Here are 100 books that Brave New World fans have personally recommended if you like
Brave New World.
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I’m an innovator. I’ve been one since I was a kid. Since then, I’ve started a couple of non-profits and four companies, and I’ve advised hundreds of clients on innovation opportunities. I’ve also led the team that created one of the world’s first smartphones. Over the past dozen years, I’ve written four books on the strategy and capabilities of innovation. Innovation is one of the essential characteristics that make us human. It can get the world into trouble, but it does more good than harm on balance. My mission is to make us better at innovation and make the world a better place.
As a strategy consultant for over two decades, let me tell you: the world is full of bad strategy. This book lays out so clearly what makes bad strategy bad, as well as what good strategy consists of. Rumelt uses examples from business, of course, but he goes far beyond that realm, too.
The book opens with a description of how Admiral Horatio Nelson defeated Napoleon’s forces in the Battle of Trafalgar. Rumelt, a Professor at UCLA, gives recommendations that are specific, tied to examples, and actionable. I walked away with a clear set of takeaways and wonderful stories to back them up.
When Richard Rumelt's Good Strategy/Bad Strategy was published in 2011, it immediately struck a chord, calling out as bad strategy the mish-mash of pop culture, motivational slogans and business buzz speak so often and misleadingly masquerading as the real thing.
Since then, his original and pragmatic ideas have won fans around the world and continue to help readers to recognise and avoid the elements of bad strategy and adopt good, action-oriented strategies that honestly acknowledge the challenges being faced and offer straightforward approaches to overcoming them. Strategy should not be equated with ambition, leadership, vision or planning; rather, it is…
Harris Maloub, a killer with an erased official past, now in his fifties, is visited by someone who could not be alive and given an assignment. In Aarhus, Denmark, Jens Erik, police officer on pre-retirement leave, somehow cannot forget the body of a Black man recovered from the sea some…
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it explores the end of the world in the most intimate and emotional way possible.
What moved me deeply was not the apocalypse itself, but the quiet relationship between father and son, trying to preserve goodness in a world where goodness no longer seems to matter. I felt a constant weight while reading, as if hope itself was fragile and rare.
It made me reflect on what it truly means to carry faith and humanity when everything else is gone.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
The end of life is still a forbidden topic. Today, Baby Boomers, the largest population group in American history, are facing death. And nobody wants to talk about it!
Join Brad Stuart, M.D. as he shows how he learned the truth about dying over…
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
The book offers an in-depth exploration of how an anarchist, anti-capitalist society without money or government would work and juxtaposes it against a more familiar, wasteful, capitalist world. It's thought-provoking and can be a great tool for self-exploration because this world isn’t easy to live in and has its own challenges. Even though it took me a long time to get into the story, once I did, I was fascinated by all the details. It's unlike other stories. It offers ideas that don't often get explored in speculative fiction, and it left me with a lot to think about.
One of the very best must-read novels of all time - with a new introduction by Roddy Doyle
'A well told tale signifying a good deal; one to be read again and again' THE TIMES
'The book I wish I had written ... It's so far away from my own imagination, I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy Doyle
'Le Guin is a writer of phenomenal power' OBSERVER
The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous…
History is nearly always relegated to heavy tomes and stuffy museum rooms. Learning about our past seems no longer important, and we keep promoting it in such uncool and unsexy ways. I feel any of our histories, with either a capital or lower case ‘h’, whether focused on big world events or local life, deserve to be told in a special kind of way, with that sprinkle of “magic realism” only fiction authors can deliver. Alternative history, historical fiction, magic fabulism, they are the sides of the same dice creating new, different stories inspired by our collective memory of things that have happened. These books touch this topic so dear to me.
