perhaps none is more steeped in legend than the Valley Forge winter. Paintings show Continentals huddled around campfires and Washington kneeling in the frozen woods, praying for his army's deliverance. To this day schoolchildren are taught that Valley Forge was the "turning point of the Revolution"-the event that transformed a ragged group of soldiers into a fighting army. But was Valley Forge really the "crucible of victory" it has come to represent in American history? Now, two hundred and twenty-five years later, Wayne Bodle has written…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
You might recognize Caleb Wilde from his prolific social media presence. And while Wilde’s funeral home is only about an hour from mine, that has nothing to do with the recommendation. What appealed to me about Confessions is Wilde’s naked honesty about the pervasiveness of death that many of us who work in the profession feel. Confessions is introspective, and at times funny, but my main takeaway is Wilde’s attempt to foster a more death-positive attitude with his text. Sure death is sad, and at times tragic, but there are life lessons to be learned and it doesn’t have to be a taboo subject in our culture.
"I tremble to say there's good in death, because I've looked in the eyes of the grieving mother and I've seen the heartbreak of the stricken widow, but I've also seen something more in death, something good. Death's hands aren't all bony and cold."-from Confessions of a Funeral Director
We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and-when it can be avoided no longer-letting the professionals take over.
Sixth-generation funeral director Caleb Wilde understands this reticence…
As a child, it was shocking to observe prejudice and bullying. I wanted with all my being to resist, to make things right. I trust that in this I am not alone. Juxtaposed, I remember instances of compassion and still feel grateful. My oldest brother Luke helped me think deeply about these kinds of events. In response, I dedicated myself to a career in music and arts in education. I felt blessed to bring students from different cultures together to build creativity, understanding, and community. I wanted to empower young people to voice their feelings and thoughts in the poetry, stories, and plays they wrote, set to music, and performed.
I found McBride’s novel a wild ride, full of humor, unexpected twists, and a dazzling array of quirky characters. Set in Chicken Hill, a neighborhood on the proverbial “other side of the tracks,” the residents––Blacks, Jews, Italians, the disabled, and other assorted folks––come to depend on each other. I admire how he treats all, except the bigots, with deep respect and love, notwithstanding their failings or moral flaws. After all, life is complicated.
McBride captures each of their individual dialects and rhythms of speech. So many characters! But every single one turns out to be necessary, because in the end it is the community they co-create that matters. Community, compassion, bonds across race, ethnicity, ability, and age: I believe this book carries an essential message for our time.
“A murder mystery locked inside a Great American Novel . . . Charming, smart, heart-blistering, and heart-healing.” —Danez Smith, The New York Times Book Review
“We all need—we all deserve—this vibrant, love-affirming novel that bounds over any difference that claims to separate us.” —Ron Charles, The Washington Post
From James McBride, author of the bestselling Oprah’s Book Club pick Deacon King Kong and the National Book Award–winning The Good Lord Bird, a novel about small-town secrets and the people who keep them
In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for…
David DeKok became interested in environmental disasters in his native Michigan in 1974, when PBB, a fire-retardant chemical, was accidentally mixed with animal feed, entered the food chain, and then most people in the state, probably including himself. As a journalist in Pennsylvania, he wrote extensively about the Centralia mine fire and the aftermath of the Three Mile Island nuclear accident, and is the author of four books. He tends to write about small towns and small-town people in crisis.
While this is not a comprehensive history of the TMI accident and its aftermath—none exists––you can happily read this book and understand the seriousness of what happened. It is not encumbered with anti-nuclear ideology, like some of the books written immediately after the accident were. It has many photos, a glossary of nuclear terms, and an index.
It was 5 a.m. at the nuclear power plant on an island in the middle of the Susquehanna River. Suddenly an alarm shrieked. Something was going wrong inside the plant. Within minutes human error and technical failure triggered the worst nuclear power accident in the United States and within hours, the eyes of the world were on Three Mile Island. Wilborn Hampton transports the readers to this pivotal moment in American history, telling the hour-by-hour story of covering the nuclear accident as a U.P.I. (United Press International) reporter. His fascinating account will compel readers to consider one of the most…
