Here are 16 books that Havoc fans have personally recommended if you like
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The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
'Abdullah's legal thrillers make John Grisham seem like a maiden aunt' Sunday Times Crime Club
'An enthralling, heartbreaking and thrilling courtroom drama that had me shouting out loud and gripped until the last page' Nadine Matheson, author of The Jigsaw Man
'Brilliantly tense, this is another clever page turner from Kia Abdullah that I couldn't put down. Just superb' Louise Hare, author of This Lovely City
'Twists and turns aplenty . . . The author's greatest strength lies in her sensitive and relatable description of the relationship between sisters Leila…
I am a queer writer who lovers to read and write mystery and crime fiction. The history of these genres is often full of homophobic stereotypes and scapegoating of queer characters. While I think it’s important to show queer characters as flawed, I also want to make sure to celebrate the contributions of queer writers to these messy, wonderful genres.
This book deserves all the comparisons to Patricia Highsmith’s The Talented Mr. Ripley—but despite the similarities of the setting and genre, it’s so much more than an imitation.
The story is unique and unbearably tense. While I read, I felt like I was watching a Hitchcock movie: the dread and apprehension felt so palpable and painful that I had to keep reading because I couldn’t stand not knowing how it would turn out.
An L.A. Times Book Prize Finalist | An O Magazine Best Book of the Year
“Stylish… a compelling take on the eternal question of how good people morph into criminals. Terrific.”—People, Book of the Week
From the author of The Destroyers comes an "intricately plotted and elegantly structured" (Newsday) story of intrigue and deception, set in contemporary Venice and featuring a young American couple who have set their sights on a risky con.
When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation.…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Placing the reader squarely into the mind and sensibility (if you can call it that) of a sociopathic killer, Ms. Highsmith created an entirely new type of thriller; in this case, the reader is not so much concerned with whodunit as to why hedunit. Following Mr. Ripley across Europe and witnessing his extended string of crimes and the extensive web of lies he weaves--and his appreciation for the finer things in life, I was both enthralled and repulsed by his exploits. In a weird way, I admired him and found myself rooting for him. To create the interior life of such a repugnant human being, and to do it so well, is a great achievement in fiction. Not since Humbert Humbert have I read about such a likable criminal.
It's here, in the first volume of Patricia Highsmith's five-book Ripley series, that we are introduced to the suave Tom Ripley, a young striver seeking to leave behind his past as an orphan bullied for being a "sissy." Newly arrived in the heady world of Manhattan, Ripley meets a wealthy industrialist who hires him to bring his playboy son, Dickie Greenleaf, back from gallivanting in Italy. Soon Ripley's fascination with Dickie's debonair lifestyle turns obsessive as he finds himself enraged by Dickie's ambivalent affections for Marge, a charming American dilettante, and Ripley begins a deadly game. "Sinister and strangely alluring"…
I’ve become fascinated with the unconventional tumultuous world of the 1920s ever since I discovered my grandmother’s box of mementos that led to my debut historical fiction, Whistling Women and Crowing Hens. The lesser-known parts of our country’s history draw me in, and the potential for strong female characters keeps me writing. Before I fell down many research rabbit holes, I thought the 1920s were just speakeasies, fringed flappers, and bathtub gin—while entertaining, it’s only the “big city” side of this transformative decade. I’ve found I prefer reading what everyday townspeople experienced, or how “normal” women became unexpected heroes, or ways people persevered after the turmoil WWI caused. There are so many undiscovered stories to be told!
I love character rich, slow-burn reads and Waters always delivers.
The Paying Guests is set in 1922 London and eloquently (with psychological twists) reveals the effects of post-WWI. During the war, the protagonist, 27-year-old Francis, had found her independence in many liberating ways, and Mrs. Wray, her mother, clung to her genteel social status. Now that her husband and sons are dead, they’re forced to scrub their own floors and take in boarders, i.e., “paying guests,” Leonard and Lillian, a modern lower-class couple, in order to keep their home.
I never suspected what would ensue—from clandestine lovers to empowered women, to murder. Waters paints the changing times, social constraints, and class distinctions with a fine-tipped pen.
This novel from the internationally bestselling author of The Little Stranger, is a brilliant 'page-turning melodrama and a fascinating portrait of London of the verge of great change' (Guardian)
It is 1922, and London is tense. Ex-servicemen are disillusioned, the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband and even servants, life is about to be transformed, as impoverished widow Mrs Wray and her spinster daughter, Frances, are obliged to take in lodgers.
