Books like Heart of Darkness

In a family of readers, my older sister was fascinated by the American Revolution, so I became a reader under that influence, gulping down biographies for kids. I trained as an academic historian but never really wanted to write academic history. Instead, I wanted to bottle that what-if-felt-like magic that I'd felt when I read those books as a kid. I became a journalist but still felt the pull of the past. So I wound up in that in-between slice of journalists who try to write history for readers like me, more interested in people than in complex arguments about historical cause and effect. 

I’ve always been drawn to the connection between the physical and the mental and how small, repeated actions shape who we become. I started searching for meaning because life knocked me to my knees and left me with questions I couldn’t ignore. Everything I thought I was certain about came undone, and I was left trying to figure out what to do with the pieces.

What I learned the hard way is that real change doesn’t come from answers; it comes from what we survive and who we decide to become afterward. I write from inside those lessons, where purpose is discovered through experience, missteps, and the resolve to keep going. These books will shape you—enjoy!

I’ve been passionate about absurdist literature since my early youth when we read Kafka’s Metamorphosis in school. Later in life, friends recommended Irving, Vonnegut, Bellow, and Boyle to me. I discovered Murakami, Mendoza, and Niven. Films like Common Wealth or The Last Circus by Spanish filmmaker Alex De La Iglesia, which are equally entertaining and thought-provoking, gave me the spark to start writing myself. I hope you enjoy the books on this list as much as I have!

In 2018, my wife and I walked the Pacific Crest Trail southbound with our four children—Canada to Mexico, 142 days, 2,650 miles. Aiden was sixteen, Georgie eleven. You cannot walk that far with your kids without thinking hard about what you are handing them, because you are handing it to them in real time, in front of you, all day. The books I keep returning to are the ones that take that seriously: inheritance that isn't money. A father's temper. A father's schemes. A way of staying put, or not. These are five that ask those questions, and the trail sharpened them for me.

I've enjoyed being frightened my whole life. From childhood, when I watched old monster movies on TV and read forbidden comic books by flashlight, I have always been a fan of scary films and books. To me, horror is one of the essential human emotions by which we interact with the world. The vampire has always been my favorite monster to fear. But over the years, I have watched bloodsuckers shift from monster to anti-hero and, finally, to sexy companion. Personally, I still prefer the old-school vampires of literature—nasty, mean, with blood-covered fangs and a cold, dead heart. Luckily, the scary OG vamps can still be found. Here are some of my favorites.

My passion for small islands began as a child. I spent my summer holidays on the Isles of Scilly, where everyone knew each other, and the sea wiped the landscape clean, leaving it pristine each morning. Since then, I’ve visited dozens of islands, keen to understand the islanders’ survivalist mindset. I worked as an English teacher before becoming a writer. It allowed me to share my love of storytelling, but the tales that linger with me still take place on small islands where the consequences of our actions are never forgotten. I hope you enjoy exploring the ones on my list as much as I did!

My greatest passion? Human nature and the endless cycles we repeat, different on the surface yet identical at their core. We build systems, cultures, and rules, destroy them, then rebuild everything in remarkably similar forms, as though we possessed no memory of the past. I have studied human nature throughout my life, but this passion took shape at university through cultural anthropology and comparative theology. Over thirty years, it has guided my work in developing human potential and talent, and has been refined further through working with thousands of people from more than 200 countries and territories. It is now the lens through which I write speculative fiction.

I am a professor emeritus of history and sociology, who has taught in universities in Canada and the UK. In the 20th century, Prague Castle was the seat of a gamut of modern political regimes, from democracy through fascism to communism. Gazing across the river at the Castle one night during my first visit to the city in early 1990, soon after the fall of communism, it occurred to me that there can be few better vantage points from which to rethink "the modern condition." My interest in imaginative histories, which montage details rather than attempting to provide an overarching grand narrative, stems from wrestling with how to communicate this complexity.

The excitement of new visions! Ever since growing up surrounded by Arabian deserts and then Iran’s mountains, I’ve been fascinated with diverse cultures. My path led me to Cairo and Berkeley for university and then onto Greece, Indonesia, and Italy. Today’s dominant world histories remain rooted in Anglo-American narratives. Only by challenging enshrined status quos, can we capture the truth, often long hidden. Now, an interest for critical storytelling may capture a fuller picture. History needs to be told not only from the point-of-view of the victors, but also the vanquished. Counter histories create bridges of dialogue, where there were none. This is what inspires me.

The excitement of new visions! Ever since growing up surrounded by Arabian deserts and then Iran’s mountains, I’ve been fascinated with diverse cultures. My path led me to Cairo and Berkeley for university and then onto Greece, Indonesia, and Italy. Today’s dominant world histories remain rooted in Anglo-American narratives. Only by challenging enshrined status quos, can we capture the truth, often long hidden. Now, an interest for critical storytelling may capture a fuller picture. History needs to be told not only from the point-of-view of the victors, but also the vanquished. Counter histories create bridges of dialogue, where there were none. This is what inspires me.