100 Books Like Kiki's Memoirs

At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.

This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.

Having read well over two dozen books on the subject of French history, with a general focus on the especially vibrant period in Paris from the end of World War I to the beginning of World War II, and a laser focus on the 1920s, I find it nearly impossible to rank these five books in the order of their importance. That said, I am choosing this book as my 1st recommendation because at 416 pages, and richly illustrated by hundreds of stunning photographs and images, it casts the broadest, most comprehensive net over this extraordinary era. I proclaim the two decades in Paris that readers will discover in this book, to represent the most important international convergence of painters, sculptors, intellectuals, novelists, poets, playwrights, journalists, dancers, actors, choreographers, musicians, composers, photographers, designers, and fashionistas, in the history of the world. Do I exaggerate? Here is a very incomplete list,… show more.

This is a terrific coffee table-sized book with wonderful photographs of the sundry characters and vivid reproductions of paintings and other images. Here you’ll find a young, muscular Pablo Picasso with hair—on the beach in his bathing suit in front of Gerald & Sara Murphy’s villa on the Côte d’Azur. This privileged couple—he a fine avant-garde artist in his own right, and she, who became Picasso’s muse, a refined and elegant hostess—were patrons of the arts who surrounded themselves at their home with the young luminaries of the Jazz Age. Chapter headings in this stunning volume tell the tale.

At 174 large pages, this is a beautifully rendered and specific encapsulation of les années folles, from start to finish.

Due to the title, and the fact that the authors of this book edited my 3rd book, this may seem to be a redundant choice on my part. But I can assure the reader that it is not. Although a fine photo of Kiki also graces the cover, she plays a minor, more metaphoric role in the grand scheme of this large-format work, and only a handful of pages are devoted to her.

On the inside of the cover, and the first thick page to its right, one is presented with 96 roughly 1”x 2” black & white thumbnail photographs, not alphabetically arranged, but as it happens, beginning with a photo image of a portrait of Louis XIV in the top left corner and finishing in the bottom right corner of the following page with a photo of James Joyce. All those photos in between should tip off the reader… show more.

I love a good story about artists who refuse to play by the rules, and Kiki Man Ray was exactly that. Her story hit me because it’s all about pushing boundaries, no matter who tries to shut the door.

What I loved most was how alive this book made that era feel. It’s like I could almost hear the jazz, feel the cigarette smoke in the air, and get lost in the chaos of Montparnasse. It’s the kind of energy that makes you want to create and exist loudly and I love it!

Have you been to Paris? If so, you’ll love this book as I did for the great photography, which is the whole point.

Photographs of the places still surviving where Hemingway himself and the characters in his novels visit. A long time ago in Paris, I tried something of the sort myself, finding and visiting the sites named in The Sun Also Rises and A Moveable Feast, with only moderate success.

Friends of mine last year took this book along on a private tour of Hemingway’s Paris and found the guide followed this book closely. Each powerful photograph (mostly what the book contains) is accompanied by a paragraph or so of the site and its connection to the Hem.

I’d call this a photographic biography of Hemingway in Paris. If you place it in front of you while reading the Paris books, you’ll have a whole new experience, as… show more.

If this book doesn’t make you want to instantly move to Paris and become a writer living in a garret, there is something wrong with you.

It is very simply written in Hemingway’s straightforward style and is a reminder that you don’t have to write complicated sentences stuffed with overblown adjectives to tell a great story. An absolute classic and deservedly so. 

I knew very little about Ernest Hemingway before I read the book, so didn’t approach it as a fan of him wanting to know more.

The book came highly recommended, and I was intrigued by the women that surrounded this controversial figure. Mrs Hemingway covers parts of the lives of each of his four wives, each so differently and wonderfully told. We see Hadley, Fife, Martha, and Mary in relation to Hemingway, but there’s no doubt that this novel is all about them, their thoughts and emotions. It’s brilliantly written and masterfully conveys a sense of the time period too.

I’ve only been to Paris one time, but I feel as if I’ve been many times because I toured this city with Paula McLain and the story of Hadley Hemingway, Ernest’s first and most beloved wife. From the cafes to the cobbled streets to the parlors and apartments, I was engrossed. 

This is the wild story of Ernest Hemingway’s first wife. Hadley was a quiet twenty-eight-year-old woman who had given up on love until she met Ernest. Their whirlwind romance was ill-prepared for the fast living of Jazz Age Paris. It is a beautiful portrayal of love and loyalty, of art and heartbreak. 

If we want to understand medieval or modern Paris, we need to gain some familiarity with all of the stages along the way. Robb provides some episodic portraits of some of those stages, and the chapter on the eighteenth-century architect Charles-Axel Guillaumot is one of the most arresting discussions I’ve ever seen of how the actions of those living in one epoch can reverberate for generations to come. Guillaumot literally saved Paris from collapsing in on its medieval past by bracing up the swiss-cheese-like network of tunnels that had been left behind by its medieval quarry workers.