Reliving the lives of two famous Romans in a new fictional light is what makes this five-book series a dazzling example of magical realism. The entire settings, that is Ancient Rome during the Republic, is real and has existed in the form it is presented. The characters, though, have taken on a more personal shape, independent from the historical image we know. Caesar and Brutus become larger-than-life characters, allowing more to be told about them, their feelings, their ambitions, and giving us a version of them we may never read in history books. We become closer to them, and try to understand them more as human beings engulfed by history rather than historical figures. It is an unparalleled humanisation of history through fiction.
From the spectacle of gladiatorial combat to the intrigue of the Senate, from the foreign wars that secure the power of the empire to the betrayals that threaten to tear it apart, this is the remarkable story of the man who would become the greatest Roman of them all: Julius Caesar.
In the city of Rome, a titanic power struggle is about to shake the Republic to its core. Citizen will fight citizen in a bloody conflict - and Julius Caesar, cutting his teeth in battle, will be in the thick of the action.
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
This book is prophecy, power, and paranoia wrapped in a sandstorm.
It was the first book that showed me how deeply philosophy and politics could be embedded in a fantastical world. It taught me that “epic” doesn’t mean loud—it means legacy. I still marvel at Herbert’s precision—his control of tone, symbolism, and tension.
It’s the rare kind of book that makes you feel like you’re trespassing into something sacred and dangerous. Every time I return to it, I leave with something new—and a little unsettled.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
For nearly 40 years, I have studied and written about blending the business world and the spiritual side of life together. By spiritual, I mean everything to do with our purpose and why we exist. I refer to this as being ALIVE @ WORK ®. We spend countless hours at work doing a j-o-b, when what we want most is knowing that we are making a difference in our lives and the lives of others. The key is taking 100% responsibility for our lives, knowing we have the power to change them in an instant. You will find this thread woven through all of my books and those I recommend.
This book was a game-changer in helping to understand how quantum physics interacts with human behavior. It is a dense book with a great amount of research and science. That said, the point of the book is to explain, in an easily understandable way, how the practice of applied kinesiology can help guide us through life’s journey to discover simple truths.
I was introduced to this book back in 2009, and it started me on an incredible journey toward a better understanding of how the world works. It was instrumental in helping me to develop a Leadership Model in my 3rd book.
This classic text explores how we as individuals can move towards our ultimate potential through understanding human behaviour and enhancing our level of consciousness.
Building on the accumulated wisdom of applied kinesiology (diagnostic muscle-testing to determine the causes of allergies and ailments) and behavioural kinesiology (muscle-testing to determine emotional responses to stimuli), David R. Hawkins MD, PhD has taken muscle-testing to the next level, in an effort to determine what makes people and systems strong, healthy, effective and spiritually sound.
Power vs. Force has become a spiritual classic and massively influential across the world. Now, Dr Hawkins reflects on his…
Sci-fi has been part of my life since Sunday afternoons in front of the radio listening to Journey to the Moon and the original Quatermass serial. Then it was Doctor Who and Star Trek. Despite this, I have never written a serious sci-fi book until now, but I can boast of knowing all the characters in both the radio and TV sci-fi shows. I guess I can admit to being a Trekkie.
This book tells a strong story about censorship and has perhaps a "light" dystopian feel.
I liked this book because Bradbury’s characters are well drawn and, like Orwell, he creates a strong story. It reminded me of past events in the 30’s. A fireman, following orders to confiscate and destroy books because the authority does not want people to develop constructive thinking. Gradually turning against his boss, the fireman kills his boss and joins a group of people who memorise books and store content for the future.
I found this a thought-provoking story and hope that, considering the censorship laws we have today at home and in countries like Russia and Iran, this is one story that does not come true.
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.
My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.
As the eagerly-anticipated new film Blade Runner 2049 finally comes to the screen, rediscover the world of Blade Runner . . .
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn't 'retiring' them with his laser weapon, he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of animal life.
Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard's world things were…
What happens when you’re face-to-face with a truth that shakes you? Do you accept it, or pretend it was never there?
Award-winning author Mark A. Rayner smudges the lines between realist and fabulist, literary and speculative in this collection of stories that examines this question—what Homer called passing through The…
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
