Here are 100 books that Brave New World fans have personally recommended if you like
Brave New World.
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I’m an innovator. I’ve been one since I was a kid. Since then, I’ve started a couple of non-profits and four companies, and I’ve advised hundreds of clients on innovation opportunities. I’ve also led the team that created one of the world’s first smartphones. Over the past dozen years, I’ve written four books on the strategy and capabilities of innovation. Innovation is one of the essential characteristics that make us human. It can get the world into trouble, but it does more good than harm on balance. My mission is to make us better at innovation and make the world a better place.
As a strategy consultant for over two decades, let me tell you: the world is full of bad strategy. This book lays out so clearly what makes bad strategy bad, as well as what good strategy consists of. Rumelt uses examples from business, of course, but he goes far beyond that realm, too.
The book opens with a description of how Admiral Horatio Nelson defeated Napoleon’s forces in the Battle of Trafalgar. Rumelt, a Professor at UCLA, gives recommendations that are specific, tied to examples, and actionable. I walked away with a clear set of takeaways and wonderful stories to back them up.
When Richard Rumelt's Good Strategy/Bad Strategy was published in 2011, it immediately struck a chord, calling out as bad strategy the mish-mash of pop culture, motivational slogans and business buzz speak so often and misleadingly masquerading as the real thing.
Since then, his original and pragmatic ideas have won fans around the world and continue to help readers to recognise and avoid the elements of bad strategy and adopt good, action-oriented strategies that honestly acknowledge the challenges being faced and offer straightforward approaches to overcoming them. Strategy should not be equated with ambition, leadership, vision or planning; rather, it is…
Keelan Cavanaugh is fat. That’s why the government put him in prison.
They placed him in a Calorie Reduction Centre (CRC), where trained staff work to help him and many others slim down. Well, that was the intention, anyway. The powers that be had decided chubby citizens must either go…
I have always loved stories, and I love the clash of ideas – political and philosophical, religious and atheistic. And if you can put them together in a novel, so much the better. But I insist that it has to be a real story, with real characters, not ciphers. They must be inconsistent, their ideas half-formed and subject to change. And they must be allowed to put their point of view with their own voice, so I’m never entirely sure what the author thinks. The characters have to be people I can care about, people I can love or hate, people whose fate can cause me anxiety, sorrow, or joy.
I loved the way Dostoevsky took me deep inside the head of a murderer and showed how his crime almost destroyed him long before he was caught.
Though I found the killings shocking and appalling, I couldn’t help but sympathise with the killer as he fell apart. I later read that many of the characters represented currents of thought that were influential in Dostoyevsky’s day. Much of that went above my head, but that was okay because the characters were well-drawn and came across as real people, not ciphers.
One thing that shocked me was the crushing nature of the poverty that so many supposedly upper-class characters faced, and how low they had to stoop to survive it.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
I am the founder and principal of Work & Think, LLC., and help clients make complex decisions that include a realistic understanding of uncertainty. My Spangler Ethical Reasoning Assessment® (SERA®) is used across industries and around the world, enabling individuals to combine critical thinking and values to make complex decisions. I am a frequent keynote speaker, a corporate consultant, a researcher, and an author. My new book is Reasoning for Business. Learn more at my website.
I find this book answers questions many people ask: Why aren’t we always logical? What gets in the way of our making effective decisions?
I first read this book when I started my consulting practice and realized I needed to combine psychology with philosophy in teaching critical thinking in professional settings. People want to understand why we can be unreasonable in the first place. Kahneman’s book helped me improve my own thinking, making me aware of the ways my previous experiences quickly provide interpretations of new experiences.
I find the ability to “hit the pause button” regarding my response to a specific situation and to ask myself, “Is my immediate, intuitive response useful or misleading me?” is one of my most important insights from this book.
The phenomenal international bestseller - 2 million copies sold - that will change the way you make decisions
'A lifetime's worth of wisdom' Steven D. Levitt, co-author of Freakonomics 'There have been many good books on human rationality and irrationality, but only one masterpiece. That masterpiece is Thinking, Fast and Slow' Financial Times
Why is there more chance we'll believe something if it's in a bold type face? Why are judges more likely to deny parole before lunch? Why do we assume a good-looking person will be more competent? The answer lies in the two ways we make choices: fast,…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I’ve been obsessed with apocalyptic and dystopian stories for over a decade. For me, they are the books that strike right at the heart of what it means to be human. Reading about characters facing the very worst scenarios possible brings love, resilience, survival, and hope into sharp relief. Not to mention that they are often the most powerful page turners—I have lost so much sleep over these cautionary tales, staying up until the early hours, unable to put them down.
I’ve read this book twice and cried buckets both times.
It is a masterpiece – brutal and unflinching but also maintaining a kernel of hope as the man crosses a devastated landscape with his son, trying to keep him alive against the odds. The prose is stunning and piercing. There are some very disturbing parts of the story, but what shines through for me is human resilience, determination, and love.