I’m a historical mystery writer, English teacher, and book reviewer for Lambda Literary. I love to write and explore buried and forgotten histories, particularly those of the LGBTQ+ community. Equally, I’m fascinated by the ways in which self-understanding eludes us and is a life-long pursuit. For that reason, as a reader, I’m attracted to slow burn psychological suspense in which underlying, even subconscious, motivations play a role. I also love it when I fall for a character who, in life, I’d find corrupt or repulsive.
One of the qualities of mystery fiction that continues to draw me to the genre is the complex interplay between past and present. Nava’s 8th Rios novel utilizes separate narrative lines that resonate and then, like a parallel perspective drawing, converge in a powerful emotional twist. The first line is the story of Bill Ryan, a young gay man who, after being cast out of his home in Illinois, flees to 1970s San Francisco to discover himself and the gay community. The second line is Rios’s recovery from alcoholism and his investigation of Ryan’s suspicious death during the beginning of the AIDS epidemic. Ryan and Rios serve as foils: Ryan is a man losing the war with his self-loathing. Rios, in contrast, is winning his war.
November, 1984. Criminal defense lawyer Henry Rios, fresh out of rehab and picking up the pieces of his life, reluctantly accepts work as an insurance claims investigator and is immediately is assigned to investigate the apparently accidental death of Bill Ryan. Ryan, part of the great gay migration into San Francisco in the 1970s, has died in his flat of carbon monoxide poisoning from a faulty gas line, his young lover barely surviving. Rios’s investigation into Ryan’s death–which Rios becomes convinced was no accident–tracks Ryan’s life from his arrival in San Francisco as a terrified 18-year-old to his transformation into…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I was born and grew up in Seoul. My bestselling debut novel has been longlisted for the 2024 Women’s Prize for Fiction and the 2024 Wilbur Smith Adventure Writing Prize and shortlisted for the 2024 William Saroyan International Prize for Writing. My book is inspired by my great-aunt, one of the oldest women who had escaped alone from North Korea. It is available from Harper Perennial in the U.S. and Virago in the UK. The novel’s translations continue to meet readers worldwide, including in Italy, Romania, Greece, Denmark, Spain, Switzerland, and South Korea.
Eileen is one of the most twisted and unconventional literary heroines I’ve ever read. Behind her quiet demeanor and dull face hides her mind, which is like a killer’s, always furious and seething.
While working at a juvenile correctional facility, Eileen meets Rebecca, another key character far removed from most women of their generation. Seductive and deceitful, Rebecca cajoles Eileen into joining her act of crime–a violent, underhanded plan to restore her idea of justice.
Shortlisted for the 2016 Man Booker Prize and chosen by David Sedaris as his recommended book for his Fall 2016 tour.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes-a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.
It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.
“Oliver Twist with a twist…Waters spins an absorbing tale that withholds as much as it discloses. A pulsating story.”—The New York Times Book Review
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man,…
Now a Major Motion Picture from Director Luca Guadagnino, Starring Armie Hammer and Timothee Chalamet, and Written by James Ivory
WINNER BEST ADAPTED SCREENPLAY ACADEMY AWARD Nominated for Four Oscars
A New York Times Bestseller A USA Today Bestseller A Los Angeles Times Bestseller A Vulture Book Club Pick
An Instant Classic and One of the Great Love Stories of Our Time
Andre Aciman's Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliffside mansion on the Italian Riviera. Each is unprepared…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Author
Christopher Castellani stumbled onto quite the rich
playground when he first read about the life of Frank Merlo in a book he
found in a used bookstore.
The partner of Tennessee Williams for 15 years,
Merlo was a working-class New Jersey boy from an Italian family, and a war
hero, who also worked as the legendary playwright’s personal assistant during
the height of his career. Merlo, however, had creative aspirations of his own.
He wanted to be an actor.
Leading Men reimagines the pair’s life
together in a griping work of historical fiction. Set in the Italian Riviera in
the 1950s, the book pulls back the curtain on their tumultuous relationship,
the literary and film circles of 1950s Italy, and the burdens of fame.
An expansive yet intimate story of desire, artistic ambition, and fidelity, set in the glamorous literary and film circles of 1950s Italy
In July of 1953, at a glittering party thrown by Truman Capote in Portofino, Italy, Tennessee Williams and his longtime lover Frank Merlo meet Anja Blomgren, a mysterious young Swedish beauty and aspiring actress. Their encounter will go on to alter all of their lives.
Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film…