I will absolutely read The Road again, but I have to leave a recovery gap between reads!
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
The book offers an in-depth exploration of how an anarchist, anti-capitalist society without money or government would work and juxtaposes it against a more familiar, wasteful, capitalist world. It's thought-provoking and can be a great tool for self-exploration because this world isn’t easy to live in and has its own challenges. Even though it took me a long time to get into the story, once I did, I was fascinated by all the details. It's unlike other stories. It offers ideas that don't often get explored in speculative fiction, and it left me with a lot to think about.
One of the very best must-read novels of all time - with a new introduction by Roddy Doyle
'A well told tale signifying a good deal; one to be read again and again' THE TIMES
'The book I wish I had written ... It's so far away from my own imagination, I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy Doyle
'Le Guin is a writer of phenomenal power' OBSERVER
The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous…
History is nearly always relegated to heavy tomes and stuffy museum rooms. Learning about our past seems no longer important, and we keep promoting it in such uncool and unsexy ways. I feel any of our histories, with either a capital or lower case ‘h’, whether focused on big world events or local life, deserve to be told in a special kind of way, with that sprinkle of “magic realism” only fiction authors can deliver. Alternative history, historical fiction, magic fabulism, they are the sides of the same dice creating new, different stories inspired by our collective memory of things that have happened. These books touch this topic so dear to me.
Reliving the lives of two famous Romans in a new fictional light is what makes this five-book series a dazzling example of magical realism. The entire settings, that is Ancient Rome during the Republic, is real and has existed in the form it is presented. The characters, though, have taken on a more personal shape, independent from the historical image we know. Caesar and Brutus become larger-than-life characters, allowing more to be told about them, their feelings, their ambitions, and giving us a version of them we may never read in history books. We become closer to them, and try to understand them more as human beings engulfed by history rather than historical figures. It is an unparalleled humanisation of history through fiction.
From the spectacle of gladiatorial combat to the intrigue of the Senate, from the foreign wars that secure the power of the empire to the betrayals that threaten to tear it apart, this is the remarkable story of the man who would become the greatest Roman of them all: Julius Caesar.
In the city of Rome, a titanic power struggle is about to shake the Republic to its core. Citizen will fight citizen in a bloody conflict - and Julius Caesar, cutting his teeth in battle, will be in the thick of the action.
A novel about becoming, healing and courage, which spans over 40 years, interweaving complex characters from different worlds, all gravitating around a common timeless axis: the desire for happiness.
Lia, a tenacious woman who has been working successfully on her own for many years, starts a new project, one that…
My love of fiction began when my parents took my brother and me to see Star Wars. Somewhere between the lightsabers, giant screen, and speaker on one window, I fell in love with imaginary worlds. From there, I moved through Star Trek, mystery novels, science fiction, and many of the biggest names across multiple genres. Fantasy, though, has always held a special place in my life. I've written ten books in my epic fantasy series, with six currently published, and I have two more series in the works. I have spent years reading, writing, and getting happily lost in invented worlds. I hope you enjoy the books on my list as much as I have.
I’m a fan of Dune because it feels larger than science fiction and more enduring than almost any genre label can contain.
I admire the depth of Frank Herbert’s worldbuilding, the strength of his prose, and the narrative weight carried by his characters and ideas. I return to books like this because they helped define what speculative fiction could become.
I also value Dune as a work of its own time. I do not want foundational novels rewritten to imitate modern language or contemporary storytelling habits. I want them preserved, studied, and experienced as they were written. To me, the best way to keep a genre alive is not to alter its past, but to let new authors build upon it with voices of their own.
Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.
Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's lifespan to making interstellar travel possible. And it can only be found on a single planet: the inhospitable desert world of Arrakis.
Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.
Sci-fi has been part of my life since Sunday afternoons in front of the radio listening to Journey to the Moon and the original Quatermass serial. Then it was Doctor Who and Star Trek. Despite this, I have never written a serious sci-fi book until now, but I can boast of knowing all the characters in both the radio and TV sci-fi shows. I guess I can admit to being a Trekkie.
This book tells a strong story about censorship and has perhaps a "light" dystopian feel.
I liked this book because Bradbury’s characters are well drawn and, like Orwell, he creates a strong story. It reminded me of past events in the 30’s. A fireman, following orders to confiscate and destroy books because the authority does not want people to develop constructive thinking. Gradually turning against his boss, the fireman kills his boss and joins a group of people who memorise books and store content for the future.
I found this a thought-provoking story and hope that, considering the censorship laws we have today at home and in countries like Russia and Iran, this is one story that does not come true.
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.
My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.
As the eagerly-anticipated new film Blade Runner 2049 finally comes to the screen, rediscover the world of Blade Runner . . .
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn't 'retiring' them with his laser weapon, he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of animal life.
Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard's world things were…
The end of life is still a forbidden topic. Today, Baby Boomers, the largest population group in American history, are facing death. And nobody wants to talk about it!
Join Brad Stuart, M.D. as he shows how he learned the truth about dying over…
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
